John Betjeman (1906-1984) was not only one of the best-loved Englishmen of the twentieth century, he was also the people's favourite poet and champion of many causes linked to the preservation of Britain's heritage. Whether those causes concerned buildings, bridges or railway branch lines, Betjeman was a feared adversary of bureaucratic excesses. This delightful little book is a celebration of his love of railways and rail travel. Ten letters selected by his daughter, Candida Lycett Green, each describe a journey that he made or that he planned to make or that he planned for a friend or relative. Jonathan Glancey has added his own words to each letter; words that set the scene, bring the letters to life, that describe Betjeman's moods - humorous, mischievous, brisk for business - and above all, remind us of the age of the steam locomotive in Britain and the many stations closed and track miles lost during the sixties and seventies.

Between soaring mountains, across arid deserts, parched plains and valleys of fruit orchards and olive groves, down glittering coastlines and along viaducts towering above plunging ravines... there is no better way to see Spain than by train. Rail enthusiast Tom Chesshyre, author of Slow Trains to Venice, Ticket to Ride and Tales from the Fast Trains, hits the tracks once again to take in the country through carriage windows on a series of clattering rides beyond the popular image of "holiday Spain" (although he stops by in Benidorm and Torremolinos too). From hidden spots in Catalonia, through the plains of Aragon and across the north coast to Santiago de Compostela, Chesshyre continues his journey via Madrid, the wilds of Extremadura, dusty mining towns, the cathedrals and palaces of Valencia and Granada, and finally to Seville, Andalusia's beguiling (and hot) capital. Encounters? Plenty. Mishaps? A lot. Happy Spanish days? All the way.

In this innovative collection, Louis Owens blends autobiography, short fiction, and literary criticism to reflect on his experiences as a mixedblood Indian in America.

In sophisticated prose, Owens reveals the many timbres of his voice--humor, humility, love, joy, struggle, confusion, and clarity. We join him in the fields, farms, and ranches of California. We follow his search for a lost brother and contemplate along with him old family photographs from Indian Territory and early Oklahoma. In a final section, Owens reflects on the work and theories of other writers, including Gayatri Chakravorty Spivak, Gerald Vizenor, Michael Dorris, and Louise Erdrich.

"Volume 40 in the American Indian Literature and Critical Studies Series"