This open access peer-reviewed volume was inspired by the UNESCO UNITWIN Network for Underwater Archaeology International Workshop held at Flinders University, Adelaide, Australia in November 2016. Content is based on, but not limited to, the work presented at the workshop which was dedicated to 3D recording and interpretation for maritime archaeology. The volume consists of contributions from leading international experts as well as up-and-coming early career researchers from around the globe. The content of the book includes recording and analysis of maritime archaeology through emerging technologies, including both practical and theoretical contributions. Topics include photogrammetric recording, laser scanning, marine geophysical 3D survey techniques, virtual reality, 3D modelling and reconstruction, data integration and Geographic Information Systems. The principal incentive for this publication is the ongoing rapid shift in the methodologies of maritime archaeology within recent years and a marked increase in the use of 3D and digital approaches. This convergence of digital technologies such as underwater photography and photogrammetry, 3D sonar, 3D virtual reality, and 3D printing has highlighted a pressing need for these new methodologies to be considered together, both in terms of defining the state-of-the-art and for consideration of future directions. As a scholarly publication, the audience for the book includes students and researchers, as well as professionals working in various aspects of archaeology, heritage management, education, museums, and public policy. It will be of special interest to those working in the field of coastal cultural resource management and underwater archaeology but will also be of broader interest to anyone interested in archaeology and to those in other disciplines who are now engaging with 3D recording and visualization.

Two of the questions most frequently asked by archaeologists of sites and the objects that populate them are 'How old are you?' and 'Where are you from?' These questions can often be answered through archaeometric dating and provenance analyses. As both archaeological sites and objects, shipwrecks pose a special problem in archaeometric dating and provenance because when they sailed, they often accumulated new construction material as timbers were repaired and replaced. Additionally, during periods of globalization, such as the so-called Age of Discovery, the provenance of construction materials may not reflect where the ship was built due to long-distance timber trade networks and the global nature of these ships' sailing routes. Accepting these special challenges, nautical archaeologists must piece together the nuanced relationship between the ship, its timbers, and the shipwreck, and to do so, wood samples must be removed from the assemblage. Besides the provenance of the vessel's wooden components, selective removal and analysis of timber samples can also provide researchers with unique insights relating to environmental history. For this period, wood samples could help produce information on the emergent global economy; networks of timber trade; forestry and carpentry practices; climate patterns and anomalies; forest reconstruction; repairs made to ships and when, why, and where those occurred; and much more. This book is a set of protocols to establish the need for wood samples from shipwrecks and to guide archaeologists in the removal of samples for a suite of archaeometric techniques currently available to provenance the timbers used to construct wooden ships and boats. While these protocols will prove helpful to archaeologists working on shipwreck assemblages from any time period and in any place, this book uses Iberian ships of the 16th to 18th centuries as its case studies because their global mobility poses additional challenges to the problem at hand. At the same time, their prolificacy and ubiquity make the wreckage of these ships a uniquely global phenomenon.

It is commonly recognized that the Cedars of Lebanon were prized in the ancient world, but how can the complex archaeological role of the Cedrus genus be articulated in terms that go beyond its interactions with humans alone? And to what extent can ancient ships and boats made of this material demonstrate such intimate relations with wood? Drawing from object-oriented ontologies and other 'new materialisms,' Cedar Forests, Cedar Ships constructs a hylocentric anti-narrative spreading from the Cretaceous to the contemporary. With a dual focus on the woods and the watercraft, and on the considerable historical overlap between them, the book takes another step in the direction of challenging the conceptual binaries of nature/culture and subject/object, while providing an up-to-date synthesis of the relevant archaeological and historical data. Binding physical properties and metaphorical manifestations, the fluctuating presence of cedar (forests, trees, and wood) in religious thought is interpreted as having had a direct bearing on shipbuilding in the ancient East Mediterranean. Close and diachronic excavations of the interstices of allure, lore, and metaphor can begin to navigate the (meta) physical relationships between the forested mountain and the forest afloat, and their myriad unique realities.

Amphorae in the Eastern Mediterranean has been designed to share the subject of amphorae which were found on the Mediterranean coast of Turkey with the wider scholarly community. Amphorae from the shipwrecks discovered during underwater research, as well as the amphora specimens held in the region's largest museum, Antalya Museum, are examined. To widen the scope of the book, the Aydin Aytug collection, which consists of amphorae collected in the region, is also included. Mediterranean amphorae which have not been found during excavations and underwater research undertaken by the author's team up to now, are also presented. The amphorae and amphora-laden shipwrecks that are examined derive from the research carried out between 2011 and 2015, conducted in Antalya province in Lycia, Pamphylia and Rough West Cilicia regions, and off the coast of Silifke, which is a part of Rough East Cilicia. This research has obtained a wealth of new information, leading to a fresh look at the archaeology in this area.

more than twenty-five years ago, John Cherry looked forward to the day when archaeological survey projects working around the Mediterranean region (the 'Frogs round the pond') would begin to compare and synthesize the information they had collected. He anticipated researchers tackling big questions of inter-regional scope in new and interesting ways, working at a geographical scale considerably larger than that of the individual survey. Was his optimism misplaced? Despite the extraordinary growth of interest in field survey projects and regional analysis, and despite the developments in survey methodology that have been discussed and implemented in the past two decades, few scholars have attempted to use survey data in a comparative mode and to answer the broad-scale questions confronting social historians. In this volume, which is the outcome of an advanced Workshop held at the University of Michigan in 2002, a number of prominent archaeologists return to the question of comparability. They discuss the potential benefits of working in a comparative format, with evidence from many different Mediterranean survey projects, and consider the practical problems that present roadblocks to achieving that objective. From mapping and manuring to human settlement and demography, environment and culture, each addresses different questions, often with quite different approaches; together they offer a range of perspectives on how to put surveys "side-by-side". Contributors include Susan E Alcock, John Cherry, Jack L Davis, Peter Attema, Martijn van Leusen, James C Wright, Robin Osborne, David Mattingly, T J Wilkinson, and Richard E Blanton.

In 1995, Texas Historical Commission underwater archaeologists discovered the wreck of La Salle's La Belle, remnant of an ill-fated French attempt to establish a colony at the mouth of the Mississippi River that landed instead along today's Matagorda Bay in Texas. During 1996-1997, the Commission uncovered the ship's remains under the direction of archaeologist James E. Bruseth and employing a team of archaeologists and volunteers. Amid the shallow waters of Matagorda Bay, a steel cofferdam was constructed around the site, creating one of the most complex nautical archaeological excavations ever attempted in North America and allowing the archaeologists to excavate the sunken wreck much as if it were located on dry land. The ship's hold was discovered full of everything the would-be colonists would need to establish themselves in the New World; more than 1.8 million artifacts were recovered from the site. More than two decades in the making, due to the immensity of the find and the complexity of cataloging and conserving the artifacts, this book thoroughly documents one of the most significant North American archaeological discoveries of the twentieth century.

The 10th International Symposium on Boat and Ship Archaeology was held in Roskilde, Denmark in 2003. The theme of the meeting was "Connected by the Sea", and was designed to emphasise the role of the sea, seafaring and watercraft as bridges rather than barriers. Maritime archaeology tends to take place within national borders, with a national focus, yet the very premise of seafaring is the desire to travel beyond the horizon to establish contact with other places and cultures. The conference theme was chosen to encourage the maritime archaeological community to think in international terms.

Combining his skills as a veteran journalist and well-practiced storyteller with his two decades of underwater adventures in maritime archaeology, Carl Naylor offers a candid account of remarkable discoveries in the Palmetto State's history and prehistory. Through a mix of personal anecdotes and archaeological data, Naylor's memoir documents his experiences in the service of the Maritime Research Division of the South Carolina Institute of Archaeology and Anthropology.
This insightful survey of Naylor's distinguished career is highlighted by his firsthand account of serving as diving officer for the raising of the Confederate submarine H. L. Hunley in 1996 and the subsequent investigation of its victim, the USS Housatonic. He also recounts tales of dredging the bottom of an Allendale County creek for evidence of the earliest Paleoindians, exploring the waters of Port Royal Sound for a French corsair wrecked in 1577, searching for evidence of Hernando de Soto's travels through South Carolina in 1540, and other explorations. Naylor's narrative serves as an authoritative personal account of South Carolina's ongoing efforts to discover and preserve evidence of its own remarkable maritime history.

This book is a guide to the study of the most marvelous structures ever built by humankind–wooden ships and boats. It is intended for nautical archaeologists and for anyone charged with documenting and interpreting the remains of wrecked or abandoned vessels. It will also be of value to historians, authors, model builders, and others interested in the design and construction of wooden watercraft of the past. The text is divided into three parts. The first introduces the discipline and presents enough basic information to permit the untrained reader to understand the analysis of ship and boat construction that follows. Part II is broken into three chapters that investigate ancient, medieval, and post-medieval shipwrecks and supporting documentation. Not all of the world's ship and boat excavations can be included in this single volume; nautical archaeology has progressed too far for that. Instead, these three chapters have been assembled to represent a cross section of shipbuilding technology as seen through the interpretation of a select group of finds. Part III addresses the techniques of recording hull remains, assembling archival information, reconstructing vessels, and converting data into plans and publication. It is by no means a ""how-to"" section. Sites, logistics, and the wrecks themselves vary so much that, like wooden shipbuilding, this discipline can never become an exact science. Rather, the third part of the book discusses work done on previous projects and suggests additional methods that might prove helpful to readers in their own endeavors. The book contains an illustrated glossary, specifically designed for archaeological use. There is also a select bibliography, annotated where titles do not indicate content and arranged in historical groups to provide sources for most areas of research.

Ships and Guns brings together experts from the field of historic artillery and underwater archaeologists to present a series of papers which focus on the development of naval ordnance in Europe and, especially, Venice, in the 15th17th centuries, as exemplified by the maritime archaeological resource. Subjects include Venetian ordnance in shipwrecks of the Mediterranean and Atlantic, the race to develop big calibres in the first war of Morea, Genoese ordnance aboard galleys in the 16th century, the strategic logistics of guns at sea during the Spanish armada of 1588 and ships and guns of the Tudor navy. Often specialists in ordnance study artefacts recovered from wrecks without a complete knowledge of the archaeological context from which they have been recovered. Archaeologists investigating the context of the objects on the other hand, often do so with only a superficial knowledge of historic artillery. This volumes hopes to redress the balance, and also to present a large amount of information, often concerning little-known wrecks, on this important but under-published subject area.

The craftsmanship of longboat-building is not something we can draw on today, so when the Viking Ship Museum, Roskilde wanted to look into this ancient skill, they needed to track down people who still had the tradition of boat-building in their culture. This book looks at the boat-building and culture of the Punan Bah people of Borneo and then puts the longboat in its wider cultural-historical perspective.

Traffici commerciali e approdi portuali nella Sardegna meridionale riguarda lo studio dei flussi commerciali della costa meridionale della Sardegna nella tarda antichita, attraverso i ritrovamenti subacquei, le analisi dei contenitori anforici e gli ipotetici luoghi d'attracco. Le indagini subacquee condotte lungo le coste meridionali negli ultimi anni stanno consentendo di ampliare il registro informativo, evidenziando molteplici situazioni di possibili carichi di relitti, di tipo soprattutto eterogeneo, come a Cagliari, Nora (Pula) e nei mari del Sulcis. In particolare, il porto di Cagliari era coinvolto nei percorsi commerciali e forse nelle attivita di trasbordo. Lo studio delle anfore e indissolubilmente legato agli aspetti economici e sociali. I materiali e i contesti inclusi in questo lavoro sono originari di tutta l'area mediterranea (Sud Italia-Sicilia, Gallia, Betica, Lusitania, Nord Africa, Mediterraneo orientale). Un altro aspetto del lavoro riguarda l'analisi dei contesti archeologici subacquei dei reperti anforici studiati, con l'obiettivo di comprendere il grado di sfruttamento di ciascuna area costiera, attraverso un approccio subacqueo, geomorfologico e storiografico. Questo studio puo contribuire ad una maggiore conoscenza del ruolo della Sardegna meridionale nel commercio mediterraneo e le sue risorse ne hanno indubbiamente influenzato, direttamente e indirettamente, il coinvolgimento negli antichi traffici marittimi e negli scambi commerciali.

In the Imperial Age, many ports in Italy had been built in opus coementicium. The most important ones were in Latium (eg. Portus Romae, Antium and Centumcellae), in the Phlegrean Fields (portus Iulius, Misenum, Puteoli and Baiae) and along the northern-Adriatic coast (Classis-Ravenna, Aquileia and Altino). The military fleets of Augustus, in particular, were quartered in the ports of Classis and Misenum. Most Roman ports were located at river mouths and/or in lagoon areas and were connected with inland areas by rivers or artificial canals. For this reason, port structures (piers and warehouses) were set at some distance from the sea, as in Rome (Emporium of Testaccio along the Tiber), in Pisa-San Rossore and in the Po valley. In Late Antiquity many of the Roman ports gradually fell into disuse while others continued until the 7th century. In Ravenna, however, a new port settlement, known as Civitas Classis, came into being in the 5th century, after the creation of the suburb of Portus Romae. In the Early Middle Ages, the northern-Adriatic coast became very important in connection with trade with Constantinople. New settlements equipped with timber port structures were created at Comacchio, Cittanova and in the Venetian lagoon. If maritime trade in the Tyrrhenian Sea decreased (although to a lesser extent in Byzantine towns like Naples), river-borne traade was still dynamic and often managed by abbeys and other ecclesiastical institutions. According to historical sources, many river wharves were located along the Po while San Vincenzo abbey managed the Volturno river. The Carolingian river wharves of San Vincenzo were composed of timber, stone and, according to the Roman tradition, concrete structures. A slow recovery of maritime trades is already evident in the Carolingian Age. This book analyses the Roman and early medieval ports of Italy and the building techniques used in their structures; it displays the elements of continuity and discontinuity revealed during these centuries.

There is little to distinguish the pirate from the average sailor in the archaeological record. Virtually every pirate-related site yet excavated would not be identified as such without the accompanying historical record. The contributors to this volume combine both material culture and archival research to confirm the exploits of pirates and the ships they sailed. Expanding on the widely successful X Marks the Spot, Pieces of Eight explores the newest findings in the maritime archaeology of piracy. They examine the latest discoveries at Captain Henry Morgan's encampments and recount William Kidd's epic capture of the Quedagh Merchant in the Indian Ocean. Other chapters include explorations of Blackbeard's Queen Anne's Revenge, Bartholomew "Black Bart" Robert's Ranger, and even Hollywood's portrayal of pirates. Pieces of Eight is a thrilling and eye-opening view of pirate life - as well as the final underwater resting places of their ships.

In The Origins of the Lost Fleet of the Mongol Empire, Randall Sasaki provides a starting point for understanding the technology of the failed Mongol invasion of Japan in 1281 CE, as well as the history of shipbuilding in East Asia. He has created a timber category database, analyzed methods of joinery, and studied contemporary approaches to shipbuilding in order to ascertain the origins and types of vessels that composed the Mongol fleet. Although no conclusive statements can be made regarding the origins of the vessels, it appears that historical documents and archaeological evidence correspond well to each other, and that many of the remains analyzed were from smaller vessels built in China's Yangtze River Valley. Large, V-shaped cargo ships and the Korean vessels probably represent a small portion of the timbers raised at the Takashima shipwreck site.

This book forms a final report on the underwater excavations I directed at Yassi Ada, Turkey, during the summers of 1961 through 1964 for the University Museum of the University of Pennsylvania. The excavation was the first to have been completed on the floor of the Mediterranean of a wreck with substantial hull remains. This pioneering work required the ingenuity, effort, and generosity of many people and institutions.
The seventh- century ship was chosen for primary excavation not only for its lesser depth, which allowed longer working dives, but also because Throckmorton had uncovered traces of its timbers just beneath the sand and because it was more intelligible from the outset: a stack of concreted iron anchors, lying across the cargo at its upper end, suggested the forward part of the ship pointing up the slope, toward Yassi Ada, while a mass of broken terra-cotta tiles and cooking ware suggested the galley--and, presumably, the stern--at the deeper end of the site.

The Poole Iron Age logboat, one of the largest surviving prehistoric watercraft in Britain, is today imposingly displayed in the entrance to Poole Museum in Dorset. However, the vessel faced a difficult journey from its first discovery to the amazing artefact we can now see. Recovered from Poole Harbour in 1964, it is impossible to overestimate the international significance of this vessel. But until now it had never been fully recorded and apart from its impressive size, very little was known about it. Its dimensions made it inherently unstable and suggest it was designed for use solely in Poole Harbour. This book is the culmination of significant multi-disciplinary work carried out by a variety of specialists, from conservators to woodworking and boatbuilding experts, exploring not only the craft’s history but also its functionality – or lack of – as a vessel. Digital recording, using the latest technology, has made it possible to test its capabilities. For the first time, prehistorians, nautical archaeologists and lay people alike can understand the story of one of Britain’s oldest boats – the archaeological and historical background, the environmental context, the timber and ship science, and the challenges of conserving such an important vessel.

Nominated for Mountbatten Maritime Award 2015 In the golden age of polar exploration (from the mid-1800s to the early 1900s), many an expedition set out to answer the big question-was the Arctic a continent, an open ocean beyond a barrier of ice, or an ocean covered with ice? No one knew, for the ice had kept its secret well; ships trying to penetrate it all failed, often catastrophically. Norway's charismatic scientist-explorer Fridtjof Nansen, convinced that it was a frozen ocean, intended to prove it in a novel if risky way: by building a ship capable of withstanding the ice, joining others on an expedition, then drifting wherever it took them, on a relentless one-way journey into discovery and fame . . . or oblivion.Ice Ship is the story of that extraordinary ship, the Fram, from conception to construction, through twenty years of three epic expeditions, to its final resting place as a museum. It is also the story of the extraordinary men who steered the Fram over the course of 84,000 miles: on a three-year, ice-bound drift, finding out what the Arctic really was; in a remarkable four-year exploration of unmapped lands in the vast Canadian Arctic; and on a two-year voyage to Antarctica, where another famous Norwegian explorer, Roald Amundsen, claimed the South Pole.Ice Ship will appeal to all those fascinated with polar exploration, maritime adventure, and wooden ships, and will captivate readers of such books asThe Endurance, In the Heart of the Sea, andThe Last Place on Earth. With more than 100 original photographs, the book brings the Fram to life and light.

In the first decades of the 20th century, luxurious liners and warships ruled the waves. Many of these fabled ships, Titanic, Britannic, Bismarck, and others, shared a common bond - their wrecks have been located or visited by deep-sea explorer Robert Ballard. This volume depicts the ships, both in their prime and on the ocean floor.