"Rene Descartes'" Meditations on First Philosophy "In Focus" contains the excellent and popular Elizabeth S. Haldane and G.R.T. Ross translation of Rene Descartes' "Meditations on First Philosophy," It also contains a portion of the "Replies to Objections II," in which Descartes discusses how the method employed in the "Meditations," which he calls "analysis," differs from the method of "synthesis" employed by the geometer.
In his introduction, Stanley Tweyman provides a fresh and detailed discussion of the relationship between Descartes' "Rules" "for the Direction of the Mind" and the method of "analysis," and their applications to the "Meditations," The six critical papers drawn together in this book present a broad and exegetical commentary on the "Meditations" and give an indication of the diversity of scholarly opinion which exists on the topic of method in Descartes' philosophy. An extensive bibliography is also included.
Contributors: D. M. Clarke, E. Curley, D. Garber, L. Cohen, J. Hintikka, Georges Moyal, and Stanley Tweyman.

This volume contains the popular Elizabeth S. Haldane and G.R.T. Ross' translation of Rene Descartes' "Meditations on First Philosophy", and in addition a portion of the "Replies to Objections II", in which Descartes discusses how the method employed in the "Meditations", which he calls "analysis", differs from the method of "synthesis" employed by the general geometer. In the editor's introduction, Stanley Tweyman provides a detailed discussion of the relationship between Descartes' "Rule for the Direction of the Mind" and the method of "analysis", insofar as each has application to the "Meditations". The six critical papers which Professor Tweyman has drawn together in this book present a broad and exegetical commentary on the "Meditations" and give an indication of the diversity of scholarly opinion which exists on the topic of method in Descartes' philosophy. An extensive bibliography is also included.

In the ancient world being a philosopher was a practical alternative to being a Christian. Philosophical systems offered intellectual, practical and moral codes for living. By the Middle Ages however philosophy was largely, though inconsistently, incorporated into Christian belef. From the end of the Roman Empire to the Reformation and Renaissance of the sixteenth century Christian theologians had a virtual monopoly on higher education. The complex interaction between theology and philosophy, which was the result of the efforts of Christian leaders and thinkers to assimilate the most sophisticated ideas of science and secular learning into their own system of thought, is the subject of this book. Augustine, as the most widely read author in the Middle Ages, is the starting point. Dr Evans then discusses the classical sources in general which the medieval scholar would have had access to when he wanted to study philosophy and its theological implications. Part One ends with an analysis of the problems of logic, language and rhetoric. In Part Two the sequence of topics - God, cosmos, man - follows the outline of the summa, or systematic encyclopedia of theology.

How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.

This remarkable book shows the seminal Western mystic Meister Eckhart as the great teacher of the birth of God in the soul. It is at once an exposition of Eckhart's mysticism -- perhaps the best in English -- and also an exemplary work of contemporary philosophy.

Schurmann shows us that Eckhart is our contemporary. Writing from experience, he describes the threefold movement of detachment, releasement, and "dehiscence" (splitting open) that leads to the experience of "living without a why" in which all things are in God and which is sheer joy. Going beyond that, he describes the transformational force of approaching the Godhead, the God beyond God.

Epicureanism has had a long and complex history. Established in Greece in the fourth century BC in response to the peculiar needs of a new age, it gained an immediate and widespread following throughout the Mediterranean world, and in Roman times competed on equal terms with Stoicism for the allegiance of the citizens of the empire. It was singled out by the early Church as a dangerous enemy of the faith, and the philosophy of the Garden became the target of a bitter campaign of denunciation and distortion; it was a one-dimensional Epicurus - the champion of earthly delights - who kept the name of the School alive throughout the Middle Ages. Coinciding with a renewed interest in the antique world, an Epicureanism truer to its classical parent re-emerged to add an important dimension to Renaissance philosophical debate, and in the 16th and 17th centuries, Epicurean theory contributed significantly to the growth of the new science of physics. Howard Jones' book, which is divided equally between the classical and post-classical eras, documents the story as it unfolds. This book should be of interest to undergraduates, postgraduates and academics of classics, medieval philosophy, histo

Originally published in 1940, this book provides a thorough discussion of Rene Descartes philosophy of metaphysics, examining the three major points of the mind and body, freedom of the will and religion and science. Specific chapters are devoted to the Cartesian theory and the Meditations, in particular the Sixth.

An introduction to philosophy in the Latin West (1150-1350) combines an historical approach with philosophical analysis of thirteenth and fourteenth-century writing in terms comprehensible to the modern reader.

Theophrastus of Eresus was Aristotle's pupil and successor as head of the Peripatetic School. He is best known as the author of the amusing Characters and two ground-breaking works in botany, but his writings extend over the entire range of Hellenistic philosophic studies. Volume 5 of Rutgers University Studies in Classical Humanities focuses on his scientific work. The volume contains new editions of two brief scientific essays-On Fish and Afeteoro/o^y-accompanied by translations and commentary. Among the contributions are: "Peripatetic Dialectic in the De sensibus," Han Baltussen; "Empedocles" Theory of Vision and Theophrastus' De sensibus," David N. Sedley; "Theophrastus on the Intellect," Daniel Devereux; "Theophrastus and Aristotle on Animal Intelligence," Eve Browning Cole; "Physikai doxai and Problemata physika from Aristotle to Agtius (and Beyond)," Jap Mansfield; "Xenophanes or Theophrastus? An Aetian Doxographicum on the Sun," David Runia; "Place1 in Context: On Theophrastus, Fr. 21 and 22 Wimmer," Keimpe Algra; "The Meteorology of Theophrastus in Syriac and Arabic Translation," Hans Daiber; "Theophrastus' Meteorology, Aristotle and Posidonius," Ian G. Kidd; "The Authorship and Sources of the Peri Semeion Ascribed to Theophrastus," Patrick Cronin; "Theophrastus, On Fish" Robert W. Sharpies.

Thomas Aquinas produced a voluminous body of work on moral theory, and much of that work is on virtue, particularly the status and value of the virtues as principles of virtuous acts, and the way in which a moral life can be organized around them schematically. Thomas Osborne presents Aquinas's account of virtue in its historical, philosophical and theological contexts, to show the reader what Aquinas himself wished to teach about virtue. His discussion makes the complexities of Aquinas's moral thought accessible to readers despite the differences between Thomas's texts themselves, and the distance between our background assumptions and his. The book will be valuable for scholars and students in ethics, medieval philosophy, and theology.

This introduction to philosophy in the Latin West between 1150 and 1350 combines an historical approach, which concentrates on the sources, forms and backgrounds of the medieval works, with philosophical analysis of thirteenth and fourteenth-century writing in terms comprehensible to a modern reader. Part One looks at the intellectual and historical context of medieval thought. It examines the courses in the medieval universities; the methods of teaching; the forms of written work; the logical techniques used for argument and analysis; the translation and the availability of Ancient Greek, Arab and Jewish philosophical texts; the challenges the new material presented and the various ways in which Western thinkers responded to them. Part Two focuses on one important problem in later medieval thought: the nature of intellectual knowledge. It explains the arguments given by Aristotle, his antique commentators and the Arab philosophers Avicenna and Averroes, and traces how a series of Western thinkers, including Thomas Aquinas and William of Ockham, developed, modified or rejected them.

This volume marks the coming into its own of a discipline in philosophy: theory of desire. It presents discussions whose primary focus is on desire, with secondary mention of its implications for ethics, action, emotion, mind, and so forth.

The thirteenth-century allegorical dream vision, the Roman de la Rose, transformed how medieval literary texts engaged with philosophical ideas. Written in Old French, its influence dominated French, English and Italian literature for the next two centuries, serving in particular as a model for Chaucer and Dante. Jean de Meun's section of this extensive, complex and dazzling work is notable for its sophisticated responses to a whole host of contemporary philosophical debates. This collection brings together literary scholars and historians of philosophy to produce the most thorough, interdisciplinary study to date of how the Rose uses poetry to articulate philosophical problems and positions. This wide-ranging collection demonstrates the importance of the poem for medieval intellectual history and offers new insights into the philosophical potential both of the Rose specifically and of medieval poetry as a whole.

The Cambridge Edition of Early Christian Writings provides the definitive anthology of early Christian texts from ca. 100 CE to ca. 650 CE. Its volumes reflect the cultural, intellectual, and linguistic diversity of early Christianity, and are organized thematically on the topics of God, Practice, Christ, Community, Reading, and Creation. The series expands the pool of source material to include not only Greek and Latin writings, but also Syriac and Coptic texts. Additionally, the series rejects a theologically normative view by juxtaposing texts that were important in antiquity but later deemed 'heretical' with orthodox texts. The translations are accompanied by introductions, notes, suggestions for further reading, and scriptural indices. The fourth volume focuses on early Christian reflection on Christ as God incarnate from ca. 450 CE to the eighth century. It will be an invaluable resource for students and academic researchers in early Christian studies, history of Christianity, theology and religious studies, and late antique Roman history.

An international team of over 100 leading scholars has been brought together to provide authoritative exposition of how history's most important philosophical thinkers - fron antiquity to the present day - have sought to analyse the concepts and tenets central to Western religious belief, especially Christianity. Divided, chronologically, into five volumes, The History of Western Philosophy of Religion is designed to be accessible to a wide range of readers, from the scholar looking for original insight and the latest research findings to the student wishing for a masterly encapsulation of a particular philosopher's views. It will become the standard reference in the field. Features: each volume opens with a general introduction, presenting an overview of philosophy of religion in the period each essay opens with a brief biography, then outlines and analyses that philosopher's contribution to thinking on religion, and concludes with key further reading essays are cross-referenced, highlighting the development of major ideas and influences across history each volume closes with a chronology, presenting a contextual guide to the main religious, political, cultural and artistic events of the period each volume contains its own bibliography and index.

First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

This volume begins with excerpts from Aquinas' commentary on De Anima, excerpts that proceed from a general consideration of soul as common to all living things to a consideration of the animal soul and, finally, to what is peculiar to the human soul. These are followed by the Treatise on Man, Aquinas' most famous discussion of human nature, but one whose organization is dictated by theological concerns and whose philosophical importance is thus best appreciated when seen as presented here: within the historical philosophical framework of which it constitutes a development. Aquinas' discussions of the will and the passions follow, providing fruitful points of comparison with other philosophers.

Here are The Prince and the most important of the Discourses newly translated into spare, vivid English. Why a new translation? Machiavelli was never the dull, worthy, pedantic author who appears in the pages of other translations, says David Wootton in his Introduction. In the pages that follow I have done my best to let him speak in his own voice. (And indeed, Wootton's Machiavelli does just that when the occasion demands: renderings of that most problematic of words, virtu, are in each instance followed by the Italian). Notes, a map, and an altogether remarkable Introduction no less authoritative for being grippingly readable, help make this edition an ideal first encounter with Machiavelli for any student of history and political theory.

The early modern period in philosophy - encompassing the 16th to the 18th centuries - reflects a time of social and intellectual turmoil. The Protestant Reformation, the Catholic Counter-Reformation, and the birth of the Enlightenment all contributed to the re-evaluation of reason and faith. The revolution in science and in natural philosophy swept away two millennia of Aristotelian certainty in a human-centred universe. Covering some of the most important figures in the history of Western thought - notably Descartes, Locke, Hume and Kant - "Early Modern Philosophy of Religion" charts the philosophical understanding of religion at a time of intellectual and spiritual revolution. "Early Modern Philosophy of Religion" will be of interest to historians and philosophers of religion, while also serving as an indispensable reference for teachers, students and others who would like to learn more about this formative period in the history of ideas.

The Medieval period was one of the richest eras for the philosophical study of religion. Covering the period from the 6th to the 16th century, reaching into the Renaissance, "The History of Western Philosophy of Religion 2" shows how Christian, Islamic and Jewish thinkers explicated and defended their religious faith in light of the philosophical traditions they inherited from the ancient Greeks and Romans. The enterprise of 'faith seeking understanding', as it was dubbed by the medievals themselves, emerges as a vibrant encounter between - and a complex synthesis of - the Platonic, Aristotelian and Hellenistic traditions of antiquity on the one hand, and the scholastic and monastic religious schools of the medieval West, on the other. "Medieval Philosophy of Religion" will be of interest to scholars and students of Philosophy, Medieval Studies, the History of Ideas, and Religion, while remaining accessible to any interested in the rich cultural heritage of medieval religious thought.

In Canto XVIII of Paradiso, Dante sees thirty-five letters of Scripture - LOVE JUSTICE, YOU WHO RULE THE EARTH - 'painted' one after the other in the sky. It is an epiphany that encapsulates the Paradiso, staging its ultimate goal - the divine vision. This book offers a fresh, intensive reading of this extraordinary passage at the heart of the third canticle of the Divine Comedy. While adapting in novel ways the methods of the traditional lectura Dantis, William Franke meditates independently on the philosophical, theological, political, ethical, and aesthetic ideas that Dante's text so provocatively projects into a multiplicity of disciplinary contexts. This book demands that we question not only what Dante may have meant by his representations, but also what they mean for us today in the broad horizon of our intellectual traditions and cultural heritage.

A Philosophical History of Love explores the importance and development of love in the Western world. Wayne Cristaudo argues that love is a materializing force, a force consisting of various distinctive qualities or spirits. He argues that we cannot understand Western civilization unless we realize that, within its philosophical and religious heritage, there is a deep and profound recognition of love's creative and redemptive power.

Cristaudo explores philosophical love (the love of wisdom) and the love of God and neighbor. The history of the West is equally a history of phantasmic versions of love and the thwarting of love. Thus, the history of our hells may be seen as the history of love's distortions and the repeated pseudo-victories of our preferences for the phantasms of love. Cristaudo argues that the catastrophes from our phantasmic loves threaten to extinguish us, forcing us repeatedly to open ourselves to new possibilities of love, to new spirits.

Fusing philosophy, literature, theology, psychology, and anthropology, the volume reviews major thinkers in the field, from Plato and Freud, to Pierce, Shakespeare, and Flaubert. Cristaudo explores the major themes of love of the Church, romantic love and the return of the feminine, the conflict between familial and romantic love, love in a meaningless world and the love of evil, and the evolutionary idea of love. With Cristaudo, the reader embarks on a journey not just through time, but also through the different kinds, origins, and spirits of love.

Each of the essays in this collection, written by the most respected academics in their fields, provides both an insightful and valuable understanding on the different views of the passions in the Seventeenth Century.

This book offers a novel account of Aquinas's theory of the human act. It argues that Aquinas takes a human act to be a composite of two power-exercises, where one relates to the other as form to matter. The formal component is an act of the will, and the material component is a power-exercise caused by the will, which Aquinas refers to as the 'commanded act.' The book also argues that Aquinas conceptualizes the act of free choice as a hylomorphic composite: it is, materially, an act of the will, but it inherits a form from reason. As the book aims to show, the core idea of Aquinas's hylomorphic action theory is that the exercise of one power can structure the exercise of another power, and this provides a helpful way to think of the presence of cognition in conation and of intention in bodily movement.