Two words describe a "modern" world: limits and limitless. Traditionally, humans recognized limits of their power. Modernity meant a break. Its protagonists aspired to bring worlds of their imagination into reality. They taught a new anthropology. Humans could ascend to a God-like status. Schabert analyzes the history of the project and its result: a civilization in a perennial crisis. Symptoms of the crisis have been exposed, today mostly in ecological terms. Schabert takes his material from many fields: philosophy, cosmology, natural sciences, literature, social studies, economics, architecture, and political thought. While modernity is endlessly disrupted, a world beyond modernity can be traced, especially in the modern theory of constitutional government. Constitutional governments are formed by limitations within a civilization that is meant to have no limits. What appears to be paradoxical has its own logic, as Baruch Spinoza, John Locke, Montesquieu, John Adams, the Federalist Papers, John Stuart Mill, Walter Bagehot, and Woodrow Wilson have shown. Schabert carefully explicates their constitutional thought. It realized the limits through which modernity holds a promise.

A concise and historicized analysis of the development of Nietzsche's thought on the subject of tragedy>

Most commentators judge Deleuze and Guattari's Anti-Oedipus as either a Medusa into whose face psychoanalysis cannot but stare and suffer the most abominable of deaths or a well-intentioned but thoroughly misguided flash in the pan. Fadi Abou-Rihan shows that, as much as it is an insightful critique of the assimilationist vein in psychoanalysis, Anti-Oedipus remains fully committed to Freud's most singular discovery of an unconscious that is procedural and dynamic. Moreover, Abou-Rihan argues, the anti-oedipal project is a practice where the science of the unconscious is made to obey the laws it attributes to its object. The outcome is nothing short of the "becoming-unconscious" of psychoanalysis, a becoming that signals neither the repression nor the death of the practice but the transformation of its principles and procedures into those of its object. Abou-Rihan tracks this becoming alongside Nietzsche, Winnicott, Feynman, Bardi, and Cixous in order to reconfigure desire beyond the categories of subject, lack, and tragedy. Firmly grounded in continental philosophy and psychoanalytic practice, this book extends the anti-oedipal view on the unconscious in a wholly new direction.

Reference is a central topic in philosophy of language, and has been the main focus of discussion about how language relates to the world. R. M. Sainsbury sets out a new approach to the concept, which promises to bring to an end some long-standing debates in semantic theory. There is a single category of referring expressions, all of which deserve essentially the same kind of semantic treatment. Included in this category are both singular and plural referring expressions ('Aristotle', 'The Pleiades'), complex and non-complex referring expressions ('The President of the USA in 1970', 'Nixon'), and empty and non-empty referring expressions ('Vulcan', 'Neptune'). Referring expressions are to be described semantically by a reference condition, rather than by being associated with a referent. In arguing for these theses, Sainsbury's book promises to end the fruitless oscillation between Millian and descriptivist views. Millian views insist that every name has a referent, and find it hard to give a good account of names which appear not to have referents, or at least are not known to do so, like ones introduced through error ('Vulcan'), ones where it is disputed whether they have a bearer ('Patanjali') and ones used in fiction. Descriptivist theories require that each name be associated with some body of information. These theories fly in the face of the fact names are useful precisely because there is often no overlap of information among speakers and hearers. The alternative position for which the book argues is firmly non-descriptivist, though it also does not require a referent. A much broader view can be taken of which expressions are referring expressions: not just names and pronouns used demonstratively, but also some complex expressions and some anaphoric uses of pronouns. Sainsbury's approach brings reference into line with truth: no one would think that a semantic theory should associate a sentence with a truth value, but it is commonly held that a semantic theory should associate a sentence with a truth condition, a condition which an arbitrary state of the world would have to satisfy in order to make the sentence true. The right analogy is that a semantic theory should associate a referring expression with a reference condition, a condition which an arbitrary object would have to satisfy in order to be the expression's referent. Lucid and accessible, and written with a minimum of technicality, Sainsbury's book also includes a useful historical survey. It will be of interest to those working in logic, mind, and metaphysics as well as essential reading for philosophers of language.

This text is part of the "Bristol Introductions" series which aims to present perspectives on philosophical themes, using non-technical language, for both the new and the advanced scholar. This introductory text examines how questions of understanding the pictorial and narrative arts relate to central themes in philosophy. It addresses such issues as: how can pictorial and narrative arts be usefully contrasted and compared?; what in principle can be, or cannot be, communicated in such different media?; why does it seem that, at its best, artistic communication goes beyond the limitations of its own medium - seeming to think and to communicate the incommunicable?; and what kinds of thought are exercised in the pictorial and narrative arts? Both refer to or represent what we take the world to be, and in so doing make the concepts of aesthetic judgement and imagination unavoidable. The ways of understanding art are ways of understanding what it is to be human. Much of what baffles or misleads us in the arts invokes what puzzles us about ourselves. The issues raised are therefore central to philosophy as a discipline - failures in understanding art can be philosophical failures.

No philosopher's writing is more charming that James's. Few philosophers have been subjected to such intense psychological speculation as James. Fewer still have had so many non-philosophical stages to their careers. For all of these reasons, professional philosophers are wary of his philosophy, which is typically dismissed as fragmented or merely popular. Wesley Cooper opposes this traditional view, arguing instead that there is a systematic philosophy to be found in James's writings. His doctrine of pure experience is the binding thread that links his earlier psychological theorizing to his later epistemological, religious, and pragmatic concerns. To make this case as compelling as possible, Cooper provides a two-level approach to James's philosophical system: the metaphysical level of pure experience and the empirical level of science and everyday life. Making sense of James is partly a matter of seeing that, on a given occasion, he is writing at one level or the other.

In the fields of metaphysics and epistemology, ethics and political thought, idealism can generate controversy and disagreement. This title is part of the "Idealism" series, which finds in idealism new features of interest and a perspective which is germane to our own philosophical concerns. This text is a collection of essays analyzing the impact of the thought of F.H. Bradley (1846-1924) on philosophy throughout the English-speaking world. Bradley's complex version of absolute idealism plays a key role not only in idealist philosophy, politics and ethics, but also in the development of modern logic, of analytical philosophy, and of pragmatism, as well as in the thinking of figures such as R.G. Collingwood and A.N. Whitehead. The work of a group of Canadian philosophers writing from widely different standpoints, the essays in this volume define both the nature and scale of Bradley's influence and continuing significance in large areas of debate in 20th-century philosophy. Topics covered include: the history of idealism in the 20th century; Bradley's relation to figures such as Bernard Bosanquet, C.A. Campbell, Brand Blanshard, John Watson, John Dewey, R.G. Collingwood, and A.N. Whitehead; Bradley's influence on 20th-century empiricism, modern logic, and analytical philosophy; and his significance for contemporary debates in epistemology and ethics.

Continuums Guides for the Perplexed are clear, concise, and accessible introductions to thinkers, writers, and subjects that students and readers can find especially challengingGCoor, indeed, downright bewildering. Concentrating specifically on what it is that makes the subject difficult to fathom, these books explain and explore key themes and ideas, guiding the reader towards a thorough understanding of demanding material. Emmanuel Levinas is one of the most influential ethicists of recent times. The importance and relevance of his work has been recognized and celebrated within philosophy, religion, sociology, political theory, and other disciplines. His writing, however, undoubtedly presents the reader with a significant challenge. Often labyrinthine, paradoxical, and opaque, Levinas work seeks to articulate a complex ideology and some hard-to-grasp concepts. Levinas: A Guide for the Perplexed is the ideal text for the student, teacher, or lay reader who wants to develop a full and effective understanding of this major modern philosopher. Focused upon precisely why Levinas is a difficult subject for study, the text guides the reader through the core themes and concepts in his writing, providing a thorough overview of his work. Valuably, the book also emphasizes Levinass importance for contemporary ethical problems and thinking.

This book explores the changing perspective of astrology from the Middle Ages to the Early Modern Era. It introduces a framework for understanding both its former centrality and its later removal from legitimate knowledge and practice. The discussion reconstructs the changing roles of astrology in Western science, theology, and culture from 1250 to 1500. The author considers both the how and the why. He analyzes and integrates a broad range of sources. This analysis shows that the history of astrology-in particular, the story of the protracted criticism and ultimate removal of astrology from the realm of legitimate knowledge and practice-is crucial for fully understanding the transition from premodern Aristotelian-Ptolemaic natural philosophy to modern Newtonian science. This removal, the author argues, was neither obvious nor unproblematic. Astrology was not some sort of magical nebulous hodge-podge of beliefs. Rather, astrology emerged in the 13th century as a richly mathematical system that served to integrate astronomy and natural philosophy, precisely the aim of the "New Science" of the 17th century. As such, it becomes a fundamentally important historical question to determine why this promising astrological synthesis was rejected in favor of a rather different mathematical natural philosophy-and one with a very different causal structure than Aristotle's.

This complete collection of Ralph Waldo Emerson's essays offers the towering wisdom and intellectual prowess of the author in hardcover. This edition contains both series of Emerson's most famous essays, filled with quotable passages concerning different aspects of life. Herein are texts such as Nature and The Oversoul, free of embellishments or abridgment. Owing to their unique style, the essays of Ralph Waldo Emerson have found an appreciative and enduring audience. Seen by many as the guiding light for the individualist philosophy that was to underpin the astonishing growth of the United States, Emerson's essays are a superb demonstration of the rigorous thought and intellectual contributions he made to the world around him. Ralph Waldo Emerson was a tireless and diligent public intellectual who would deliver over 1500 lectures over the course of his career, educating thousands of people within academia and wider society about his beliefs, principles and personal philosophy.

"Continental Philosophy: ""A Critical Approach" is a lucid and wide-ranging introduction to the key figures and philosophical movements of the nineteenth and twentieth centuries.
Includes chapters on Hegel; Marx and Western Marxism; Schopenhauer, Freud, and Bergson; Nietzsche; hermeneutics; phenomenology; existentialism; structuralism; poststructuralism; French feminism; and postmodernism.
Provides an ideal text or background resource for many different introductory and advanced courses on modern European philosophy.

Layers in Husserl's Phenomenology provides close readings and analyses of a number of Husserl's key translated and untranslated works across the entirety of his corpus. While maintaining a dialogue with four decades' worth of scholarship on Husserl, Peter R. Costello provides a number of new and significant insights that depart from earlier interpretations of his work, along with a revised, consistent translation of a number of important Husserlian terms.

Layers in Husserl's Phenomenology situates Husserl firmly within the trajectory of later Continental thought and contributes to the recent reconsideration of Husserl as a legitimate precursor to the thought of Maurice Merleau-Ponty, Emmanuel Levinas, and Jacques Derrida. Written in a readable style appropriate for both undergraduate and graduate students, this study will be valued by those interested in phenomenology in general and in Husserl in particular.

Lucretius' philosophical epic De Rerum Natura (On the Nature of Things) is a lengthy didactic and narrative celebration of the universe and, in particular, the world of nature and creation in which humanity finds its abode. This earliest surviving full scale epic poem from ancient Rome was of immense influence and significance to the development of the Latin epic tradition, and continues to challenge and haunt its readers to the present day. A Reading of Lucretius' De Rerum Natura offers a comprehensive commentary on this great work of Roman poetry and philosophy. Lee Fratantuono reveals Lucretius to be a poet with deep and abiding interest in the nature of the Roman identity as the children of both Venus (through Aeneas) and Mars (through Romulus); the consequences (both positive and negative) of descent from the immortal powers of love and war are explored in vivid epic narrative, as the poet progresses from his invocation to the mother of the children of Aeneas through to the burning funeral pyres of the plague at Athens. Lucretius' epic offers the possibility of serenity and peaceful reflection on the mysteries of the nature of the world, even as it shatters any hope of immortality through its bleak vision of post mortem oblivion. And in the process of defining what it means both to be human and Roman, Lucretius offers a horrifying vision of the perils of excessive devotion both to the gods and our fellow men, a commentary on the nature of pietas that would serve as a warning for Virgil in his later depiction of the Trojan Aeneas.

Elijah Del Medigo (1458-1493) was a Jewish Aristotelian philosopher living in Padua, whose work influenced many of the leading philosophers of the early Renaissance. His Two Investigations on the Nature of the Human Soul uses Aristotle's De anima to theorize on two of the most discussed and most controversial philosophical debates of the Renaissance: the nature of human intellect and the obtaining of immortality through intellectual perfection. In this book, Michael Engel places Del Medigo's philosophical work and his ideas about the human intellect within the context of the wider Aristotelian tradition. Providing a detailed account of the unique blend of Hebrew, Islamic, Latin and Greek traditions that influenced the Two Investigations, Elijah Del Medigo and Paduan Aristotelianism provides an important contribution to our understanding of Renaissance Aristotelianisms and scholasticisms. In particular, through his defense of the Muslim philosopher Averroes' hotly debated interpretation of the De anima and his rejection of the moderate Latin Aristotelianism championed by the Christian Thomas Aquinas, Engel traces how Del Medigo's work on the human intellect contributed to the development of a major Aristotelian controversy. Investigating the ways in which multicultural Aristotelian sources contributed to his own theory of a united human intellect, Elijah Del Medigo and Paduan Aristotelianism demonstrates the significant impact made by this Jewish philosopher on the history of the Aristotelian tradition.

Beckett and Badiou offers a provocative new reading of Samuel Beckett's work on the basis of a full, critical account of the thought of Alain Badiou. Badiou is the most eminent of contemporary French philosophers. His devotion to Beckett's work has been lifelong. Yet for Badiou philosophy must be integrally affirmative, whilst Beckett apparently commits his art to a work of negation. Beckett and Badiou explores the coherences, contradictions, and extreme complexities of the intellectual relationship between the two oeuvres. It examines Badiou's philosophy of being, the event, truth, and the subject and the importance of mathematics within his system. It considers the major features of his politics, ethics, and aesthetics and provides an explanation, interpretation, critique, and radical revision of his work on Beckett. It argues that, once revised, Badiou's version of Beckett offers an extraordinarily powerful tool for understanding his work.
Badiou and Beckett are instances of a vestigial or melancholic modernism; that is, in the teeth of a contemporary culture that dreams ever more ambitiously of plenitude, they commit themselves to a rigorous concept of limit and intermittency. Truth and value are occasional and rare. It is seldom that the chance event arrives to disturb the inertia of the world. For Badiou, however, it is the event and its consequences alone that matter. Beckett rather insists on the common experience of intermittency as destitution. His art is a series of limit-figures, exquisitely subtle and nuanced forms for a world whose state of seemingly rigid paralysis is also always volatile, delicately balanced.

A Companion to Jan Hus includes eleven substantial essays covering the central aspects of the life, thought and commemoration of Jan Hus ( 1415), Czech theologian, reformer and martyr. Besides older experienced specialists in the Hussite studies, also younger researchers who enter the scientific discourse with new approaches participated in the volume. Experts and students alike will profit from this guide to Jan Hus, who was well known as follower of John Wyclif and forerunner of Martin Luther. Burning of Jan Hus at the stake at the Council of Constance gave rise in Bohemia to religious and social revolt that ushered the European reformations of the 16th century.

This collection of essays aims to investigate the unique place of Jacques Ranciere in the contemporary intellectual scene. This book forms the first critical study of Jacques Ranciere's impact and contribution to contemporary theoretical and interdisciplinary studies. It showcases the work of leading scholars in fields such as political theory, history, cinema studies and literary theory; each of whom are uniquely situated to engage with the novelty of Ranciere's thinking within their respective fields. Each of the thirteen essays provides an investigation into the critical stance Ranciere takes towards his contemporaries, concentrating on the versatile application of his thought to diverse fields of study (including, cinema studies, literary studies and the 'history as fiction' and 'history from below' movements). The aim of this collection is to use the critical interventions Ranciere's writing makes on current topics and themes as a way of offering new critical perspectives on his thought. Wielding their individual expertise, each contributor assesses his perspectives and positions on thinkers and topics of contemporary importance.