Both contemporary philosophers since Heidegger and post-modern philosophers have largely rejected modernist philosophy, particularly that of Kant and Husserl, because they see it as committed to an untenably metaphysical view of the self. This book is a review of these attacks and a defence of the concepts of self and subjectivity. Carr reviews and explains the general context and influence of Heidegger's critique of Kant and Husserl. He then presents a more accurate reading of Kant and Husserl, which he uses as a starting-point for presenting a sketch of his own transcendental account of the self.

For the first time in English the world community of scholars is systematically assembling and presenting the results of recent research in the vast literature of Soren Kierkegaard. Based on the definitive English edition of Kierkegaard's works by Princeton University Press, this series of commentaries addresses all the published texts of the influential Danish philosopher and theologian.

The wide range of disciplines represented here enables the volume to stand as a contextualizing work in Fanon studies. It contains new original essays on Africana philosophy, the human sciences, dialectical humanism, women of color studies, neocolonial and postcolonial studies, violence, and tragedy.

These thirteen original essays, whose authors include some of the world's leading philosophers, examine themes from the work of the Cambridge philosopher G. E. Moore (1873-1958), and demonstrate his considerable continuing influence on philosophical debate. Part I bears on epistemological topics, such as skepticism about the external world, the significance of common sense, and theories of perception. Part II is devoted to themes in ethics, such as Moore's open question argument, his non-naturalism, utilitarianism, and his notion of organic unities.

The arrow of time and the meaning of quantum mechanics are two of the great mysteries of modern physics. This important new book throws fascinating new light on both issues, and connects them in a wholly original way.

Price shows that for over a century physicists have fallen repeatedly into the same trap when trying to understand the arrow of time: treating the past and future in different ways. To overcome this natural tendency, we need to imagine a point outside time - an Archimedean viewpoint as Price calls it - from which to think about the arrow of time in an unbiased way.

Taking this Archimedean viewpoint Price asks why we assume that the past affects the future but not vice-versa, and argues that causation is much more symmetric in microphysics: to a limited extent - the future does affect the past. Thus Price avoids the usual paradoxes of quantum mechanics, without succumbing to the rival paradoxes of causal loops and time travel.

Deleuze and the Diagram charts Deleuze's corpus according to aesthetic concepts such as the map, the sketch and the drawing to bring out a comprehensive concept of the diagram. In his interrogation of Deleuze's visualaesthetic theory, Jakub Zdebik focuses on artists that hold an important place in Deleuze's system. The art of Paul Klee and Francis Bacon is presented as the visual manifestation of Deleuze's philosophy and yields novel ways of assessing visual culture. Zdebik goes on to compare Deleuze's philosophy with the visual theories of Foucault, Lyotard and Simondon, as well as the aesthetic philosophy of Heidegger and Kant. He shows how the visual and aesthetic elements of the diagram shed new light on Deleuze's writings.Deleuze conceptualized his theory as a form of painting, saying that, like art, it needed to shift from figuration to abstraction. This book focuses on the visual devices in Deleuze's work and uses the concept of the diagram to describe the relationship between philosophy and art and to formulate a way to think about philosophy through art.

Art and Institution examines how for Merleau-Ponty the work of art opens up, without conceptualizing, the event of being. Rajiv Kaushik treats Merleau-Ponty's renderings of the artwork - specifically in his later writings during the period ranging from 1952-1961 - as a path into the being that precedes phenomenology. Replete with references to Merleau-Ponty's reflections on Matisse, Cezanne, Proust and others, and featuring Kaushik's own original reflections on various artworks, this book is guided by the notion that art does not iterate the findings of phenomenology so much as it allows phenomenology to finally discover what, as a matter of principle, it seeks: the very foundation of experience that is not itself available to thought. Kaushik is thus concerned with the ways in which the work of art restores the principle of institution, prior to the intentional structures of consciousness, so that phenomenology may settle questions concerning ontological difference, the origination of significance, and the relationship between interiority and exteriority. >

The essays in this book demonstrate the breadth and vitality of American intellectual history. Their core theme is the diversity of both American intellectual life and of the frameworks that we must use to make sense of that diversity. The Worlds of American Intellectual History has at its heart studies of American thinkers. Yet it follows these thinkers and their ideas as they have crossed national, institutional, and intellectual boundaries. The volume explores ways in which American ideas have circulated in different cultures. It also examines the multiple sites-from social movements, museums, and courtrooms to popular and scholarly books and periodicals-in which people have articulated and deployed ideas within and beyond the borders of the United States. At these cultural frontiers, the authors demonstrate, multiple interactions have occurred - some friendly and mutually enriching, others laden with tension, misunderstandings, and conflict. The same holds for other kinds of borders, such as those within and between scholarly disciplines, or between American history and the histories of other cultures. The richness of contemporary American intellectual history springs from the variety of worlds with which it must engage. Intellectual historians have always relished being able to move back and forth between close readings of particular texts and efforts to make sense of broader cultural dispositions. That range is on display in this volume, which includes essays by scholars as fully at home in the disciplines of philosophy, literature, economics, sociology, political science, education, science, religion, and law as they are in history. It includes essays by prominent historians of European thought, attuned to the transatlantic conversations in which Europeans and Americans have been engaged since the seventeenth century, and American historians whose work has carried them not only to different regions in North America but across the North Atlantic to Europe, across the South Atlantic to Africa, and across the Pacific to South Asia.

The essays in this volume are from the Second Conference of the Central European Pragmatist Forum, held in Krakow, Poland in 2002. Written by prominent specialists in pragmatism and American philosophy from the United States and Europe, they survey contemporary thinking on classical and contemporary pragmatism, social and political theory, ethics, aesthetics, experience, knowledge, rationality, metaphysics, and the application of pragmatist thought in contemporary Europe.

Jacqueline Taylor offers an original reconstruction of Hume's social theory, which examines the passions and imagination in relation to institutions such as government and the economy. Reflecting Subjects begins with a close examination of Hume's use of an experimental method to explain the origin, nature and effects of pride, an indirect passion that reflects a person's sense of self-worth in virtue of her valuable qualities, for example, her character or wealth. In explaining the origin of pride in terms of efficient causes, Hume displaces the traditional appeal to final causes, and is positioned to give an account of the significance for us of the passions in terms of a social theory. Subsequent chapters reconstruct this social theory, looking in particular at how the principle of sympathy functions to transmit cultural meanings and values, before examining Hume's account of social power-especially with regard to rank and sex. Turning to Hume's system of ethics, Taylor argues for the importance of Hume's more sophisticated moral philosophy in his Enquiry concerning the Principles of Morals, since it emphasizes certain virtues of good moral evaluation. She demonstrates that the principle of humanity stands as the central concept of Hume's Enlightenment philosophy.

This renowned introduction - already a standard text in Europe - is translated here for the first time. Vattimo uses Heideggerean and cultural-critical perspectives to reassess the work and thought of Nietzsche.

The environmental problematique is intimately bound up with deep-seated human attitudes regarding our relationship with nature. Here in the west those attitudes have been shaped to no small degree by the canonical texts of the Bible and the classical philosophers. In this book the author re-examines some of these seminal texts, arguing that what we today know as 'Christian cosmology' is in fact a grafting of classical Greek philosophy onto ancient Israelite thought, with certain valuable traditions being all but lost in the process. The dietary laws of Leviticus and Deuteronomy, in particular, still prove surprisingly relevant today. Often misread on this point, the creation narratives of Genesis can likewise serve as a rich point of departure for examining our attitudes towards the natural world. A reappraisal of these sources is necessary and feasible. There is no need for an appeal to cosmologies alien to our own culture, nor for recourse to 'New Age' beliefs in all their variety.

Becoming god was an ideal of many ancient Greek philosophers, as was the life of reason, which they equated with divinity. This book argues that their rival accounts of this equation depended on their divergent attitudes toward time. Affirming it, Heraclitus developed a paradoxical style of reasoning--"chiasmus"--that was the activity of his becoming god. Denying it as contradictory, Parmenides sought to purify thinking of all contradiction, offering eternity to those who would follow him. Plato did, fusing this pure style of reasoning--consistency--with a Pythagorean program of purification and divinization that would then influence philosophers from Aristotle to Kant. Those interested in Greek philosophical and religious thought will find fresh interpretations of its early figures, as well as a lucid presentation of the first and most influential attempts to link together divinity, rationality, and selfhood.

Feminist philosophy identifies tensions within mainstream theories of knowledge. To create a more egalitarian epistemology, solutions to these problems have been as diverse as the traditions of philosophy out of which feminists continue to emerge. This book considers two equally formidable approaches theorized by Louise Antony and Lynn Hankinson Nelson. The American philosopher W.V.O. Quine locates knowledge as a branch of empirical science. Shuford shows how both Antony and Nelson use Quine's 'naturalized epistemology' to create empirically robust feminist epistemologies. However, Shuford argues that neither can include physical embodiment as an important epistemic variable. The book argues that John Dewey's theory of inquiry extends beyond Quine's insight that knowledge must be interrogated as an empirical matter. Because Dewey insists that all aspects of experience must be subject to the experimental openness that is the hallmark of scientific reasoning, Shuford concludes that physical embodiment must play an important part in knowledge claims.

This book offers insight into the nature of meaningful discourse. It presents an argument of great intellectual scope written by an author with more than four decades of experience. Readers will gain a deeper understanding into three theories of the logos: analytic, dialectical, and oceanic. The author first introduces and contrasts these three theories. He then assesses them with respect to their basic parameters: necessity, truth, negation, infinity, as well as their use in mathematics. Analytic Aristotelian logic has traditionally claimed uniqueness, most recently in its Fregean and post-Fregean variants. Dialectical logic was first proposed by Hegel. The account presented here cuts through the dense, often incomprehensible Hegelian text. Oceanic logic was never identified as such, but the author gives numerous examples of its use from the history of philosophy. The final chapter addresses the plurality of the three theories and of how we should deal with it. The author first worked in analytic logic in the 1970s and 1980s, first researched dialectical logic in the 1990s, and discovered oceanic logic in the 2000s. This book represents the culmination of reflections that have lasted an entire scholarly career.

Rory Fox challenges the traditional understanding that Thomas Aquinas believed that God exists totally outside of time. His study investigates the work of several mid-thirteenth-century writers, including Albert the Great and Bonaventure as well as Aquinas, examining their understanding of the topological and metrical properties of time. Fox thus provides access to a wealth of material on medieval concepts of time and eternity, while using the conceptual tools of modern analytic philosophy to express his conclusions.

This anthology provides comprehensive coverage of the major contributions of analytic philosophy to aesthetics and the philosophy of art, from the earliest beginnings in the 1950's to the present time.
Traces the contributions of the analytic tradition to aesthetics and the philosophy of art, from the 1950's to the present time.
Designed as a comprehensive guide to the field, it presents the most often-cited papers that students and researchers encounter.
Addresses a wide range of topics, including identifying art, ontology, intention and interpretation, values of art, aesthetic properties, fictionality, and the aesthetics of nature.
Explores particular art forms, including pictorial art, literature, music, and the popular arts.

This is a student-friendly introduction to a key text in Ancient Philosophy. In many regards the dialectical counterpart of the "Republic, the Symposium" is one of the richest and most influential of the Platonic dialogues, resonating not only with Western philosophy, but also with literature art and theology. While Plato ostensibly dramatizes a humorous account of a drinking party, he presents a profoundly serious explication of Eros that challenges the limits of reason, the nature of gender, identity and narrative form. "Plato's Symposium: A Reader's Guide" presents a concise introduction to the text, offering invaluable guidance on: historical, literary and philosophical context; key themes; reading the text; reception and influence; and, further reading. "Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

Heidegger's critique of Western philosophy centers around his interpretation of Aristotle. Yet, hitherto, there has been no attempt to reconstruct the relation betwen these two thinkers, a major interpretative task for which Heidegger and Aristotle provides an initial orientation. Dr. Sadler focuses upon the 'question of being' and shows how their respective responses to this question ramify over the whole field of their philosophical thought.

Why is the philosopher Hegel returning as a potent force in contemporary thinking? Why, after a long period when Hegel and his dialectics of history have seemed less compelling than they were for previous generations of philosophers, is study of Hegel again becoming important? Fashionable contemporary theorists like Francis Fukuyama and Slavoj Zizek, as well as radical theologians like Thomas Altizer, have all recently been influenced by Hegel, the philosopher whose philosophy now seems somehow perennial- or, to borrow an idea from Nietzsche-eternally returning. Exploring this revival via the notion of 'negation' in Hegelian thought, and relating such negativity to sophisticated ideas about art and artistic creation, Andrew W. Hass argues that the notion of Hegelian negation moves us into an expansive territory where art, religion and philosophy may all be radically conceived and broken open into new forms of philosophical expression. The implications of such a revived Hegelian philosophy are, the author argues, vast and current. Hegel thereby becomes the philosopher par excellence who can address vital issues in politics, economics, war and violence, leading to a new form of globalised ethics. Hass makes a bold and original contribution to religion, philosophy, art and the history of ideas.

The Neo-Kantian philosopher Cassirer and the psychoanalyst Lacan are two key figures in the so-called medial turn in philosophy: the notion that any form of access to reality is mediated by symbols (images, words, signifiers). This explains why the theories of both philosophers merit a description in their own unique idioms, as well as having their respective basic tenets compared. It will be argued that, rather surprisingly, these tenets turn out be complementary - actually correcting each other - based on their shared notion of man as an animal symbolicum. Its fruitfulness will be substantiated for a limited number of topics within the humanities: perception, language, politics and ethics, and mental disorder, all to be considered from this perspective.

"The Blackwell Dictionary of Western Philosophy" is a concise reference to the whole history of western philosophy, from ancient Greece to the present day. This work spans all the major branches of western philosophical inquiry, all of the key figures. It explains the meaning and usage of each philosophical concept in a fresh and engaging style. Each entry on philosophical terms concludes with an illustrative quotation from a significant philosopher, to enhance the reader's understanding. Entries on terms and individual philosophers are fully cross-referenced. This book is co-written by the editor of the popular volume "The Blackwell Companion to Philosophy" (Second Edition, 2002).