Provides a systematic approach to writing psychological reports for optimal clarity, thoroughness, and impact

A clinical report should have all the clarity and precision of a military dispatch. Unfortunately, as anyone who deals with psychological reports knows, this is almost never the case. Extensive research has shown that with most psychologist's reports, there is a dangerously wide gap between author intent and reader interpretation. Since the quality of clinical reports can have a direct bearing on the quality of care a client receives —especially in an age of managed care —it is essential that psychologists arm themselves with a systematic approach to creating reports that in structure, content, and style have the utmost clarity, thoroughness, and utility. Psychological Reports, Third Edition, provides them with such an approach.

The book begins with a theory-based analysis of report-writing problems, which is then used to construct a framework for identifying and correcting them. A valuable working resource for practicing psychologists and psychotherapists, Psychological Reports, Third Edition, is also must reading for students and psychologists-in-training.

A complete guide to writing effective reports for a variety of contexts

• Updated to correspond to recent changes in the DSM-IV
• Includes practice exercises that help readers build report-writing skills
• Features sample reports representing a wide range of applications.

"Reliably insightful." - Publishers Weekly The first step to becoming a successful writer is to become a successful reader. Helping you develop your critical skills How to Read Like a Writer is an accessible and effective step-by-step guide to how careful reading can help you improve your craft as a creative writer, whatever genre you are writing in. Across 10 lessons - each pairing published readings with practical critical and creative exercises - this book helps writers master such key elements of their craft as: * Genre - from fiction, creative nonfiction and poetry to hybrid genres such as graphic narratives and online forms * Plot, conflict, theme and image * Developing characters - physical descriptions, psychological depths and actions * Narrators and points of view - 1st, 2nd and 3rd person narratives * Scenes and settings - time, space and place * Structure and form - length, organization and media * Language, subtext and style

Problem plot lines? Character chaos? Ask Ally! The definitive guide to writing from one of teen fiction's best-loved authors.

Writing finally has its own agony aunt in bestselling author, Ally Carter.

Always wanted to write? Not sure how to begin, or what to do with tricky characters or pesky plotlines? Ask Ally! Ally Carter is the internationally bestselling author of Gallagher Girls, Embassy Row and Heist Society. Known for her gripping plots and adventures that combine danger and glamour in equal measure, Ally knows how to write brilliant books for teen and YA readers.

Now Ally and her author friends want to help YOU write the book you've always dreamed of. Part agony aunt, part writing guru, this writing guide is thoughtful, witty and best of all, useful.

With advice from some of children's fiction's brightest stars including Holly Black, Cassandra Clare and Kody Keplinger.

'Conscious Writing is a truly wonderful book that will sit next toWriting Down the Bones and other classics on writing, and will be well-used by me!' Robert Holden, author of Happiness NOW and Shift Happens! Conscious Writing is an original approach to creative awakening which leads you to discover your true self and express your true voice - on the page and in the world. It's a journey of self-realization (conscious) and self-expression (creativity) which can be applied to any and all types of writing, and fluently blends soul with craft to reveal your richest insights and ideas. Whether you dream of writing but haven't started yet or are an experienced author, Julia McCutchen will guide you through this tried and tested step-by-step process for releasing your fears and writing what you are truly here to write. Drawing on an inspiring mix of perennial wisdom, psychological research and modern neuroscience, she teaches how to: * Apply the 7 Core Principles for individual experience of transpersonal Truth, and emerge transformed and ready to write. * Align all aspects of yourself - body, emotions, mind and soul - to bring your whole self to the creative writing process. * Dive into deep creative flow and play with possibilities in the quantum realm of infinite potential. * Visit the Conscious Writing Sanctuary, a powerful inner space out of which timeless words flow freely. * Realize your full potential and effortlessly stand out from the crowd as you express yourself consciously and creatively as an author in the world.

How To Be A Writer is a collection of interviews with famous writers, performers and industry insiders that takes the reader through a writer's day, from getting up to giving in. And, along the way, asks: When do you get ideas? When should you write? How do you deal with your money? Who do you have lunch with? And how do you keep going? Featuring JON RONSON, EMMA DONOGHUE, DENNIS KELLY, CAITLIN MORAN, JASON HAZELEY, JOEL MORRIS, SUZANNE MOORE, CATHERINE ROSENTHAL, MARK ELLEN, JOHN PANTON, JO UNWIN, MARTYN WAITES, MARK BILLINGHAM, ISZI LAWRENCE David Quantick is an Emmy-winning television writer and the author of the best-selling writing manual How To Write Everything. He has written for television in the USA (Veep) and the UK (The Thick Of It, Brass Eye, Harry Hill's TV Burp), and is also a radio broadcaster (The Blagger's Guide, 52 First Impressions), author (The Mule, Sparks) and a journalist who's written for over 50 different publications, from the Daily Telegraph to The Dandy.

What makes someone a playwright? How do their identities and ideas interweave and co-exist? What permanent truths can we discern from examining existing texts? How can we write theatre that encapsulates the contemporary moment? How do we develop an idea from the embryonic impulse to a full and robust piece of theatre? In this fresh, lively and often very funny book, playwright Ryan Craig makes a case for the vitality of playwriting in our contemporary world and offers a way into writing those plays. From the very first moment of the process, as you sit in a coffee shop, staring at your 'laptop yawning open like some big, gormless mouth, the screen a flickering blank', to seeing your play staged and reviewed, the author takes you through the complete journey. Drawing on his own experience of writing for theatres such as the National, Hampstead and Tricycle and Menier Chocolate Factory, TV drama scripts for BBC, ITV and Channel Four, radio plays and adaptation, as well as commercial theatre, the author explores what practical tools the dramatist can use to write plays that build bridges between us. Full of practical advice for the aspiring - and practising - playwright, this book is also an important call-to-arms for playwrights everywhere, arguing for its necessity in the context of an increasingly fractured, distracted, disconnected world.