Poetry. Translated from the French by Kathleen McGookey. WE'LL SEE, originally published in France in 1995 as On verra bien by le de bleu, is Georges L. Godeau's first book translated into English. This is a collection of ninety brief prose poems, most of which focus on ordinary people and events. Godeau's prose poems are disarmingly and deceptively simple, yet resonate with each other. Godeau has said, "A poem should not last longer than its emotion." Still, his prose poems capture, almost photographically, moments of everyday life. Jacques Reda has said that Godeau's poetry is poetry of "what happens when nothing happens." In his account of a day spent with Godeau, Xavier Person observed that his poems were a lot like his modest house in Magne, France--a little cold, excessively clean, very tidy, and without a lot of furniture--poems that contained only the most straightforward and impassioned elements."In Georges Godeau's WE'LL SEE, the ordinary, quotidian details of everyday life reveal the miraculous lurking there, and each poem becomes a window on the absolute. These poems are quiet, efficient, but unsettling in their deep resonances. Although little happens in Godeau's poems, each is filled with lucent, telling particulars. His poems, so calm on the surface, accrue enormous power. Like frames in a movie, each poem appears almost static, but in congress, they span immense psychic and spiritual geographies. Godeau exposes a world in which the marvelous is all around us, a world in which 'Providence has blue eyes.' Godeau's terse prose poems are the perfect vehicle for his modest, unassuming voice, and Kathleen McGookey has rendered Godeau's laconic utterances in colloquial American English that is true to the original, and absolutely convincing in translation."--Gary Young

For young writers, a beautiful blank book with lined pages, perfect for keeping a journal or jotting down story and poem ideas

For young artists, a beautiful sketchbook for everything from doodles to lifestudies to finished drawings. Cover art by Ashley Burke, 12.

Want to write more powerfully? You've come to the right book. "Word Up "--an eclectic collection of essays, more inspiration guide than style guide--serves up tips and insights for anyone who wants to write with more umph. "Word Up "does what too few writing books do: it practices while preaching, shows while telling, uses powerful writing to talk about powerful writing. "Word Up " explores the perplexities and celebrates the pleasures of the English language. It leaves you smiling--and ready to conquer your next blank (or blah) page.

Joseph Rudyard Kipling ( 30 December 1865 - 18 January 1936)was an English short-story writer, poet, and novelist chiefly remembered for his tales and poems ofBritish soldiers in India, and his tales for children. He received the Nobel Prize for Literature in 1907. He was born in Bombay, in the Bombay Presidency of British India, and was taken by his family to England when he was five years old. Kipling is best known for his works of fiction, including The Jungle Book (a collection of stories which includes "Rikki-Tikki-Tavi"), Just So Stories (1902) (1894), Kim (1901) (a tale of adventure), many short stories, including "The Man Who Would Be King" (1888); and his poems, including "Mandalay" (1890), "Gunga Din" (1890), "The White Man's Burden" (1899) and "If-" (1910). He is regarded as a major "innovator in the art of the short story"; his children's books are enduring classics of children's literature; and his best works are said to exhibit "a versatile and luminous narrative gift." -wikipedia

Whether you are writing wedding vows or wedding toasts and speeches, this workbook leads you through a step-by-step creative process that is easy to follow and will produce inspired results. Written for couples who want to express their love for each other openly, honestly, and beautifully in their wedding vows, for the best man or maid of honor who doesn't often speak in public and is not sure how to write and deliver those all-important toasts, and for the father or mother of the bride, close friends, and relatives who will be speaking at the many events surrounding a wedding, it also provides a step-by-step rehearsal process, techniques for dealing with "stage fright" or anyone's bad case of nerves, and quotations to add elegance and spice to your own words.

This volume is an essential reading for all who love literature, especially for those who would like to familiar themselves with the essence of the Armenian literature. Readers familiar with the Armenian literature will also benefit from this. The dramatic works such as the "The Woe of Araxes" epic poetry, or "David of Sassoun" (Sasountsi David) heroic tail will bring back the nostalgic feelings associated with revisiting the Armenian classic literature. The especial introduction of Robert Arnot, an expert in Armenian Literature, is a valuable part of this volume that the reader will most probably find it informative and intriguing in terms of adequately depicting the state and the nature of the Armenian literature.

How close did the Bureau of Reclamation come in the 1960s to building two dams in the Grand Canyon? Exactly what is going on with those birds and their songs? The desert Southwest is supposed to look all dry and dusty...isn't it? And remember those silly Paul Bunyan tall tales you read as a kid? Not worth giving a second look, you say? Michael O'Rourke's essays explore natural world topics that aren't likely to spring to mind when you think "nature" or "environment." From urine-filled Dr Pepper bottles at a trashed-out campsite in Tennessee, to the almost universally mis-reported Tellico Dam/snail darter controversy in the 1970s, to El Tule, the tree with the largest trunk girth in the world, you'll find O'Rourke's essays as fun to read as they are eye-opening.

"Buy it, study it, enjoy it. It is as timeless as a book can be in our age of volubility." - "The New York Times"
Improve your writing with this well-organized and very readable new edition of Professor Strunk's 18 essential rules of grammar, punctuation and composition. Concise and helpful, these rules can transform your writing. A timeless reference.

If you are looking for guidance on how to craft a sentence or find a literary agent this book is not for you. Rather, here is a map for traveling the emotion-laden path that is the creative process. In "For Writer's Only," bestselling author and playwright, Sophy Burnham weaves the insights of some of the greatest writers with her own observations and experiences to provide inspiration and encouragement for writers everywhere.

Burnham wrote this book for herself when she was in a particularly dark period, unable to get any of her work published. She wanted to know, how did the Great Masters, the immortals, do it? How did they combat discouragement, despair, rejection, dismissal, defeat? Did they write every day? What counsel and advice did they have to offer? In this book, you will discover the strange places authors have found they work best (Agatha Christie plotted her books in her bathtub, eating apples); the surprising diversions they use to escape the project they are working on (Anne Beattie used to vacuum rather than write); and why Faulkner famously asserted, "If a story is in you, it has got to come out."

The truth is that the act of being creative is a difficult-even violent-process. Whether you read this book in one gulp from cover to cover, or simply pick it and read a few pages at those times when your are blocked, you will find yourself renewed, restored, re-heartened, and ready to race back to your own writing, your creative center.

Written by a prominent author of technical publications, this reference shows technical professionals how to take an idea and turn it into a published article or book. The comprehensive guide covers the entire spectrum--developing an outline, finding a publisher, pitching the idea, negotiating a contract, developing several drafts, submitting a manuscript, working with the different editors, and promoting the work once it's in book or magazine form--taking authors from pre- to post-publication. With examples of the author's own published writing projects, this manual goes beyond the craft of writing and demonstrates how to get professional, technical knowledge into print.

This book is part of the TREDITION CLASSICS series. The creators of this series are united by passion for literature and driven by the intention of making all public domain books available in printed format again - worldwide. At tredition we believe that a great book never goes out of style. Several mostly non-profit literature projects provide content to tredition. To support their good work, tredition donates a portion of the proceeds from each sold copy. As a reader of a TREDITION CLASSICS book, you support our mission to save many of the amazing works of world literature from oblivion.

"INTO THE STORY "is the first collection of the work of David Maraniss, one of the most honored and versatile writers of his generation. The thirty-two stories here cover a rich array of topics, ranging from seminal moments in modern history to intimate personal reflections, each piece illuminated by the author's deep reporting and singular sensibility.

Full time writers need a constant supply of fresh ideas so that their stories and articles will catch an editor's eye. But how easy are ideas to catch? The truth is that ideas rain down on us, mostly when we aren't expecting them. But most people have very big umbrellas, which ideas bounce off without being noticed. Ideas are tricky things. They're ephemeral. You can't see them, or take hold of them. They're also invisible, but like radio waves, they're everywhere. So if you need to capture them, then this book is for you. Linda's book will show you not only how to catch the ideas, but how to turn those ideas into stories and articles, how to deal with writer's block and how to make your twist endings work. If you yearn for easy-to-read no-nonsense advice, then The Writer's Treasury of Ideas is for you!

Speed Writing Skills Training Course: Speedwriting, a guide to faster note taking, an easy to learn alternative to shorthand. Most people need a note taking system for work or study but few people have the time or inclination to spend a year or two learning shorthand. This is the UK spelling version of the bestselling book (for the US spelling version please use ISBN 9781849370110). BakerWrite Speed Writing enables you to learn a new system in a matter of hours and become proficient within weeks. This book is laid out in 6 easy to follow lessons, that take about an hour each. There are practical guided exercises, with full answers, in each chapter and each session is rounded off with a dictation passage (available from http://www.UoLearn.com). Save time and become more efficient taking dictation, in meetings, on the telephone, in lectures or interviews. No strange squiggles to learn - just different ways to use the letters you already know. Your notes will be easy to transcribe. Enhance your career with a new skill. Save time by reducing your written text by about 33% - often more. Adapt the system to suit your needs. Free downloadable dictionary and workbook. A terrific opportunity to save time and change your working practices - for the better! What do people think of this speed writing system? "The principles are very easy to follow, and I am already using it to take notes." "BakerWrite is the easiest shorthand system I have come across. Having studied all the major shorthand systems and even other speed writing courses, I find BakerWrite a sheer delight." "I will use this system all the time." "Your system is so easy to learn and use." "I will recommend this course to everyone who takes notes." About the author - Heather Baker Heather studied Pitman shorthand at school and then at secretarial college in Salford, England where she also learnt Pitman shorthand in French; she later learned Teeline shorthand and now regularly teaches these. BakerWriteTM is based on her experience with these systems and 22 years as a secretary and PA - taking notes daily. She has been training and coaching secretaries, PAs and administrators since 2000. Please note there is an alternative edition of this book, Easy 4 Me 2 Learn Speed Writing. About the author: Heather Baker Heather had over twenty years' experience as a secretary and PA before setting up Baker Thompson Associates Limited in 2000. The company specialises in the training and development of secretarial and administrative staff, www.bakerthompsonassoc.co.uk. She now travels all over the UK working with large and small companies to enable their office staff and PAs to work more effectively and efficiently. She also delivers courses in the Middle and Far East. Heather is a Certified NLP Practitioner. She worked for ICI Pharmaceuticals (now AstraZeneca) and Hewlett Packard; she spent 5 years in France working for the Commercial Director of Cognac Hine and then 10 years with Granada Media working up to Personal Assistant to the Managing Director, commuting regularly between their offices in Manchester and London. She developed this speed writing system to fulfil a requirement by many companies for a quick and easy way for their employees to take notes. The course became very popular and she was often asked if there was a book with the basics of the system - so here it is! This system is a top best seller on Amazon. BakerWrite speedwriting is also available to learn online at www.BakerWrite.com. Heather is also the author of Successful Business Writing (9781849370714) and Successful Minute Taking (9781849370387), available to order from any bookshop and at www.uolearn.com Heather has been married to Ian since 1979 and they have two daughters, Ailsa and Erin. This book is dedicated to them with profound thanks for all their support over the years. I am 51 years old and have been a secretary more or less since I left school. I took the requisite Pitmans shorthand course whilst at school and have never been able to understand it, all those squiggles and lines. I have used my own speed writing version of words through the years and have managed to get by (as long as I dealt with the notes as soon as I had written them and the dictator wasn't too quick - so it was half memory and half being able to read my own shorthand version). But now, everything is so clear and makes complete sense. I take your book on the train every morning and even after the first reading it completely made sense and I could even remember most of what I had read in the first chapter and believe me my memory at retaining new info is not as it used to be. Even when I was reading your abbreviations I was able to see what they were in a lot of cases before I checked the meaning. I am thoroughly enjoying learning a new skill from a book that is so simple to understand and I have already started to implement my new dictionary of words when taking notes. A great big thank you for developing a system that is so easy to understand and completely workable and I looking forward to showing off my new skills when taking notes (which I will actually be able to understand) at the next board meeting. Ann

De Profundis (Latin: "from the depths") is a 50,000 word letter written by Oscar Wilde during his imprisonment in Reading Gaol, to Lord Alfred Douglas, his lover. Wilde wrote the letter between January and March 1897; he was not allowed to send it, but took it with him upon release. In it he repudiates Lord Alfred for what Wilde finally sees as his arrogance and vanity; he had not forgotten Douglas's remark, when he was ill, "When you are not on your pedestal you are not interesting." He also felt redemption and fulfillment in his ordeal, realizing that his hardship had filled the soul with the fruit of experience, however bitter it tasted at the time.

Gene Minshall was born in Saco in the northeastern quadrant of Montana, a place that National Geographic has defined as "The Last Real America." Minshall claims that his birth home gave him an untainted perspective of the different cultures he would encounter and the business communities in which he would eventually live and work. After service in the Navy and a degree from the University of Montana, Minshall worked in television stations in Montana and Washington State, before ultimately landing at KSL-TV in Salt Lake City, Utah. Serving as a reporter and producer as well as the writer and director of a score of documentaries exploring issues and interests of the day, he eventually became the news director of a rival station. There he directed the daily flow of information and worked with media consultants and management to increase ratings and viewer interest. Minshall is now an independent producer of highly acclaimed corporate videos and documentaries examining public issues and concerns. He is an honored Knight's Fellow for the International Center for Journalists in Washington, D.C., and has accepted several lead foreign assignments. Because of his work with political and communication leaders Minshall was asked by the State Department to work with Third World media centers in order to help them be respectful and responsive to a public anxious to receive news without bias and propaganda. Minshall's goal is to help close the gap between what TV stations are promoting and what exactly is presented to their viewers. He laments media practices that work against fully informing the public and yet is the first to recognize the incredible contributions progressive news departments havemade. He admits his bias is in favor of the viewers and is anxious to have them receive news that is beyond the hand of management and consultants and more in tune with the nature and competent side of journalist. Gene hopes that his ideas as stated in this text may become a catalyst to encourage news departments to develop a guiding philosophy about their work and public obligations.

A powerful example of a sincere effort to practice what you live and what you preach. Making Gumbo helps us feel the discomfort that naturally occurs when an institution pursues diversity. It places the responsibility for diversity at all levels of the university, but emphasizes the critical role of leadership in this effort. Such leadership must at minimum be unwavering in its commitment to diversity and willing to take risks for change.
Craig C. Brookins, Director, Africana Studies, NC State University
The truths that come out here show what diversity really means. Particularly interesting were the challenges that Nacoste faced while trying to change the diversity culture at a major university in the South from one of entitlement to one of engagement. The struggles that Nacoste faced leading the diversity effort at North Carolina State University put him in the middle between a conservative, old-school black community both on campus and off, and an administration that was determined to not have race issues be front page news.
I know about this first hand because I was there and I was part of this story.
Stuart L. Cooper, former Provost at North Carolina State University
Dr. Nacoste convincingly establishes an unsettling truth: conflict is not only a necessary consequence of true diversity, it is the essence of diversity. . . I am reminded of the countless times I witnessed him address a rapt audience. He is a force of nature. With his booming voice, confident stride and dramatic presence, he demands attention. Often, his message was one of elegant simplicity: that people have profound effects on one another. Our attempts to navigate these effects comprise the central narrative of humanity. In Making Gumbo, Dr. Nacoste lends his distinct and assured voice to a nation confronted anew with perplexing questions of diversity.
Brandon Buskey, NCSU Graduate, Staff Attorney, Equal Justice Initiative
Nacoste chooses the tantalizing metaphor of a gumbo to paint a picture of the powerful and intellectually stimulating life of a research university campus alive with diversity. He understands and communicates the value of a fundamental and clearly understood mission as the roux on which this delightful dish is built. He illustrates the essential importance of each ingredient in this gumbo-human beings with their history, their prejudices, their desire to learn. He celebrates the intellectual joy that comes with conflicts of ideas.
Nacoste writes a prescription for taking learning organizations of all kinds to high levels of true productivity, through the very practical implementation of ways to capitalize on the conflict of ideas with which a truly diverse community seethes.
C. Frank Abrams, Professor emeritus, Former Senior Vice Provost and Chief of Staff, North Carolina State University

Compiled from the workshop assignments of Ottone M. Riccio, a master teacher, "Unlocking the Poem" is a teaching tool, a stimulus to individual creative expression, and a compendium of outstanding contemporary poetry written from these very assignments.

Unlike many "how to write poetry" texts, Unlocking the Poem teaches by doing. Its assignments offer writers, new and experienced, the chance to try new things, to practice their craft-and to produce their own original, polished poems in the process.

"Unlocking the Poem" offers 450 proven assignments-more than any other work available-based on poetic form, subject matter, the use of specific words or lines, time for writing, and so forth. The collection contains assignments to elicit autobiographical experience, moods, and the realms of fact and fantasy. These assignments provide stimuli to get the creative process underway, with subjects ranging from the everyday to the surreal, from people to the natural world, from the works of man to history to investigating language.

"Unlocking the Poem" is organized so that related material comes together, readily findable. Turn to a given section-villanelles, for example, or surreal experience-or browse until something strikes your interest. Assignments are adaptable to beginners and to advanced writers; there's plenty in here for every poet.

"Unlocking the Poem" belongs in the library of every writing student who wants to be a poet, and every poet who wants to write more and better poems.

In Write Your Own Business Case Studies, Paula guides you through topic and customer selection, interviewing, structuring the case study, and in-depth writing and editing instruction. You'll learn how something so well known as the story structure from books and movies can bring your business case studies to life and give your company the edge in a highly competitive world. You'll learn the importance of WIIFM (What's in it forme) and why you must understand and provide for the needs of your reader if you want to succeed. When the case study is done, you'll hold onto your notes to re-use for five more marketing pieces. In part two of the book you'll use this information to write handouts, media releases, articles, blog posts, and eblasts.