Effective grant proposals are not so much written as they are extensively researched, developed, and positioned. The actual writing, obviously an essential component, is nevertheless only the tip of the iceberg. Grant seekers must possess the necessary skills to correctly identify potential funders, craft a proposal that meets a specific funder’s needs, and follow that funder’s directions to the letter. Cheryl New and James Quick take grant seekers step-by-step through the entire development and drafting process in How to Write a Grant Proposal.

The authors concentrate on all the behind-the-scenes, pre-writing work that makes the difference between successful grant proposals and those that potential funders discard as "nonresponsive." New and Quick concentrate on crafting specific proposals that prove a perfect match between a funder and a solicitor’s needs. Funders and the nonprofit organizations they support are both in the business of solving problems; the key is creating a project that addresses a problem that both parties are interested in solving. How to Write a Grant Proposal provides targeted guidance for a variety of kinds of organizations, including:

K—12 private and public educational organizations

Government agencies

For-profit businesses

Health care organizations

Traditional nonprofits

Higher education universities and centers

A companion CD-ROM contains guidesheets and templates that can be easily downloaded, customized, and printed. The authors provide examples of completed proposals and numerous case studies to demonstrate how the grant-seeking process typically works.

How to Write a Grant Proposal proves a one-stop resource on how to interpret a funder’s guidelines to create a successful grant proposal.

Tracing the growth of ancient biography from the fifth century to the first century B.C., Arnaldo Momigliano asks fruitful questions about the origins and development of Greek biography. By clarifying the social and intellectual implications of the fact that the Greeks kept biography and autobiography distinct from historiography, he contributes to an understanding of a basic dichotomy in the Western tradition of historical writing. The Development of Greek Biography is fully annotated, and includes a bibliography designed to serve as an introduction to the study of biography in general. This classic study is now reissued with the addition of Momigliano's essay "Second Thoughts on Greek Biography" (1971).

Introducing the Uktub al-'arabiya series with the Advanced level volume, the authors of this new textbook aim to develop the writing skills of students learning Modern Standard Arabic, enabling them to move from forming correct words, phrases, sentences, and simple texts, to writing simple paragraphs and ultimately producing texts with the competency of a native speaker. These books, with the beginner and intermediate level volumes forthcoming, can accompnay any other Arabic textbooks. The Advanced level volume introduces students to authentic Arabic written texts; strengthens and enhances their grammar; includes more sophisticated key words, collocations, expressions, and idioms; reinforces linguistic accuracy; and trains them to use handwriting script. Practical skills such as how to write letters are included.
Developed and piloted in the classrooms of the Arabic Language Institute at the American University in Cairo, this series has benefited from the expertise and knowledge of leading teachers of Arabic.

While some students need more writing instruction than others, "The Politics of Remediation" reveals how that need also pertains to the institutions themselves. Mary Soliday argues that universities may need remedial English to alleviate their own crises in admissions standards, enrollment, mission, and curriculum, and English departments may use remedial programs to mediate their crises in enrollment, electives, and relationships to the liberal arts and professional schools.
Following a brief history of remedial English and the political uses of remediation at CCNY before, during, and after the open admissions policy, Soliday questions the ways in which students' need for remedial writing instruction has become widely associated with the need to acculturate minorities to the university. In disentangling identity politics from remediation, she challenges a powerful assumption of post-structuralist work: that a politics of language use is equivalent to the politics of access to institutions.

Written for busy professionals who want to improve the quality and clarity of their own (or their staff's) writing style, this is an essential guide for anyone who has ever fallen prey to businessese, academese, legalese, or any other `ese' when faced with a blank memo pad.

Pithy and entertaining, Bailey points out all the dos and don'ts of plain English. He then illustrates them with examples drawn from a wide array of sources, including business documents, technical manuals, trade publications, and the works of writers such as Russell Baker and John D. MacDonald. From the basics to the fine tuning, he offers practical advice on clarity and precision, organization, layout, and a host of other important writing topics.

Now that you have begun to master spoken Japanese with the two volumes of 'Japanese with Ease', and you want to learn how to write this fascinating language, 'Writing Japanese with Ease' is the book for you! You will learn the fundamentals of writing the characters of traditional Japan, borrowed from Chinese (Kanji). The book follows the 99 lessons of 'Japanese with Ease', presenting the characters in order of appearance throughout the two volumes. The book lists each Kanji with its radical, its number of strokes, the different pronunciations of the character, and -- of course -- its meaning. For development of your writing skills, the stroke-by-stroke character lay-out will be very useful, teaching you the rules of writing Kanji. Dont miss the useful appendices such as the Table of Radicals, the Index listing Kanji by number of strokes, as well as the dialogue texts of Japanese with Ease, given in standard written Japanese.

Lauded by Calvin Trillin as a man who "does not have to make to with translations like 'Shredded Three Kinds' in Chinese restaurants," in "The Eater's Guide to Chinese Characters," James D. McCawley offers everyone a guide to deciphering the mysteries of Chinese menus and the opportunity to enjoy new eating experiences. An accessible primer as well as a handy reference, this book shows how Chinese characters are written and referred to, both in script and in type. McCawley provides a guide to pronunciation and includes helpful exercises so users can practice ordering. His novel system of arranging the extensive glossary--which ranges from basics such as "rice" and "fish" to exotica like "Buddha Jumps Wall"--enables even the beginner to find characters quickly and surely. He also includes the nonstandard forms of characters that often turn up on menus.
With this guide in hand, English speakers hold the key to a world of tantalizing--and otherwise unavailable--Chinese dishes.

Revised and updated throughout, this 10th-anniversary edition of Can Creative Writing Really Be Taught? is a significantly expanded guide to key issues and practices in creative writing teaching today. Challenging the myths of creative writing teaching, experienced and up-and-coming teachers explore what works in the classroom and workshop and what does not. Now brought up-to-date with new issues that have emerged with the explosion of creative writing courses in higher education, the new edition includes: * Guides to and case studies of workshop practice * Discussions on grading and the myth of "the easy A" * Explorations of the relationship between reading and writing * A new chapter on creative writing research * A new chapter on games, fan-fiction and genre writing * New chapters on identity and activism

A completely new guide to writing Latin from scratch, this user-friendly book includes key features such as: broad coverage - all the major grammatical constructions of the Latin language are covered, reinforcing what students have learnt from reading Latin; thorough accessible explanations - no previous experience of writing in Latin assumed; hundreds of examples - clear accurate illustrations of the constructions described, all with full translations; over six hundred practice sentences - graduated exercises leading students through three levels of difficulty from elementary to advanced level; introduction to Latin word order - a brief guide to some of the most important principles; and, longer passages for practising continuous prose composition - more challenging passages to stretch the most able students.It also includes features such as: commentaries on examples of Latin prose style - passages from great Latin prose writers focus attention on imitating real Latin usage; and, complete list of vocabulary - all the words needed for the exercises and a valuable reference for English-Latin work in general.

Accessible and engaging, this unique text offers concrete, practice strategies for critical and creative thinking and includes many opportunities for practicing these fundamental skills. "The Art of Thinking "introduces students to the principles and techniques of critical thinking, taking them step-by-step through the problem-solving process. Emphasizing creative and active thought processes, the author asserts that good thinking and problem-solving is based on learnable strategies. The book's four parts, "Be Aware," "Be Creative," "Be Critical," and "Communicate Your Ideas," present students with a process for solving problems and resolving controversial issues. Discussions of how to evaluate ideas and how to question long-held assumptions or biases help students look at concepts critically. This text can be used in freshman experience courses, freshman composition courses, and a wide array of other courses where instructors want to enhance students' critical thinking skills.

Readers of all levels will find this excellent guide essential. Including examples of real usage taken from the Oxford Corpus, this handy volume provides clear information about grammar and punctuation that we need on a day-to-day basis in over 300 entries. Arranged alphabetically, it contains entries for standard grammatical terms such as pronoun, synonym, or transitive verb. It also discusses related questions of usage, for example how to distinguish between 'may' or ' might', 'that' or 'which', and 'it's' or 'its'. For ease of use, over 40 feature entries on master headwords like adverb, hyphen, and spelling include diagrams listing related terms. Revised and updated, The Oxford A-Z of Grammar and Punctuation offers accessible and coherent explanations across a broad range of topics, and is the first port of call for any reader seeking clear, authoritative help with grammar and punctuation. Both easy to use and comprehensive, it is an essential tool for writing at home, in the office, at school, and at college.

Both autobiography and primer, Escaping into the Open is an inspiring, practical handbook on the joys and challenges of the writing life. Renowned author and writing instructor Elizabeth Berg interweaves the story of her own journey from working mother to bestselling novelist with encouraging advice on how to create stories that spring from the heart. Continually in print since its original 1999 publication, this invaluable resource is a true and constant friend to all writers, no matter their stage of development.

With wit and honesty, Berg provides numerous exercises that will unleash individual creativity and utilize all five senses. Most important, she tells how to fire passion--emotion--into writing itself; to break through personal barriers and reach one's own outer limits and beyond.

Strong characters - characters we love and hate, those we despair for at their low moments and egg on to their triumphs - are the foundation of any successful script. Written by award-winning writer Rib Davis and now fully updated for its second edition, Creating Compelling Characters for Film, TV, Theatre and Radio is an authoritative practical guide to developing characters for professional and aspiring writers alike. As well as exploring character motivation, the interplay between character and plot, comic characters, heroes and villains, the new edition also includes a more in-depth look at character psychology, writing ensemble and multi-narrative dramas and the balance between character development and character revelation. The book also includes a wide range of contemporary examples from scripts ranging from films such as The Wolf of Wall Street and The Grand Budapest Hotel, award-winning plays such as Jerusalem and acclaimed TV shows such as Game of Thrones and True Detective.

Most writing books dwell on common issues of style and grammar. Yet most writers also confront complex problems of story design. This fifty-rule guide by Francis Flaherty, a New York Times editor, offers much-needed solutions and sage advice to address these concerns.

"Sometimes, say things sideways," Flaherty writes. "The reader will be grateful." "White is whitest on black," he observes. "Let contrast work for you." Through such hard-won, story-level insights, sprinkled with examples from real stories and leavened with a good dose of newsroom memoir, The Elements of Story merits a spot on every writer's shelf.

Bringing together thirty-two landmark essays, Central Works in Technical Communication provides a broad and representative overview of the field. It introduces students, new teachers, and new practitioners to the community of technical communication as an intellectual and communal endeavor that encompasses such complex theoretical topics as research methods, social issues, and ethics. Editors Johndan Johnson-Eilola and Stuart A. Selber engaged in a comprehensive selection process--including the consultation of a review board of leading teachers and scholars--and have included some of the most influential articles and book chapters published in technical communication over the last twenty-five years. Each essay is accompanied by a reflective piece written by its author specifically for this volume. These commentaries provide context for the essays and allow the authors to add to or challenge their original ideas and resituate them in a contemporary environment. The book also features section introductions written by the editors that offer historical and conceptual approaches to understanding the contributions each work makes to the field of technical communication.
Central Works in Technical Communication is organized around eight major conceptual categories: histories, rhetorical perspectives, philosophies and theories, ethical and power issues, research methods, workplace studies, online environments, and pedagogical directions. An alternative table of contents groups the essays into additional categories including collaboration, gender, genre, usability, and visual theory and practice. Ideal for advanced undergraduate and graduate courses in technical communication, this collection is also a compact and convenient resource for practicing professionals and academics new to the field.

Wie schreiben professionelle Schreiber*innen? Wie passen sie ihre Strategien, Routinen und sprachlichen Ressourcen situativ an? In 17 Fallstudien wird Mustern und Zusammenhangen in Schreibprozessverlaufen mehrsprachiger Schreiber*innen nachgegangen: 13 Studierende und 4 Wissenschaftler*innen haben Schreibsessions im Real life writing mit Screen-Capturing-Software aufgezeichnet und in Interviews uber ihre Sprach(en)- und Schreibbiographien Auskunft gegeben. Auf der Cross-Case-Analyse dieser 17 Fallstudien basiert das PROSIMS-Schreibprozessmodell, das die spezifischen Einflussfaktoren und dynamischen Wechselbeziehungen in Schreibsituationen konzipiert und visualisiert. Es wird durch eine umfassende interdisziplinare Diskussion einschlagiger Fachdiskurslinien kontextualisiert.

Legacy: A Step-by-Step Guide to Writing Personal History is animated by the belief that every life has value and knowledge for others. A personal history is a gift to share. It can restore the connection between generations. What did another time feel like, what did you do to pass the time - or to survive - and how did you feel about your choices? The small joys, triumphs, and turning points in a life have special meaning when shared with those who know the writer and who themselves are trying to respond appropriately when life graces them with blessings or seems to come up against a brick wall. Through supportive coaching, stimulating questions, shared memories, and evocative photographs, the process of producing a personal history becomes intriguing and engaging. With Legacy the possibilities expand, and our present and future find nourishment and knowledge in the past.

Responding to a growing pedagogical paralysis in debates over the nature and status of composition studies as an academic discipline, Lisa Ede offers a provocative inquiry into the politics of composition's place in the academy. The result is a timely and engaging reflection on the rhetoric, ideology, and ethics of scholarship and instruction in composition studies today.
"Situating Composition: Composition Studies and the Politics of Location" delves into some of the most vexing issues presently facing the field: its status in relation to English studies, the nature and consequences of the writing process movement, the uneven professionalization of composition teachers, and the widening chasm between theory and practice. Ede interrogates key moments and texts in composition's evolution, from the writing process movement to Susan Miller's "Textual Carnivals," through the interpretive lenses of historical analysis, theoretical critique, feminist and cultural theory, and Ede's own two decades of experiences as a teacher and writing program administrator.
Questioning the narratives of progress and paradigm shifts that inform the field's highly regarded recent theoretical studies, Ede urges scholars to carefully reconsider these claims, to honor the roles of teachers and students as more than dupes of ideology, and to more fully acknowledge--and utilize--the differences between the practice of theory and the practice of teaching. As academic hierarchies of knowledge increasingly privilege scholarship over instruction, Ede warns researchers to be cognizant of the politics and power inherent in their own location in the academy, particularly when professing to speak forteachers and students. To that end, the volume's conclusion advocates pragmatic avenues for change and proffers topics for future discussion and debate.

Provides immediate help for anyone preparing a biomedical paper by givin specific advice on organizing the components of the paper, effective writing techniques, writing an effective results sections, documentation issues, sentence structure and much more. The new edition includes new examples from the current literature including many involving molecular biology, expanded exercises at the end of the book, revised explanations on linking key terms, transition clauses, uses of subheads, and emphases. If you plan to do any medical writing, read this book first and get an immediate advantage.