One of the greatest challenges for instructors in religious studies is the task of explaining why, in colleges and universities, the truth claims of religions are not accepted or even investigated, but instead a disinterested, secular approach is taken. Most instructors prefer not to address the issue directly, leaving their students to work out for themselves the difference between religious studies and the study of religion. Those who remain confused inevitably submit essays that reveal more about their religious upbringing than their ability to analyze a phenomenon objectively. A Guide to Writing Academic Essays in Religious Studies eases the transition for undergraduate students by explaining what they need to know about writing research essays pertaining to religion. Topics include methodological and theoretical presuppositions of religious studies, types of research essays, locating appropriate scholarly literature, developing a thesis, the essentials of essay form and content, quotations, forms of documentation, avoiding plagiarism, gender-inclusive language, layout, style, conciseness, rewriting and proofreading, approaching ancient texts, and how to recognize and avoid bad scholarship. This guide is indispensable for students new to religious studies.

"The Writing Circle" explores classroom writing groups as a powerful structure for giving students the support and guidance they need. Based on a common structure found in the writing world outside of school, these groups provide an ideal way for students to learn from each other. Under the teacher's guidance, young writers can work together on all aspects of the writing process--sharing drafts of writing, responding to each other's works-in-progress, and building confidence in themselves as writers.

The writing process is dynamic; writers move from one stage to the other and back again doing two--or three or more--things at once. Students become more energized when they tap into this dynamic process and interact with peers. Writing circles have the added bonus of giving teachers lots of opportunities to observe, advise, learn, teach, and take part in writing circle discussions.

This comprehensive resource includes everything needed to support writing circles in the classroom. Sample lessons outline specific learning goals and offer suggestions for student and teacher roles. Many of these lessons require that the teacher guide the writing circles, step-by-step, through activities, but the groups gradually gain their own momentum as students become more independent, skilled, and confident writers.

Integrating grammar and composition, this comprehensive new edition guides the advanced student through progressively more complex types of writing by organizing the grammar lessons on a functionalist basis around the needs of composition. This innovative approach to teaching Spanish grammar and composition promotes systematic language development and enables students to strengthen their expressive and editing skills in the language in order to write more effectively and more confidently. Refined by years of classroom testing and analysis of the problems students encounter, this bestselling textbook has been substantially rewritten and incorporates current research in composition, pedagogy, second-language acquisition, and linguistics. Expanded self-correcting exercises are also available online, making "Gramatica para la" composition one of the most valuable textbooks available for advanced students of Spanish. This title focuses on work in six level-appropriate types of composition: description, synopsis, personal narrative, creative narrative, exposition, and argumentation. It is based on ACTFL guidelines for students progressing from intermediate to advanced levels of proficiency. It covers syntax, dictionary skills, problematic word distinctions, and rhetorical features of discourse structure. It contains exercises on grammar practice, working with sentences and paragraphs, guided essays, and free composition. New to the second Edition: each lesson has been clearly divided into two distinct parts - presentation (material that students prepare before class) and Application (the activities they do in class or as homework); and, practices individuals have been expanded and recreated as self-checking exercises that provide immediate feedback and scoring. These practices are available for free online at our associated website. It includes images from William Bull's "Visual Grammar of Spanish" help with distinctions that seem difficult. It contains an Instructor's Manual - available for free online - reviews teaching and grading methodology for writing-intensive courses, offers suggestions for syllabus organization and for teaching each lesson, and provides additional exercises and activities. To download this free PDF, visit our associated website. Free website created by authors contains self-checking exercises at our associated website.

Twelve months of lessons for a portable workshop experience: With a format similar to Julia Cameron's best-selling The Artist's Way, longtime workshop leader Susan Tiberghien guides writers through every major literary genre--from journal writing to personal essays to nonfiction, memoir, prose, poems, and fiction--in a cycle of 12 workshops. Focusing on process--free-write, drafts, revisions--the lessons build upon each other, guiding readers to finding and developing their own voice. - An original and essential new book that merits a place next to the classics on the heavily consulted writing-guide shelf: Offering key elements of the best writing guides out there, One Year to a Writing Life merits comparison with Annie Dillard's The Writing Life in its authority and inspiration. Think Brenda Ueland's If You Want to Write with the addition of thematic exercises and Anne Lamott's Bird by Bird with a workshop structure. Tiberghien also includes examples from masters in each genre, from the likes of Rainer Maria Rilke to Eduardo Galeano, May Sarton to Terry Tempest Williams, as well as Tiberghien's own work and that of her students. - By a highly active and beloved workshop leader: Tiberghien has taught at writers' workshops and conferences in the United States and in Europe for more than 15 years--and has regular engagements with IWWG (the International Women's Writing Guild), Hudson Valley Writers Center, and the CG Jung Institute.

This volume explores a number of themes of current interest to those engaged in researching and teaching academic genres: the social and cultural context of academic writing; differences between the academic and non-academic text; the analysis of particular text types; variation within and across disciplines; and applications of theory in the teaching of writing. The contributors include many of today's most influential scholars in the area of academic literacy, working in a wide variety of tertiary academic contexts in Britain, Finland, Hong Kong, Zimbabwe, Australia and the United States. The implications will be of relevance to all those engaged in teaching academic writing to both native and non-native English speaking students in tertiary education around the world.

Academic Writing is emerging as a distinct subject for teaching and research in higher education in the UK and elsewhere. Teaching Academic Writing in UK Higher Education introduces this growing field and provides a resource for university teachers, researchers and administrators interested in developing students' writing.

The Writers at Work series prepares ESL students to tackle academic essay writing. Writers at Work: The Paragraph is designed for high-beginning to low-intermediate writing students. It uses personal topics such as "A Person Important to You" and "Holidays" to teach the basics of paragraph writing. A five-step process approach teaches students how to generate ideas, write a first draft, revise, edit, and self-evaluate their writing.

Original Writing:
* provides students with the practical skills they need to write confidently and effectively for different purposes and audiences
* examines the conventions and styles of different types of original writing, such as writing to entertain, writing to inform and writing to persuade
* looks at a wide range of examples of successful writing, including extracts from The Office, Health Education leaflets, Kerrang! and students' own work
* includes a guide to planning and writing commentaries
* explores problematic areas and includes advice from experts in a range of areas, from radio to song writing.

Written by an experienced teacher, author and AS and A2 Level examiner, Original Writing is an essential resource for students of AS and A2 Level.

Just as the majority of books about computer literacy deal more with technological issues than with literacy issues, most computer literacy programs overemphasize technical skills and fail to adequately prepare students for the writing and communications tasks in a technology-driven era. "Multiliteracies for a Digital Age "serves as a guide for composition teachers to develop effective, full-scale computer literacy programs that are also professionally responsible by emphasizing different kinds of literacies and proposing methods for helping students move among them in strategic ways. Defining computer literacy as a domain of writing and communication, Stuart A. Selber addresses the questions that few other computer literacy texts consider: What should a computer literate student be able to do? What is required of literacy teachers to educate such a student? How can functional computer literacy fit within the values of teaching writing and communication as a profession? Reimagining functional literacy in ways that speak to teachers of writing and communication, he builds a framework for computer literacy instruction that blends functional, critical, and rhetorical concerns in the interest of social action and change. "Multiliteracies for a Digital Age "reviews the extensive literature on computer literacy and critiques it from a humanistic perspective. This approach, which will remain useful as new versions of computer hardware and software inevitably replace old versions, helps to usher students into an understanding of the biases, belief systems, and politics inherent in technological contexts. Selber redefines rhetoric at the nexus of technology and literacy and argues that studentsshould be prepared as authors of twenty-first-century texts that defy the established purview of English departments. The result is a rich portrait of the ideal multiliterate student in a digital age and a social approach to computer literacy envisioned with the requirements for systemic change in mind.

This pragmatic text helps students master the craft of copy editing - including both the editing skills and the people skills essential to professional success. Experienced newspaper copy editor and professor John Russial covers the fundamentals and more: how to edit for grammar, punctuation, usage, and style; attend to broader issues of fairness and focus; develop strong headlines and other display elements; and work collaboratively with reporters, other editors, and designers. Special attention is given to the copy editor's role as critical thinker and coach as well as resident wordsmith. Throughout, proven editing strategies are explained and numerous concrete examples and practical tips offered.

"The most marvelously practical and engaging approach to come along in decades. It goes beyond the basics to take up very practical techniques that are terribly useful but not covered in most textbooks. All of us want our students to think critically and creatively ? this book shows us how to teach them to do just that. A superb text."
David R. Russell, Professor of English
Iowa State University, Ames, IA

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"To understand the ways students learn to write, we must go beyond the small and all too often marginalized component of the curriculum that treats writing explicitly and look at the broader, though largely tacit traditions students encounter in the whole curriculum," explains David R. Russell, in the introduction to this singular study. The updated edition provides a comprehensive history of writing instruction outside general composition courses in American secondary and higher education, from the founding public secondary schools and research universities in the 1870s, through the spread of the writing-across-the-curriculum movement in the 1980s, through the WAC efforts in contemporary curriculums.

The definitive guide to writing for publication (and more)!

Successfully translating thoughts and ideas into the printed word can seem daunting to even the most experienced educator. Step-by-step, author and scholar Allan A. Glatthorn guides education professionals through the basics of the writing process, empowering them with the tools to create and enhance their own professional submissions and writings. The down-to-earth, conversational tone helps to effectively convey and outline specific writing strategies for contributions to research journals, articles, op-ed pieces, manuscripts, literature reviews, theses, funding proposals, internal organizational writing.

Key features include:

• Finding a topic
• Correctly identifying your audience
• Choosing the appropriate forum
• Revising and editing
• Working with editors and publishers
• Maximizing use of the Internet and other technological tools 

Allan A. Glatthorn has taught writing for more than 25 years, and is a Distinguished Research Professor Emeritus at East Carolina University. During his prolific 55-year teaching career, he has written more than 50 texts on writing and more than 30 professional books. In Publish or Perish?The Educator?s Imperative, he shares his wealth of knowledge and experience about professional publishing and the writing process, in hopes that his work will help you achieve your own goals and imperatives.

In Your Life As Story, autobiography expert Tristine Rainer explains how we can all find the important messages in our lives. Like Mary Karr or Frank McCourt, we can shape those stories into dramatic narratives that are compelling to others. Blending literary scholarship with practical coaching, Rainer shares her remarkable techniques for finding the essentials of story structure within your life?s scattered experiences. Most important, she explains how to treasure the struggles in your past and discover the meaning within those experiences to capture the unique myth at work in your life.

Does traditional argument still have a place in the composition classroom? How can the process of argument be used productively by students? In this edited volume, some of the leading composition scholars today consider the ways in which argumentation as an approach to teaching writing remains valuable, in spite of the postmodern theories of composition that have challenged its relevance. First, the contributors "revisit" and explain the traditional approaches to argument--enthymeme, evidence, Toulmian, Rogerian, and classical rhetoric--and show why they are more relevant today than ever. They then "redefine" argument by connecting it with theoretical movements that have been adverse to it--feminism, narratology, and reflexive reading. As a result, the book unites apparently conflicting approaches into a new definition of argument that emphasizes inquiry over discord and understanding over entrenched difference. Argument Revisited, Argument Redefined enables compositions scholars and teachers to incorporate argumentative inquiry more effectively into the classroom, and demonstrates that argument as a genre and as a process can still serve students well. This unparalleled volume will be of use to professors and researchers in written communication, rhetoric, linguistics and communication.

The key to the classic "Greek Prose Composition" which has been in use throughout the world for over100 years. It features brief lesson overviews followed by English to Greek composition exercises. In the Appendix the student will find useful tables of verb stems, prepositions and particles. The book is suitable for both beginners and intermediate learners.

Writing about Business and Industry brings together timeless essays and readings that exemplify excellence in writing about the history, theory, and practice of business. Beverly Schneller, coeditor of Writing about Science, has gathered the works of an extraordinary range of talented minds--Adam Smith, Lewis and Clark, George Orwell, Henry Ford, Beatrice Webb, as well as many others--to instruct and encourage those seeking to become polished writers in business, technical, economic, and related fields. These colorful selections bring specialized composition to life for the student, showing how different styles work for different fields, and enlivening the learning process. Students will hone their writing skills while discovering the Walla Walla River, visiting Wales, pondering the inherent nature of competition, or examining the status of women in the workplace. From Max Weber to contemporary journalism, the historical development of business thought and practice unfolds for the student. For courses in business and technical writing, as well as writing for the social sciences, this engaging collection provides an opportunity to uncover the often surprising possibilities of technical and business prose.

How to Write a Philosophy Paper is a handbook which provides students with a ready arsenal of analytical and compositional techniques. It is intended for undergraduate students in any type of philosophy course and is written and organized in a user-friendly manner. The first half includes discussions of the nature of philosophy and a variety of basic and essential techniques of philosophical enquiry and argumentation. The second half takes the student step-by-step through the writing process, from choosing a suitable topic, to developing his or her thought, to preparation of the final draft. Includes an index and bibliographical material.

Exhaustively illustrated and broad in scope, Editing Technical Writing is a comprehensive textbook and reference for students of technical editing and communication. It is also a training manual for working professionals in business and government who must revise documents to communicate technical information clearly and effectively.

It examines the broad role of the editor from the collaborative writing of a document through proofreading and on to production. It also looks at different documents and the different styles of editing required for these. All in all this an essential manual and reference for the technical editor and should enable them to vastly improve their editing skills.

Designed for student of Russians at A Level and beyond, this book first provides guidance on the basics of writing Russian and then goes on to give practical assistance in writing essays and projects in Russian on a range of topics - ranging from climate to organized crime - included in area studies courses on post-Soviet Russia. Each topic is divided into sections on vocabulary, phraseology and useful background information adaptable for self-teaching and for oral conversation classes. Exercises are included on specific grammar points and related vocabulary, all Russian texts included as information source and as models for adaptation are translated, and an English-Russian vocabulary is provided.