"A Counter-History of Composition" contests the foundational disciplinary assumption that vitalism and contemporary rhetoric represent opposing, disconnected poles in the writing tradition. Vitalism has been historically linked to expressivism and concurrently dismissed as innate, intuitive, and unteachable, whereas rhetoric is seen as a rational, teachable method for producing argumentative texts. Counter to this, Byron Hawk identifies vitalism as the ground for producing rhetorical texts-the product of complex material relations rather than the product of chance. Through insightful historical analysis ranging from classical Greek rhetoric to contemporary complexity theory, Hawk defines three forms of vitalism (oppositional, investigative, and complex) and argues for their application in the environments where students write and think today.
Hawk proposes that complex vitalism will prove a useful tool in formulating post-dialectical pedagogies, most notably in the context of emerging digital media. He relates two specific examples of applying complex vitalism in the classroom and calls for the reexamination and reinvention of current self-limiting pedagogies to incorporate vitalism and complexity theory.

The ultimate guide and companion for anyone who wants to record the story of his or her life or that of a loved one.
Have you ever wondered about an ancestor you know only as a compelling face in a faded family photograph? Imagine discovering an entire book on this ancestor's life -one that described the world in which he lived and detailed his dreams, accomplishments, disappointments, and the accumulated wisdom of a lifetime. "The Legacy Guide" helps readers create such a book. Designed for writers and non-writers alike, it outlines a simple, intuitive, and highly flexible framework for turning your personal history-or that of a loved one-into a treasured family heirloom.
It's been said that everyone has a story to tell, but anyone who has sat down to record his or her life story will tell you that there were moments of feeling completely overwhelmed and frustrated. Introducing the innovative program Facts to Memories to Meaning, "The Legacy Guide" takes you step-by-step through the seven stages of life-such as childhood, adolescence, young adulthood, etc.-to recall moments long forgotten and to discover their significance. And it helps you fashion these pieces together, much as you would a scrapbook, into a creative and compelling whole. Full of engaging and instructive quotations from the famous and the not-so-famous who have committed their stories to paper, "The Legacy Guide" will inspire you to capture the milestone events that have given shape to your life and allow you to weave them into a book that preserves this legacy for generations to come.

Craft Compelling, Salable Romances With a Christian Worldview

Every novel needs believable characters, strong plot lines, and universal themes&#150and Christian romance is no exception. This unmatched resource by award-winning novelist Gail Gaymer Martin will help you master basic fiction writing skills, while ensuring your story meets and exceeds the standards of the Christian market. It comprehensively covers the special techniques and elements of the Christian romance novel, as well as how to sell your finished product to a publisher. Through detailed step-by-step instruction, examples from successful Christian romances, and practical exercises, you'll discover how to:

• develop a story that includes personal, romantic, and spiritual growth
• incorporate prayer and spirituality into your story
• use introspection to fully develop characters' relationship with God
• discuss issues of sin and forgiveness in believable ways
• present sexuality realistically, but from a Christian viewpoint

The first step toward having your script succeed in Hollywood is by having a correctly formatted screenplay. Quite simply, "Formatting Your Screenplay" is the one book you need for learning this vital skill. In this unique manual, author and screenwriting teacher Rick Reichman walks you through all the major elements of an authentic author's script and gives you strategies for using each element to maximum effect. He also packs sound advice on: .Rewriting the Script .Differences between an "Author's Script" and a "Production Script" .How to cover, bind, and mail off a finished script .Writing for both film and television Buy this book, use this book, and reference this book often. Over 13,000 people have done that already, and now it's your turn to learn just what separates the "it's okay" script from the "we have a deal" screenplay.

"Criticism is itself an art." This is one of the singular arguments in what must be one of Oscar Wilde's most compelling critical dialogues ever published. The Critic as Artist explores Wilde's defense of criticism through sharp, witty dialogue and riveting, thoughtful arguments. This theoretical dialogue uses prime examples to discuss many elements, such as criticism as an art form, the true definition of a critic, criticism's value over art, and more. A special treasure for admirers of Wilde and a welcome addition to any bookshelf, The Critic as Artist exemplifies the playwright's witty look on the world and his true love of art. --- About the author: Born in Dublin, Ireland in 1854, Oscar Wilde went on to become a prominent playwright, poet, and novelist all throughout the late Victorian Age. His many accomplishments in the field of writing have earned him praise as one of the most successful authors and playwrights of his era and beyond. He died in Paris in 1900 at the age of 46.

Using a unique, tried and tested algorithm, this book teaches you how to quickly and efficiently recognise letters and common words in Persian (Modern Persian/Farsi) script. Whether you're travelling and want to understand the words around you, or preparing to learn Modern Persian and want to master the basics, this is the book for you. In this book you will find: * An introduction to Persian (Modern Persian/Farsi) script * Plenty of practice activities to help you recognise each letter of the alphabet * Helpful mnemonics to make you remember the shape of each letter * Accompanying audio files so you know how to pronounce letters and words * Handy tips to help you decipher common and familiar words The audio for this course can be downloaded from the Teach Yourself Library app or streamed at library.teachyourself.com. Rely on Teach Yourself, trusted by language learners for over 80 years.

Several years ago, after many years of writing nonfiction, I decided to write a novel-a medical thriller in the mold of Robin Cook, Michael Crichton, and Michael Palmer. The problem was that, although I knew how to write and had received a number of awards for nonfiction works, I didn't know the how to write fiction. So, before putting fingers to keyboard I did a thorough search of the literature, which included reading numerous books and hundreds of website articles. What I discovered was that there simply wasn't one good source from which to learn the craft of writing genre fiction. "Writing Genre Fiction: A Guide to the Craft" is the book I was looking for when I set out on my quest to learn how to write fiction. It is an attempt to share what I learned from my research. It covers the six key elements of genre fiction; the various genres and subgenres; a large number of genre-fiction writing techniques; plot, subplots, and parallel plots; structure; scene and sequel; characterization; dialogue; emotions; and body language. It also covers additional information about copyrighting and plagiarism, where to get ideas, manuscript formatting and revision, and query letters and synopses. In addition, an appendix covers a large number of grammar tips.

Whereas Volume I of this series investigates the overall structure of children's picture storybooks at the macro level, this volume, Volume II, investigates the very building blocks of picture storybooks at the micro level: the word, the sentence, the scene and the story. We look at the importance of word choice for giving the story meaning and cohesion. We look at ways to change sentence structure to emphasize the information that is important, and to ensure that sentences flow easily from one to another. We look at the scene: how to begin it, how to end it, and how to create the Beats of action-reaction that make up the scene. And finally we look at the story: what types of problems must a character solve? When does a story introduce a problem? And once a problem is intro-duced, how do picture storybooks move from problem to solution? What types of solutions do characters find? Is there any part of a story that occurs after the solution is found? To answer these and other questions is to describe storytelling strategies. We look at enduringly popular children's picture storybooks to see what storytelling strategies they employ.

How to Write is an introductory guide to writing, aimed at people who think they can't write, or for whom writing is an ordeal. Broken down into short topic-based chapters on everything from beginning to revising, it demystifies the writing process by taking the reader through each stage necessary to bring a piece of writing to a decent finish. The book also offers a wealth of invaluable practical considerations, including when and where to write, when to printout and when to edit onscreen, what type of pen works well for revisions, and the hazards of the paperclip. The author is a seasoned writer whose encouraging but uncompromising guidance will delight as well as instruct.
Offering practical advice in a lucid, no-nonsense style, How to Write will be ideal for both students and professional people who need to write during the course of their work.
Topic areas include:
How to begin, including prep work, producing drafts, and making outlines
Sentence construction, including word order, punctuation, and use of metaphors
Paragraph construction, including types of paragraphs, readability, and size reduction
Tips on research and using reference works

An inspiring guide featuring the wit, wisdom, and stories of Zona Rosa, the writing-and-sisterhood workshop that has empowered thousands of women
For more than twenty years, Rosemary Daniell--Southern belle, successful writer, and tireless champion of female empowerment--has led Zona Rosa, a writing workshop for women founded on the premise that writing can be not only a creative challenge but a tool for healing. Here, she shares the secrets of Zona Rosa: practical advice and home-grown "Exorcises" that help you face and think through writing issues, and life in general.
You'll learn how to avoid the "13 (Possible) Boo Boos" that plague everyone's writing. You'll bring yourself to "Write About the Thing I Most Don't Want to Write About" and learn how facing the difficult past can lead to breakthroughs. You'll discover "The Emotional Tai Chi of Getting Your Work Out There," with suggestions for painlessly sending your work into the world.
Along the way, you'll meet some of the many women who have improved their writing--and lives--through the camaraderie, constructive advice, and fun of Zona Rosa. And you'll be inspired by Rosemary Daniell herself, who has weathered personal tragedy, Bad Love, and her own writing issues to come out singing. "Secrets of the Zona Rosa" is essential reading for any woman who writes--and who has lived a life full of stories.

This book helps readers master essay writing for the ACT - fast! If ACT savvy is what you seek, this book is the resource you need. Learn the secrets, shortcuts, and strategies to succeed - with only minutes of effort a day. Lively and straight to the point, this study aid to the ACT Essay section, new for 2005, presents key principles and practical strategies that promote effective essay writing, practical test strategies that are lifesavers when you're under time restraints, and sample essays with insightful commentary on how to construct a high-scoring piece. It features essential strategies for effective essay writing. It provides sample essays with annotated comments and examiner marks. It contains bite-sized sections ideal for students who study in short doses.

What are the core elements of a strong proposal? ""How can I accent the strengths of my study design? ""How can computer use facilitate my literature review?"" ""What is the best way to get my proposal reviewed and approved?"" You will find the answers to these and other key issues in this unique ""assembly manual"" for crafting a complete and convincing dissertation proposal. Three extensively annotated proposals of former students provide examples of the guidance offered and illustrate common types of studies. Whether you study best by example, review, memorization, or problem solving, this book's format enables you to follow your own pace and style. This is no ordinary step-by-step guide. The authors begin by identifying and defining the basics of a dissertation proposal. With careful consideration, they explore proposal functions and parts, show how to build your study's chain of reasoning, and carefully review alternate study designs. Chapters are devoted to qualitative studies: (sectioned into case studies, philosophical, and historical investigations); quantitative studies: (sectioned into experimental, causal modeling, and meta-analysis studies); and mixed-method studies: (sectioned into: sample survey, evaluation, development, and demonstration and action projects).

Why is it that some writers struggle for months to come up with the perfect sentence or phrase while others, hunched over a keyboard deep into the night, seem unable to stop writing? In The Midnight Disease, neurologist Alice W. Flaherty explores the mysteries of literary creativity: the drive to write, what sparks it, and what extinguishes it. She draws on intriguing examples from medical case studies and from the lives of writers, from Franz Kafka to Anne Lamott, from Sylvia Plath to Stephen King. Flaherty, who herself has grappled with episodes of compulsive writing and block, also offers a compelling personal account of her own experiences with these conditions.

ANYONE CAN WRITE AND PUBLISH A BOOK-LAY IT ONCE YOU STRUCTURE YOUR IDEA INTO A SHAPE, CREATIVITY WILL TAKE OVER -BARBARA ROSE BROOKER- "Barbara Rose Brooker could teach anyone to write a novel because she believes we all have stories to tell. WritingAerobics tells her stories about being a writer, and helped me develop mine." "-Kelly Barrington" "Writing Aerobics," after years of writing workshops, led me into myself and my story and a published nonfiction book." "-Joan Haywood" "I enjoyed "Writing Aerobics." I felt as though I were in Barbara's class. "Writing Aerobics" teaches a lot about carft and at thes ame time her stories as writer had me laughing and crying." "-Bradley Bessey-Producer/ET" "I started the book late last night and just loved it. It reads quickly. I cant' wait to get back to it." "-Joan Rivers" ""Writing Aerobics-A Writers Journey" is a must read for every new and old writer. I laughed and cried and at the asme time learned an easy process." "-Riki Rafner-TV PRODUCER"

back cover
50-plus model essays show how you can get a head start in gaining admission to the business school of your choice. All were written by successful applicants as part of their own business school admission process--and every essay produced the results its author was looking for! This guide shows you how to--
Assess your reading audience and determine what they're looking for, as well as what you should avoid--topics and ideas they've already seen too many times Gather your material and identify your themes Start writing, then keep revising your draft until it's perfect
Read the model essays in this book and get ideas and direction for the winning essay that you too can write. You'll find most essays amplified with critical comments that point out their strengths and weaknesses. You'll also find advice from successful business school essay applicants--what they did right, how many rewrites they needed, where they looked for outside help, and much more. This revised and updated edition is the book that will get you started on your exciting journey to business school.
The authors of this book work for IvyEssays, an Internet-based company that offers editing and consulting services to prospective college and graduate school students.

Put direct experience in a small package and launch it worldwide. Write your life story in short vignettes of 1,500 to 1,800 words.

Write eulogies and anecdotes or vignettes of life stories and personal histories for mini-biographies and autobiographies. Then condense or contract the life stories or personal histories into PowerPoint presentations and similar slide shows on disks using lots of photos and one-page of life story.

Finally, collect lots of vignettes and flesh-out the vignettes, linking them together into first-person diary-style novels and books, plays, skits, or other larger works. Write memoirs or eulogies for people or ghostwrite biographies and autobiographies for others.

The vignette can be read in ten minutes. So fill magazine space with a direct experience vignette. Magazine space needs only 1,500 words. When you link many vignettes together, each forms a book chapter or can be adapted to a play or script.

Included are a full-length diary-format first person novel and a three-act play, including a monologue for performances. There's a demand for direct life experiences written or produced as vignettes and presented in small packages.

Save those vignettes electronically. Later, they can be placed together as chapters in a book or adapted as a play or script, turned into magazine feature, specialty, or news columns, or offered separately as easy-to-read packages.

This volume emphasizes an aspect of children's picture books that has not yet been thoroughly investigated: structure. Both concept books and picture storybooks employ very distinctive structures that, once mastered, can be applied to any picture book you wish to write. When so many of the best picture books employ the same structures, it is important to analyze these structures, understand why they work, and learn how to incorporate them into your own writing. This volume helps you do all that. You will see that no matter how carefully you labor over the tone, word choice, plot, character, setting, theme and style of your picture book, you must have a thorough grasp of its structure if you wish your book to succeed. Indeed, you will find that an expert command of structure is the key to writing a successful children's picture book.

Designed for undergraduate English majors as well as for any undergraduate working on an English essay, Upgrade Your English Essay offers a carefully structured approach to improving essay writing. This short guide focuses on three key strategies for upgrading an English essay: answering the question and making a strong argument, analyzing language and examining literary technique, and discussing genre and considering context. All advice is supported by clear demonstrations that make use of the most commonly studied primary texts and examples from student essays. Written in a lively, humorous, and student-friendly style, this volume will surely help students improve their English essay writing--and their grades.

CONTENTS On Some Technical Elements of Style in Literature The Morality of the Profession of Letters Books Which Have Influenced Me A Note On Realism My First Book: "Treasure Island" The Genesis of "The Master of Ballantrae" Preface to "The Master of Ballantrae"

When it was originally published in 1992, Mike Shannon's Baseball: The Writer's Game as hailed as a unique exploration of what it takes to write about the national pastime. Brassey's is proud to present this new edition, expanding upon Shannon's original interviews with baseball's top authors and historians, including Bill James, Roger Kahn, W. P. Kinsella, Robert Creamer, Peter Golenbock, and Lawrence Ritter. Shannon delves into their different backgrounds, writing techniques, personal insights, and the aspects of the game and its history that interest them. Whether with an analyst like Bill James or an ex-player like Jim Brosnan, Shannon lets each explain in his own words the challenge and the joy that come from writing about the game. Baseball fans, whether they want to write about the game them-selves or not, will enjoy the unique observations and advice of baseball's greatest writers.

A Geopolitics of Academic Writing critiques current scholarly publishing practices, exposing the inequalities in the way academic knowledge is constructed and legitimized. As a periphery scholar now working in (and writing from) the center, Suresh Canagarajah is uniquely situated to demonstrate how and why contributions from Third World scholars are too often relegated to the perimeter of academic discourse. He examines three broad conventions governing academic writing: textual concerns (matters of languages, style, tone, and structure), social customs (the rituals governing the interactions of members of the academic community), and publishing practices (from submission protocols to photocopying and postage requirements). Canagarajah argues that the dominance of Western conventions in scholarly communication leads directly to the marginalization or appropriation of the knowledge of Third World communities.