The Treasury of the True Dharma Eye (Shobogenzo) is the masterwork of Dogen (1200-1253), founder of the Soto Zen Buddhist sect in Kamakura-era Japan. It is one of the most important Zen Buddhist collections, composed during a period of remarkable religious diversity and experimentation. The text is complex and compelling, famed for its eloquent yet perplexing manner of expressing the core precepts of Zen teachings and practice. This book is a comprehensive introduction to this essential Zen text, offering a textual, historical, literary, and philosophical examination of Dogen's treatise. Steven Heine explores the religious and cultural context in which the Treasury was composed and provides a detailed study of the various versions of the medieval text that have been compiled over the centuries. He includes nuanced readings of Dogen's use of inventive rhetorical flourishes and the range of East Asian Buddhist textual and cultural influences that shaped the work. Heine explicates the philosophical implications of Dogen's views on contemplative experience and attaining and sustaining enlightenment, showing the depth of his distinctive understanding of spiritual awakening. Readings of Dogen's Treasury of the True Dharma Eye will give students and other readers a full understanding of this fundamental work of world religious literature.

Koans are enigmatic spiritual formulas used for religious training in the Zen Buddhist tradition. Arguing that our understanding of the koan tradition has been extremely limited, contributors to this collection examine previously unrecognized factors in the formation of this tradition, and highlight the rich complexity and diversity of koan practice and literature.

Thomas Merton was recognized as one of those rare Western minds that are entirely at home with the Zen experience. In this collection, he discusses diverse religious concepts-early monasticism, Russian Orthodox spirituality, the Shakers, and Zen Buddhism-with characteristic Western directness. Merton not only studied these religions from the outside but grasped them by empathy and living participation from within. "All these studies," wrote Merton, "are united by one central concern: to understand various ways in which men of different traditions have conceived the meaning and method of the 'way' which leads to the highest levels of religious or of metaphysical awareness."

Dogen's great spiritual teachings are the foundation of Soto Zen. For the first time, contemporary American women Zen masters in the Soto tradition, join together to reach within Dogen's mind to make his masterpieces accessible and practical for those seeking deeper realization and understanding.

Here is the inimitable Zen Master Seung Sahn as up close and personal as you're likely to see him -- in selections from the correspondence that is one of his primary modes of teaching. Seung Sahn receives hundreds of letters per month, each of which he answers personally, some of the best of which are included here. His frank and funny style, familiar to readers of Dropping Ashes on the Buddha, is seen here in a most intimate form. The beloved Zen master not only answers questions on Zen teaching and practice, but applies an enlightened approach to problems with work, relationships, suffering, and the teacher-student relationship.

Only Don't Know has been in print in a small press edition since 1982 and has become a classic among Seung Sahn's students. The Shambhala edition gives the book its first widespread distribution.

For many people attracted to Eastern religions (particularly Zen Buddhism), Asia seems the source of all wisdom. As Bernard Faure examines the study of Chan/Zen from the standpoint of postmodern human sciences and literary criticism, he challenges this inversion of traditional "Orientalist" discourse: whether the Other is caricatured or idealized, ethnocentric premises marginalize important parts of Chan thought. Questioning the assumptions of "Easterners" as well, including those of the charismatic D. T. Suzuki, Faure demonstrates how both West and East have come to overlook significant components of a complex and elusive tradition. Throughout the book Faure reveals surprising hidden agendas in the modern enterprise of Chan studies and in Chan itself. After describing how Jesuit missionaries brought Chan to the West, he shows how the prejudices they engendered were influenced by the sectarian constraints of Sino-Japanese discourse. He then assesses structural, hermeneutical, and performative ways of looking at Chan, analyzes the relationship of Chan and local religion, and discusses Chan concepts of temporality, language, writing, and the self. Read alone or with its companion volume, "The Rhetoric of Immediacy," this work offers a critical introduction not only to Chinese and Japanese Buddhism but also to "theory" in the human sciences.

An extraordinary Zen teacher and artist, Hakuin (1686-1769) is credited with almost single-handedly reforming and revitalizing Japanese Zen from a state of extreme spiritual decline.
What made Hakuin even more remarkable was that he was not only a religious teacher but also a prolific artist. Using calligraphy and painting to create visual Dharma, he rendered his teachings on paper in portraits and sketches, visually expressing the nature of enlightenment as he imparted it to his students.
The Religious Art of Zen Master Hakuin is a stunning volume containing many of Hakuin's finest calligraphies and paintings, along with commentary by Katsuhiro Yoshizawa, the leading Japanese expert on Hakuin and his work. Yoshizawa shares the story of Hakuin's life and learning, revealing the profound religious meaning embedded in each illustration. At times he closely examines each stroke of a portrait--which include depictions of peddlers, panhandlers, and beggars--and provides a richly detailed documentary of the life and lessons of one of Zen's most respected teachers.

A modern and compelling analysis of the manner in which Zen Buddhism's ideals were reified in samurai swordsmanship throughout history. A thoughtful religious history and cultural critique of ancient and modern day Japan.

An inspiration to the likes of Thomas Merton, Aldous Huxley, John Cage, Jack Kerouac, and more, D. T. Suzuki was the single greatest ambassador of Zen Buddhism to the West. In this seminal anthology, a perfect sourcebook for the student of Zen, Suzuki collects the famous sutras, or sermons, of the Buddha, the gathas, or hymns, the intriguing philosophical puzzles known as koan, and the dharanis, or invocations to expel evil spirits. Included also are the recorded conversations of the great Buddhist monks--intimate dialogues on the subjects of momentous importance. In addition to the written selections, all of them translated by Dr. Suzuki, there are reproductions of many Buddhist drawings and paintings, including religious statues found in Zen temples, each with an explanation of its significance, and the great series of allegorical paintings "The Ten Oxherding Pictures."

While many experts point to the enormous complexity in addressing issues ranging from the destruction of ecosystems to the loss of millions of species, Hanh identifies one key issue as having the potential to create a tipping point--rethinking the concept of Oenvironment.O

The "Platform Sutra" comprises a wide range of important Chan/Zen Buddhist teachings. Purported to contain the autobiography and sermons of Huineng (638--713), the legendary Sixth Patriarch of Chan, the sutra has been popular among monastics and the educated elite for centuries. The first study of its kind in English, this volume offers essays that introduce the history and ideas of the sutra to a general audience and interpret its practices. Leading specialists on Buddhism discuss the text's historical background and its vaunted legacy in Chinese culture.

Incorporating recent scholarship and theory, chapters include an overview of Chinese Buddhism, the crucial role of the "Platform Sutra "in the Chan tradition, and the dynamics of Huineng's biography. They probe the sutra's key philosophical arguments, its paradoxical teachings about transmission, and its position on ordination and other institutions. The book includes a character glossary and extensive bibliography, with helpful references for students, general readers, and specialists throughout. The editors and contributors are among the most respected scholars in the study of Buddhism, and they assess the place of the "Platform Sutra" in the broader context of Chinese thought, opening the text to all readers interested in Asian culture, literature, spirituality, and religion.

This book is a translation and study of the Vajrasamadhi-Sutra and an examination of its broad implications for the development of East Asian Buddhism. The Vajrasamadhi-Sutra was traditionally assumed to have been translated from Sanskrit, but some modern scholars, principally in Japan, have proposed that it is instead an indigenous Chinese composition. In contrast to both of these views, Robert Buswell maintains it was written in Korea around A.D. 685 by a Korean adept affiliated with the East Mountain school of the nascent Chinese Ch'an tradition. He thus considers it to be the oldest work of Korean Ch'an (or Son, which in Japan became known as the Zen school), and the second-oldest work of the sinitic Ch'an tradition as a whole. Buswell makes his case for the scripture's dating, authorship, and provenance by placing the sutra in the context of Buddhist doctrinal writings and early Ch'an literature in China and Korea. This approach leads him to an extensive analysis of the origins of Ch'an ideology in both countries and of the principal trends in the sinicization of Buddhism. Buddhism has typically been studied in terms of independent national traditions, but Buswell maintains that the history of religion in China, Korea, and Japan should be treated as a whole. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Without You There takes a look at the Zen of Unity and presents the author's unique perspective. By avoiding conceptual traps and, therefore, lessening the time it takes to live in full realization, Paramananda offers the reader a way to resonate with their own authority.

This translation, supported by the Japan Foundation, makes a strong claim to be the definitive translation of the 95 chapter edition of Shobogenzo, the essential Japanese Buddhist text, written in the 13th century by Zen Master Dogen. Shobogenzo Book 4, the final book in this four volume set, contains chapters 73 to 95, plus two additional chapters in the Appendices. Well-known chapters include Dai Shugyo (Great Practice); Shukke (Transcending Family Life); and Shoji (Life and Death). Book 4 maintains the highest standards of translation, with a clear style that rigorously follows the original words of Master Dogen.

Alan Watts was one of the great teachers and philosophers of our time, and forty years after its first appearance his classic study The Way of Zen continues to make Western readers far more aware of, and responsive to, the richness of Zen Buddhism and its place within the context and variety of Eastern religion.

Of equal interest to the general reader and the serious student, The Way of Zen explores the origins and the history of Zen, then goes on to discuss its principles and practice, and its application to art and life. Watts saw Zen as "one of the most precious gifts of Asia to the world", and with his erudition and his infectious passion for the subject he made that gift wonderfully accessible. The Way of Zen is a definitive, and invaluable, overview.

This commentary on a selection of daily chants offers an important perspective upon some of the core tenets of Buddhist thought and teaching. The Venerable Myoko-ni surveys some of the key chants, including The Repentance Sutra, The Heart Sutra, and The Four Great Vows, assessing their origins, and the meaning that lies behind their creation and interpretation. An invaluable guide to all engaged in Buddhism and some of its key daily practices.

One of the greatest religious practitioners and philosophers of the East, Eihei Dogen Zenji (1200 1253) is today thought of as the founder of the Soto school of Zen. A deep thinker and writer, he was deeply involved in monastic methods and in integrating Zen realization into daily life. At times The Shobogenzo was profoundly difficult, and he worked on it over his entire life, revising and expanding, producing a book that is today thought to be one of the highest manifestations of Buddhist thought ever produced. Dogen's Genjo Koan is the first chapter in that book, and for many followers it might be thought to contain the gist of Dogen's work it is one of the groundwork texts of Zen Buddhism, standing easily alongside The Diamond Sutra, The Heart Sutra, and a small handful of others.Our unique edition of Dogen's Genjo Koan (Actualization of Reality) contains three separate translations and several commentaries by a wide variety of Zen masters. Nishiari Bokusan, Shohaku Okamura, Shunryu Suzuki, Kosho Uchiyama. Sojun Mel Weitsman, Kazuaki Tanahashi, and Dairyu Michael Wenger all have contributed to our presentation of this remarkable work. There can be no doubt that understanding and integrating this text will have a profound effect on anyone's life and practice.

Wisdom within Words is the first complete bilingual edition and annotated translation of the poetry collection entitled Kuchugen, which features 150 Chinese-style verses (kanshi) written by Dogen Zenji (1200-1253), founder of the Soto Zen sect in early medieval Japan, and compiled in the eighteenth century by Menzan Zuiho. These poems are essential in highlighting several key aspects of Dogen's manner of thinking and process of writing creatively while transmitting the Chan/Zen tradition from China to Japan in the first half of the thirteenth century. Dogen learned the Chinese style of writing poetry-featuring four rhyming lines with seven characters each-when he travelled to the mainland in the 1220s. It was there that he first composed 50 verses, the only texts available from this career stage. He continued to write Sinitic poetry throughout his career at both Koshoji temple in Kyoto and Eiheiji temple in the remote mountains. Dogen's poems had various aims, including reflecting on meditation during periods of reclusion, commenting on cryptic koan cases, eulogizing deceased patriarchs, celebrating festivals and seasonal occasions, welcoming new administrative appointees at the temple, remarking on the life of the Buddha and other aspects of attaining enlightenment, and highlighting various teachings or instructions. Although Dogen's poetry has often been overlooked by the sectarian tradition, these writings have played valuable roles in the development of East Asian Buddhist contemplative life.

This is a collection of powerful and inspiring teachings in an appealing, convenient pocket-size book from one of today's most important and beloved spiritual teachers, the Zen Buddhist monk Thich Nhat Hanh. Next to His Holiness the Dalai Lama, Thich Nhat Hanh is the best-known Buddhist teacher in the world, and his teachings have touched millions.

Thich Nhat Hanh is known for his warm, generous, and joyful teaching style that makes his wisdom remarkably accessible and resonant to readers from all backgrounds. These selected writings are drawn from Thich Nhat Hanh's many published works and provide a wonderful overview of his teachings. This reader covers the main themes that Thich Nhat Hanh has addressed as a Buddhist teacher: mindfulness in our daily lives, Buddhism and enlightenment, working with emotions and relationships, and transforming society (engaged Buddhism).

For Roshi Pat Enkyo O'Hara, intimacy is what Zen practice is all about: the realization of the essential lack of distinction between self and other that inevitably leads to wisdom and compassionate action. She approaches the practice of intimacy beginning at its most basic level - the intimacy with ourselves that is the essential first step. She then shows how to bring intimacy into our relationships with others, starting with those dearest to us and moving on to those who don't seem dear at all.