The truth of Chan Buddhism - better known as "Zen" - is regularly said to be beyond language, and yet Chan authors - medieval and modern - produced an enormous quantity of literature over the centuries. To make sense of this well-known paradox, Patriarchs on Paper explores several genres of Chan literature that appeared during the Tang and Song dynasties (c. 600-1300), including genealogies, biographies, dialogues, poems, monastic handbooks, and koans. Working through this diverse body of literature, Alan Cole details how Chan authors developed several strategies to evoke images of a perfect Buddhism in which wonderfully simple masters transmitted Buddhism's final truth to one another, suddenly and easily, and, of course, independent of literature and the complexities of the Buddhist monastic system. Chan literature, then, reveled in staging delightful images of a Buddhism free of Buddhism, tempting the reader, over and over, with the possibility of finding behind the thick facade of real Buddhism-with all its rules, texts, doctrines, and institutional solidity-an ethereal world of pure spirit. Patriarchs on Paper charts the emergence of this kind of "fantasy Buddhism" and details how it interacted with more traditional forms of Chinese Buddhism in order to show how Chan's illustrious ancestors were created in literature in order to further a wide range of real-world agendas.

While many experts point to the enormous complexity in addressing issues ranging from the destruction of ecosystems to the loss of millions of species, Hanh identifies one key issue as having the potential to create a tipping point--rethinking the concept of Oenvironment.O

This is a companion volume to The Koan and The Zen Canon, by the same editors. The first volume collected original essays on koan collections, recorded sayings of individual masters, histories of major schools, and compilations of monastic regulations. The second focuses on the early history of Zen in China, providing overview assessments of many of the most important canonical texts that set the Zen tradition in motion throughout East Asia. Zen Classics will follow that historical movement, focusing primarily on texts from Korea and Japan that brought this Buddhist movement to fruition. Although enormously diverse in style and structure all of the texts and genres of texts considered here were fundamental to the unfolding of Zen in East Asia. The range of genres reveals the varieties of Zen practice, from rules of daily practice to sermons and meditation manuals. The all new essays in this volume will be contributed by an international team of distinguished scholars of Buddhism. It is aimed at a broad audience including college students, Zen practitioners, and scholars of East Asian history, religion, and culture, as well as specialists in Buddhist history.

'Moments of Mindfulness' is intended to be used as a personal notebook or to simply read for everyday inspiration, and to help bring mindful practices and reflection to daily life.

A compelling history of the contradictory, often militaristic, role of Zen Buddhism, this book meticulously documents the close and previously unknown support of a supposedly peaceful religion for Japanese militarism throughout World War II. Drawing on the writings and speeches of leading Zen masters and scholars, Brian Victoria shows that Zen served as a powerful foundation for the fanatical and suicidal spirit displayed by the imperial Japanese military. At the same time, the author recounts the dramatic and tragic stories of the handful of Buddhist organizations and individuals that dared to oppose Japan's march to war. He follows this history up through recent apologies by several Zen sects for their support of the war and the way support for militarism was transformed into 'corporate Zen' in postwar Japan. The second edition includes a substantive new chapter on the roots of Zen militarism and an epilogue that explores the potentially volatile mix of religion and war. With the increasing interest in Buddhism in the West, this book is as timely as it is certain to be controversial.

Bodhidharma, its first patriarch, reputedly said that Zen Buddhism represents "a special transmission outside the teaching/Without reliance on words and letters." This saying, along with the often perplexing use of language (and silence) by Zen masters, gave rise to the notion that Zen is a
"lived religion" based strictly on practice. This collection of previously unpublished essays argues that Zen actually has a rich and varied literary heritage. Among the most significant texts are hagiographic accounts and recorded sayings of individual Zen masters, koan collections and
commentaries, and rules for monastic life. This volume offers learned yet accessible studies of some of the most important classical Zen texts, including some that have received little scholarly attention (and many that are accessible only to specialists). Each essay provides historical, literary,
and philosophical commentary on a particular text or genre.

Bodhidharma, its first patriarch, reputedly said that Zen Buddhism represents "a special transmission outside the teaching/Without reliance on words and letters." This saying, along with the often perplexing use of language (and silence) by Zen masters, gave rise to the notion that Zen is a "lived religion," based strictly on non-linguistic practice and lacking a substantial canon of sacred texts. Even those who recognize the importance of Zen texts commonly limit their focus to a few select texts without recognizing the wide variety of Zen literature. This collection of previously unpublished essays argues that Zen actually has a rich and varied literary heritage. Among the most significant textual genres are hagiographic accounts and recorded sayings of individual Zen masters, koan collections and commentaries, and rules for monastic life. During times of political turmoil in China and Japan, these texts were crucial to the survival and success of Zen, and they have for centuries been valued by practitioners as vital expressions of the truth of Zen. This volume offers learned yet accessible studies of some of the most important classical Zen texts, including some that have received little scholarly attention (and many of which are accessible only to specialists). Each essay provides historical, literary, and philosophical commentary on a particular text or genre. Together, they offer a critique of the "de facto canon" that has been created by the limited approach of Western scholarship, and demonstrate that literature is a diverse and essential part of Zen Buddhism.

Shunryu Suzuki Roshi founded the San Francisco Zen Center in 1962, and after fifty years we have seen a fine group of Zen masters trained in the west take up the mantle and extend the practice of Zen in ways that might have been hard to imagine in those first early years. Susan Murphy, one of Robert Aitken's students and dharma heirs, is one of the finest in this group of young Zen teachers. She is also a fine writer, and following on the teaching of her Roshi she has engaged her spiritual work in the ordinary world, dealing with the practice of daily life and with the struggles of all beings.
We know that our earth is in crisis, but is the situation beyond repair? Are we on a path of planetary disaster where the only proper response is to prepare for our melancholic dystopian future? Is there a way out of our suspicious cynicism?
In the tradition of Thomas Berry, using this spiritual opportunity to change the very nature of our crisis, Susan Murphy offers a profound message, subtly presented with clarity and assurance, showing that engaged Buddhism provides a possible path to the necessary repair and healing.

With the growing popularity of Zen Buddhism in the West, virtually everyone knows, or thinks they know, what a koan is: a brief and baffling question or statement that cannot be solved by the logical mind and which, after sustained concentration, can lead to sudden enlightenment. But the truth about koans is both simpler--and more complicated--than this.
In Opening a Mountain, Steven Heine shows that koans, and the questions we associate with them--such as "What is the sound of one hand clapping?"--are embedded in larger narratives and belong to an ancient Buddhist tradition of "encounter dialogues." These dialogues feature dramatic and often inscrutable contests between masters and disciples, or between masters and an array of natural and supernatural forces: rouge priests, "wild foxes," hermits, wizards, shapeshifters, magical animals, and dangerous women. To establish a new monastery, "to open a mountain," the Zen master had to tame these wild forces in regions most remote from civilization. In these extraordinary encounters, fingers and arms are cut off, pitchers are kicked over, masters appear in and interpret each other's dreams, and seemingly absurd statements are shown to reveal the deepest insights. Heine restores these koans to their original traditions, allowing readers to see both the complex elements of Chinese culture and religion that they reflect and the role they played in Zen's transformation of local superstitions into its own teachings.
Offering a fresh approach to one of the most crucial elements of Zen Buddhism, Opening a Mountain is essential reading for anyone seeking to understand the full story behind koans and the mysterious worlds they come from.

A collection of dharma talks by Zen teacher Bonnie Myotai Treace, Sensei touching on topics from koans to poetry, ancient Buddhist masters to contemporary issues. Challenging yet accessible, will be of interest to those new to Zen as well as seasoned practitioners.

Don't think of what you left behind. And don't think too far ahead. For how can one leave something to which one is tied? And how can one feel accomplishment in something never attained? One should set a destination that is within one's reach. As one reaches that point another slightly higher goal can be set - and so on, as one travels up the path. In this way the mountain can be climbed in increments. Look not at the vast mountain as a whole. Rather look minutely and scrutinize each individual step. There will thus be no discouragement, for every step is a success.

"Zen Foot-Notes: Upon the Unknown Passage" is the journal of an expedition's ascent of the highest mountain in the world - not Everest, as everyone assumes, but Pochen Point - the fabled summit of the nether world. The expedition to climb the highest mountain in the nether world is a symbol for mankind's journey through life. The summit is different for each member of the expedition. And yet, because it also symbolizes death, it is essentially the same. The expedition members discover that what matters is not the goal, but merely the path. And some realize that it is not even the path that matters, but rather the passage - the pathless path.

Wayne Omura lives and writes in Denver, Colorado. He is the author of "Movies and the Meaning of Life: The Most Profound Films in Cinematic History."

In 1959 a young monk named Tsung Tsai (Ancestor Wisdom) escapes the Red Army troops that destroy his monastery, and flees alone three thousand miles across a China swept by chaos and famine. Knowing his fellow monks are dead, himself starving and hunted, he is sustained by his mission: to carry on the teachings of his Buddhist meditation master, who was too old to leave with his disciple.

Nearly forty years later Tsung Tsai — now an old master himself — persuades his American neighbor, maverick poet George Crane, to travel with him back to his birthplace at the edge of the Gobi Desert.

They are unlikely companions. Crane seeks freedom, adventure, sensation. Tsung Tsai is determined to find his master's grave and plant the seeds of a spiritual renewal in China. As their search culminates in a torturous climb to a remote mountain cave, it becomes clear that this seemingly quixotic quest may cost both men's lives.

Dogen's great spiritual teachings are the foundation of Soto Zen. For the first time, contemporary American women Zen masters in the Soto tradition, join together to reach within Dogen's mind to make his masterpieces accessible and practical for those seeking deeper realization and understanding.

Koans are enigmatic spiritual formulas used for religious training in the Zen Buddhist tradition. Arguing that our understanding of the koan tradition has been extremely limited, contributors to this collection examine previously unrecognized factors in the formation of this tradition, and highlight the rich complexity and diversity of koan practice and literature.

This is a guide to applying the teachings of mindfulness and Zen to the troublesome or challenging people in our lives. Perhaps you can see there's often a pattern to your behaviour in relation to them and that it often causes pain - perhaps a great deal of pain. The only way we can grow is by facing this pain, acknowledging how we feel and how we've reacted, and making an intention or commitment to end this repeating pattern of suffering. In this book, Mark Westmoquette speaks from a place of profound personal experience. A Zen monk, he has endured two life-changing traumas caused by other people: his sexual abuse by his own father; and his stepfather's death and mother's very serious injury in a car crash due to the careless driving of an off-duty policeman. He stresses that by bringing awareness and kindness to these relationships, our initial stance of "I can't stand this person, they need to change" will naturally shift into something much broader and more inclusive. The book makes playful use of Zen koans - apparently nonsensical phrases or stories - to help jar us out of habitual ways of perceiving the world and nudge us toward a new perspective of wisdom and compassion.

For many people attracted to Eastern religions (particularly Zen Buddhism), Asia seems the source of all wisdom. As Bernard Faure examines the study of Chan/Zen from the standpoint of postmodern human sciences and literary criticism, he challenges this inversion of traditional "Orientalist" discourse: whether the Other is caricatured or idealized, ethnocentric premises marginalize important parts of Chan thought. Questioning the assumptions of "Easterners" as well, including those of the charismatic D. T. Suzuki, Faure demonstrates how both West and East have come to overlook significant components of a complex and elusive tradition. Throughout the book Faure reveals surprising hidden agendas in the modern enterprise of Chan studies and in Chan itself. After describing how Jesuit missionaries brought Chan to the West, he shows how the prejudices they engendered were influenced by the sectarian constraints of Sino-Japanese discourse. He then assesses structural, hermeneutical, and performative ways of looking at Chan, analyzes the relationship of Chan and local religion, and discusses Chan concepts of temporality, language, writing, and the self. Read alone or with its companion volume, "The Rhetoric of Immediacy," this work offers a critical introduction not only to Chinese and Japanese Buddhism but also to "theory" in the human sciences.

Christian Zen is a ground breaking book for all Christians seeking to deepen and broaden their inner lives. Providing concrete guidelines for a way of Christian meditation that incorporates Eastern insights, it is a helpful book that can open new spiritual vistas and reveal profound, often undreamed-of dimensions of the Christian faith.

This is a complete explanation of Zen practice written by one of the most eminent masters of pre-modern Japan. The author, Torei Enji (1721-1792), was best known as one of two "genius assistants" to Hakuin Ekaku, who was himself a towering figure in Zen Buddhism who revitalized the Rinzai school. Torei was responsible for much of the advanced work of Hakuin's later disciples and also helped systemize Hakuin's teachings. "The Undying Lamp of Zen" includes a range of principles and practices, from the most elementary to the most advanced. It is an indispensable aid to the practice of Rinzai Zen, and provides an accessible entree to the Zen experience in general. Torei is a compelling guide; his tone is energetic, no-nonsense, and full of personality.
Premier translator Thomas Cleary provides a thorough introduction and illuminating footnotes throughout, and his masterful translation allows Torei's distinctive voice to shine through.

Wisdom within Words is the first complete bilingual edition and annotated translation of the poetry collection entitled Kuchugen, which features 150 Chinese-style verses (kanshi) written by Dogen Zenji (1200-1253), founder of the Soto Zen sect in early medieval Japan, and compiled in the eighteenth century by Menzan Zuiho. These poems are essential in highlighting several key aspects of Dogen's manner of thinking and process of writing creatively while transmitting the Chan/Zen tradition from China to Japan in the first half of the thirteenth century. Dogen learned the Chinese style of writing poetry-featuring four rhyming lines with seven characters each-when he travelled to the mainland in the 1220s. It was there that he first composed 50 verses, the only texts available from this career stage. He continued to write Sinitic poetry throughout his career at both Koshoji temple in Kyoto and Eiheiji temple in the remote mountains. Dogen's poems had various aims, including reflecting on meditation during periods of reclusion, commenting on cryptic koan cases, eulogizing deceased patriarchs, celebrating festivals and seasonal occasions, welcoming new administrative appointees at the temple, remarking on the life of the Buddha and other aspects of attaining enlightenment, and highlighting various teachings or instructions. Although Dogen's poetry has often been overlooked by the sectarian tradition, these writings have played valuable roles in the development of East Asian Buddhist contemplative life.

A modern and compelling analysis of the manner in which Zen Buddhism's ideals were reified in samurai swordsmanship throughout history. A thoughtful religious history and cultural critique of ancient and modern day Japan.