Soen Nakagawa Roshi (1907-1984) was an extraordinary Zen master and a key figure in the transmission of Zen Buddhism from Japan to the Western world. A man of many faces, he was a simple Japanese monk, a world traveler, a spiritualized being of the highest order, a poetic genius, a creator of dynamic calligraphy - and a notoriously eccentric teacher who, for example, was known to conduct "tea ceremonies" using instant coffee and styrofoam cups. Endless Vow is the first English-language collection of the literary works of this remarkable teacher.

Specific and pragmatic, these instructions are applicable to every state of practice.--Booklist, American Library Association

Ryokan (1758-1831) is, along with Dogen and Hakuin, one of the three giants of Zen in Japan. But unlike his two renowned colleagues, Ryokan was a societal dropout, living mostly as a hermit and a beggar. He was never head of a monastery or temple. He liked playing with children. He had no dharma heir. Even so, people recognized the depth of his realization, and he was sought out by people of all walks of life for the teaching to be experienced in just being around him. His poetry and art were wildly popular even in his lifetime. He is now regarded as one of the greatest poets of the Edo Period, along with Basho, Buson, and Issa. He was also a master artist-calligrapher with a very distinctive style, due mostly to his unique and irrepressible spirit, but also because he was so poor he didn't usually have materials: his distinctive thin line was due to the fact that he often used twigs rather than the brushes he couldn't afford. He was said to practice his brushwork with his fingers in the air when he didn't have any paper. There are hilarious stories about how people tried to trick him into doing art for them, and about how he frustrated their attempts. As an old man, he fell in love with a young Zen nun who also became his student. His affection for her colors the mature poems of his late period. This collection contains more than 140 of Ryokan's poems, with selections of his art, and of the very funny anecdotes about him.

Can Zen tell us whether particular wars are right or wrong? What role did D. T. Suzuki and other Zen figures play in the Japanese nationalism that fueled World War II? What are we to make of nationalistic elements in the thought of Nishida Kitaro, Tanabe Hajime, Nishitani Keiji, and other philosophers of the Kyoto School? What connection was there between the Japanese project of overcoming the modernity of the West and the militarism of its 15-year war in Asia? In a collection of carefully documented essays, 15 Japanese and Western scholars take up these and other questions about the political responsibility of Japanese Buddhist intellectuals. This well-indexed and meticulously edited volume offers a variety of critical perspectives and a wealth of information for those interested in prewar and wartime history, Zen, Japanese philosophy, and the problem of nationalism today.

More timely than ever, this gem of a book blends East and West into a spiritual vision of enormous practical value.

Zen mind connects to the heart of recovery in this compelling blend of East and West. Courageously drawing from his lifetime of experience as an abused child, alcoholic, Zen student, and dharma teacher, author Mel Ash gives readers a solid grounding in the Twelve Steps and the Eightfold Path and shows their useful similarities for those in recovery.

Written for the neophyte who has no prior knowledge of the subject, Buddhism and Zen defines basic terms, translates key words, and answers the ten most frequently asked questions that are posed by Westerners interested in Zen Buddhism. Much of the Western world's interest in Zen is based on our growing awareness that the literal, the pragmatic, and the rational, while useful, often fail to explain the phenomena of the emotions, the unconscious, and the subconscious. Insights gleaned from psychoanalysis and various other forms of therapy have better prepared us for noncognitive enlightenment and paradox and non sequitur--it is no longer an unthinkable step from "The first shall be last and the last shall be first" to "The way that can be described is not the true way" and "What is the sound of one hand clapping?" The Buddha said, "If you try to see me through my form, or if you try to hear me through my voice, you will never reach me and will remain forever a stranger to my teaching."

This primer, first published in 1953 and long out of print, is a concise compendium of essential information for the seeker who wishes to explore Zen Buddhism.

Through explorations of the three pillars of Zen--teaching, practice, and enlightenment--Roshi Philip Kapleau presents a comprehensive overview of the history and discipline of Zen Buddhism.  An established classic, this 35th anniversary edition features new illustrations and photographs, as well as a new afterword by Sensei Bodhin Kjolhede, who has succeeded Philip Kapleau as spiritual director of the Rochester Zen Center, one of the oldest and most influential Zen centers in the United States.

This book reveals the truth of self Leo Buscaglia has discovered on two trips to Asia by traveling the "way of the bull," as well as describing the people and physical locales of Southeast Asia prior to the Vietnam War. The meaning of the title originated in the 12th century Zen book, 10 Bulls by Chinese Zen master Kakuan. In this book the bull represents life, energy, truth and action. "The way" concerns the possible step one man might take to gain insight, find oneself and discover one's true nature. Leo reminds us, however, that each person must find that path individually in order for it to have true meaning.

Beyond Zen: D. T. Suzuki and the Modern Transformation of Buddhism is an accessible collection of multidisciplinary essays, which offer a genuinely new appraisal of the great Zen scholar-practitioner, D. T. Suzuki (1870-1966). Suzuki's writings and lectures continue to exert a profound influence on how Zen, Buddhism more broadly, and indeed Japanese culture as a whole, are understood in the U.S., Europe, and across the globe. With the publication of Beyond Zen, we have at last in a single volume a comprehensive assessment of Suzuki that locates him and his legacy in the context of the turbulent age in which he lived. Now is the perfect moment for reflection and stock-taking. The fiftieth anniversary of Suzuki's death passed just a few years ago, the copyright on his literary output has expired, and his selected works have recently been published by a major American university press. The work comprises twelve essays by some of the best Zen scholars in the world, Anglophone and Japanese, seasoned and young. They take a fresh look at Suzuki, his life and legacy, and their themes range broadly. Readers will find here explorations of Suzuki as he engaged with Zen and Mahayana Buddhism; nationalism and international relations; war and peace; religion, literature, and the media; the individual and society; and family, friends, and animals. Beyond Zen is structured chronologically to reveal the development in Suzuki's thought during his long and eventful life. All in all, this collection offers a compelling, provocative, and multidimensional reappraisal of an extraordinary man and his times.

Ezra Bayda's gift for taking Zen teaching and relating it to every aspect of life has made his books popular even with people who aren't Buddhists. It's not that he's non-traditional-he's very firmly planted in the Zen tradition - it's just that the teaching is so clear and useful that it transcends religious boundaries. Here Ezra continues in the mode of his books like "Being Zen" to show how spiritual practice works in everyday life. He breaks spiritual practice down into three basic stages: The Me-phase - uncovering our most basic and tightly held beliefs about ourselves, observing our emotional reactions and patterns of behaviour, and becoming intimate with our fears. Being-Awareness - cultivating a larger sense of what life is, going beyond the basic awareness of the sensory world to transform the narrow experience into a more spacious sense of being. Being-Kindness - connecting with the love and kindness that are our true nature, and beginning to live from that joyful and compassionate place. The phases enrich each other to create a practice that works no matter what the complexities of your circumstances.

Dogen Zenji is the most famous & influential of all Japanese Zen masters. He is Japan's greatest philosopher & from his Soto school derives most of the Zen practised in the West.

Healing lies at the heart of Zen in the home, as Paula Arai discovered in her pioneering research on the ritual lives of Zen Buddhist laywomen. She reveals a vital stream of religious practice that flourishes outside the bounds of formal institutions through sacred rites that women develop and transmit to one another. Everyday objects and common materials are used in inventive ways. For example, polishing cloths, vivified by prayer and mantra recitation, become potent tools. The creation of beauty through the arts of tea ceremony, calligraphy, poetry, and flower arrangement become rites of healing. Bringing Zen Home brings a fresh perspective to Zen scholarship by uncovering a previously unrecognized but nonetheless vibrant strand of lay practice. The creativity of domestic Zen is evident in the ritual activities that women fashion, weaving tradition and innovation, to gain a sense of wholeness and balance in the midst of illness, loss, and anguish. Their rituals include chanting, ingesting elixirs and consecrated substances, and contemplative approaches that elevate cleaning, cooking, child-rearing, and caring for the sick and dying into spiritual disciplines. Creating beauty is central to domestic Zen and figures prominently in Arai's analyses. She also discovers a novel application of the concept of Buddha nature as the women honor deceased loved ones as "personal Buddhas." One of the hallmarks of the study is its longitudinal nature, spanning fourteen years of fieldwork. Arai developed a "second-person," or relational, approach to ethnographic research prompted by recent trends in psychobiology. This allowed her to cultivate relationships of trust and mutual vulnerability over many years to inquire into not only the practices but also their ongoing and changing roles. The women in her study entrusted her with their life stories, personal reflections, and religious insights, yielding an ethnography rich in descriptive and narrative detail as well as nuanced explorations of the experiential dimensions and effects of rituals. In Bringing Zen Home, the first study of the ritual lives of Zen laywomen, Arai applies a cutting-edge ethnographic method to reveal a thriving domain of religious practice. Her work represents an important contribution on a number of fronts--to Zen studies, ritual studies, scholarship on women and religion, and the cross-cultural study of healing.

Taking both Zen and Druidry and embracing them into your life can be a wonderful and ongoing process of discovery, not only of the self but of the entire world around you. Looking at ourselves and at the natural world around us, we realise that everything is in constant change and flux - like waves on the ocean, they are all part of one thing that is made up of everything. Even after the wave has crashed upon the shore, the ocean is still there, the wave is still there - it has merely changed its form. The aim of this text is to show how Zen teachings and Druidry can combine to create a peaceful life path that is completely and utterly dedicated to the here and now, to the earth and her rhythms, and to the flow that is life itself.

Christian Zen is a ground breaking book for all Christians seeking to deepen and broaden their inner lives. Providing concrete guidelines for a way of Christian meditation that incorporates Eastern insights, it is a helpful book that can open new spiritual vistas and reveal profound, often undreamed-of dimensions of the Christian faith.

Here are the inspirational life and teachings of Awa Kenzo (1880-1939), the Zen and kyudo (archery) master who gained worldwide renown after the publication of Eugen Herrigel's cult classic "Zen in the Art of Archery" in 1953. Kenzo lived and taught at a pivotal time in Japan's history, when martial arts were practiced primarily for self-cultivation, and his wise and penetrating instructions for practice (and life)--including aphorisms, poetry, instructional lists, and calligraphy--are infused with the spirit of Zen. Kenzo uses the metaphor of the bow and arrow to challenge the practitioner to look deeply into his or her own true nature.

A collection of three hundred koans compiled by Eihei Dogen, the thirteenth-century founder of Soto Zen in Japan, this book presents readers with a uniquely contemporary perspective on his profound teachings and their relevance for modern Western practitioners of Zen. Following the traditional format for koan collections, John Daido Loori Roshi, an American Zen master, has added his own commentary and accompanying verse for each of Dogen's koans. Zen students and scholars will find "The True Dharma Eye "to be a source of deep insight into the mind of one of the world's greatest religious thinkers, as well as the practice of koan study itself.

How Zen Became Zen takes a novel approach to understanding one of the most crucial developments in Zen Buddhism: the dispute over the nature of enlightenment that erupted within the Chinese Chan (Zen) school in the twelfth century. The famous Linji (Rinzai) Chan master Dahui Zonggao (1089-1163) railed against "heretical silent illumination Chan" and strongly advocated kanhua (kōan) meditation as an antidote. In this fascinating study, Morten Schlūtter shows that Dahui's target was the Caodong (Sōtō) Chan tradition that had been revived and reinvented in the early twelfth century, and that silent meditation was an approach to practice and enlightenment that originated within this "new" Chan tradition. Schlūtter has written a refreshingly accessible account of the intricacies of the dispute, which is still reverberating through modern Zen in both Asia and the West. Dahui and his opponents' arguments for their respective positions come across in this book in as earnest and relevant a manner as they must have seemed almost nine hundred years ago. Although much of the book is devoted to illuminating the doctrinal and soteriological issues behind the enlightenment dispute, Schlūtter makes the case that the dispute must be understood in the context of government policies toward Buddhism, economic factors, and social changes. He analyzes the remarkable ascent of Chan during the first centuries of the Song dynasty, when it became the dominant form of elite monastic Buddhism, and demonstrates that secular educated elites came to control the critical transmission from master to disciple ("procreation" as Schlūtter terms it) in the Chan School.

THE COMPASS OF ZEN is Korean Zen master Seung Sahn's distillation of the essential core of Zen teaching. Originally written in the early 1970s, it is a clear presentation of Zen teaching and practice. This volume contains the original COMPASS along with Seung Sahn's elaboration on its main points, taken from his lucid and often hilarious talks.

An accessible and enjoyable introduction to Zen Buddhist practice in a reader-friendly question-and-answer format by two highly regarded teacher-writers. The question-and-answer format makes this introduction to Zen especially easy to understand and also to use as a reference, as you can easily look up just the question you had in mind. The esteemed Zen teacher Norman Fischer and his old friend and teaching colleague Susan Moon (both of them in the lineage of Shunryu Suzuki, author of "Zen Mind, Beginner's Mind") give this collaborative effort a playful tone: Susan asks a question on our behalf, Norman answers it, and then Sue challenges him. By the time you get through their conversations, you'll have a good basic education in Zen--not only the history, theory, and practice but also the contemporary issues, such as gender inequality, sexual ethics, and the tension between Asian traditions and the modern American reality.

In the early part of this century, the discovery of a walled-up cave in northwest China led to the retrieval of a lost early Ch'an (Zen) literature of the T'ang dynasty (618-907). One of the recovered Zen texts was a seven-piece collection, the "Bodhidharma Anthology." Of the numerous texts attributed to Bodhidharma, this anthology is the only one generally believed to contain authentic Bodhidharma material.
Jeffrey L. Broughton provides a reliable annotated translation of the "Bodhidharma Anthology" along with a detailed study of its nature, content, and background. His work is especially important for its rendering of the three Records, which contain some of the earliest Zen dialogues and constitute the real beginnings of Zen literature.
The vivid dialogues and sayings of Master Yuan, a long-forgotten member of the Bodhidharma circle, are the hallmark of the "Records." Master Yuan consistently criticizes reliance on the Dharma, on teachers, on meditative practice, and on scripture, all of which lead to self-deception and confusion, he says. According to Master Yuan, if one has spirit and does not seek anything, including the teachings of Buddhism, then one will attain the quietude of liberation. The boldness in Yuan's utterances prefigures much of the full-blown Zen tradition we recognize today.
Broughton utilizes a Tibetan translation of the "Bodhidharma Anthology "as an informative gloss on the Chinese original. Placing the anthology within the context of the Tun-huang Zen manuscripts as a whole, he proposes a new approach to the study of Zen, one that concentrates on literary history, a genealogy of texts rather than the usual genealogy of masters.