In the early part of this century, the discovery of a walled-up cave in northwest China led to the retrieval of a lost early Ch'an (Zen) literature of the T'ang dynasty (618-907). One of the recovered Zen texts was a seven-piece collection, the "Bodhidharma Anthology." Of the numerous texts attributed to Bodhidharma, this anthology is the only one generally believed to contain authentic Bodhidharma material.
Jeffrey L. Broughton provides a reliable annotated translation of the "Bodhidharma Anthology" along with a detailed study of its nature, content, and background. His work is especially important for its rendering of the three Records, which contain some of the earliest Zen dialogues and constitute the real beginnings of Zen literature.
The vivid dialogues and sayings of Master Yuan, a long-forgotten member of the Bodhidharma circle, are the hallmark of the "Records." Master Yuan consistently criticizes reliance on the Dharma, on teachers, on meditative practice, and on scripture, all of which lead to self-deception and confusion, he says. According to Master Yuan, if one has spirit and does not seek anything, including the teachings of Buddhism, then one will attain the quietude of liberation. The boldness in Yuan's utterances prefigures much of the full-blown Zen tradition we recognize today.
Broughton utilizes a Tibetan translation of the "Bodhidharma Anthology "as an informative gloss on the Chinese original. Placing the anthology within the context of the Tun-huang Zen manuscripts as a whole, he proposes a new approach to the study of Zen, one that concentrates on literary history, a genealogy of texts rather than the usual genealogy of masters.

The truth of Chan Buddhism - better known as "Zen" - is regularly said to be beyond language, and yet Chan authors - medieval and modern - produced an enormous quantity of literature over the centuries. To make sense of this well-known paradox, Patriarchs on Paper explores several genres of Chan literature that appeared during the Tang and Song dynasties (c. 600-1300), including genealogies, biographies, dialogues, poems, monastic handbooks, and koans. Working through this diverse body of literature, Alan Cole details how Chan authors developed several strategies to evoke images of a perfect Buddhism in which wonderfully simple masters transmitted Buddhism's final truth to one another, suddenly and easily, and, of course, independent of literature and the complexities of the Buddhist monastic system. Chan literature, then, reveled in staging delightful images of a Buddhism free of Buddhism, tempting the reader, over and over, with the possibility of finding behind the thick facade of real Buddhism-with all its rules, texts, doctrines, and institutional solidity-an ethereal world of pure spirit. Patriarchs on Paper charts the emergence of this kind of "fantasy Buddhism" and details how it interacted with more traditional forms of Chinese Buddhism in order to show how Chan's illustrious ancestors were created in literature in order to further a wide range of real-world agendas.

Zen Buddhism is perhaps best known for its emphasis on meditation, and probably no figure in the history of Zen is more closely associated with meditation practice than the thirteenth-century Japanese master Dogen, founder of the Soto school. This study examines the historical and religious character of the practice as it is described in Dogen's own meditation texts, introducing new materials and original perspectives on one of the most influential spiritual traditions of East Asian civilization. The Soto version of Zen meditation is known as "just sitting," a practice in which, through the cultivation of the subtle state of "nonthinking," the meditator is said to be brought into perfect accord with the higher consciousness of the "Buddha mind" inherent in all beings. This study examines the historical and religious character of the practice as it is described in Dogen's own meditation texts, introducing new materials and original perspectives on one of the most influential spiritual traditions of East Asian civilization.

As a young, up and coming electrical engineer living in England, Ray Brooks had everything he could want a high paying job, late nights, and fast cars. All he was missing in his life was the meaning. A series of events brought him to Japan, where he met a man who played the shakuhachi, an ancient Japanese flute. That fortuitous interaction motivated Brooks to embark on a journey to learn this very difficult instrument. Through playing the shakuhachi, he began to understand the Zen discipline that is a crucial aspect of Japanese culture. This understanding greatly changed his outlook on life, putting him in touch with his authentic self. Blowing Zen s humor and its irresistible story of cultures converging lets the underlying message come through without preachiness: life is about finding your true calling, not just what brings you superficial joy. Brooks spontaneous approach to the collaboration of art, mind, body, and spirit is inspiring and instructive. This uplifting memoir has been entrancing readers since its release in 2000, and it is now being re-released with a new chapter and lots of photographs. This is the expanded and revised edition with photos.

Spiritual practice is not some kind of striving to produce enlightenment, but an "expression" of the enlightenment already inherent in all things: Such is the Zen teaching of Dogen Zenji (1200-1253) whose profound writings have been studied and revered for more than seven hundred years, influencing practitioners far beyond his native Japan and the Soto school he is credited with founding. In focusing on Dogen's most practical words of instruction and encouragement for Zen students, this new collection highlights the timelessness of his teaching and shows it to be as applicable to anyone today as it was in the great teacher's own time. Selections include Dogen's famous meditation instructions; his advice on the practice of "zazen, " or sitting meditation; guidelines for community life; and some of his most inspirational talks. Also included are a bibliography and an extensive glossary.

A small and admiral memoir that records the experiences of a young Dutch student who spent a year and a half as a novice monk in a Japanese Zen Buddhist monastery.

Christian Zen is a ground breaking book for all Christians seeking to deepen and broaden their inner lives. Providing concrete guidelines for a way of Christian meditation that incorporates Eastern insights, it is a helpful book that can open new spiritual vistas and reveal profound, often undreamed-of dimensions of the Christian faith.