Time, Literature and Cartography after the Spatial Turn argues that
the spatial turn in literary studies has the unexplored potential
to reinvigorate the ways in which we understand time in literature.
Drawing on new readings of time in a range of literary narratives,
including Vladimir Nabokov's Ada and James Joyce's Finnegans Wake,
Adam Barrows explores literature's ability to cartographically
represent the dense and tangled rhythmic processes that constitute
lived spaces. Applying the insights of ecological resilience
studies, as well as Henri Lefebvre's late work on rhythm to
literary representations of time, this book offers a sustained
examination of literature's "chronometric imaginary": its capacity
to map the temporal relationships between the human and the
non-human, the local and the global.
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