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Books > History > World history > From 1900 > Second World War
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Discordant Memories - Atomic Age Narratives and Visual Culture (Hardcover, First Edition, New ed.)
Loot Price: R1,050
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Discordant Memories - Atomic Age Narratives and Visual Culture (Hardcover, First Edition, New ed.)
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On two separate days in August 1945, the United States dropped
atomic bombs over the Japanese cities of Hiroshima and Nagasaki. As
the seventy-fifth anniversary of these cataclysmic bombings draws
near, American and Japanese citizens are seeking new ways to
memorialize these events for future generations. In Discordant
Memories, Alison Fields explores - through the lenses of multiple
disciplines - ongoing memories of the two bombings. Enhanced by
striking color and black-and-white images, this book is an
innovative contribution to the evolving fields of memory studies
and nuclear humanities. To reveal the layered complexities of
nuclear remembrance, Fields analyzes photography, film, and
artworks; offers close readings of media and testimonial accounts;
traces site visits to atomic museums in New Mexico and Japan; and
features artists who give visual form to evolving memories.
According to Fields, such expressions of memory both inspire group
healing and expose struggles with past trauma. Visual forms of
remembrance - such as science museums, peace memorials,
photographs, and even scars on human bodies - serve to contain or
manage painful memories. And yet, the author claims, distinct
cultures lay claim to vastly different remembrances of nuclear
history. Fields analyzes a range of case studies to uncover these
discordant memories and to trace the legacies of nuclear weapons
production and testing. Her subjects include the Bradbury Science
Museum in Los Alamos, New Mexico; the Hiroshima Peace Memorial
Museum in Japan; the atomic photography of Carole Gallagher and
Patrick Nagatani; and artworks and experimental films by Will
Wilson and Nanobah Becker. In the end, Fields argues, the trauma
caused by nuclear weapons can never be fully contained. For this
reason, commemorations of their effects are often incomplete and
insufficient. Differences between individual memories and public
accounts are also important to recognize. Discordant Memories
illuminates such disparate memories in all their rich complexity.
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