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Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts (Hardcover, New Ed) Loot Price: R4,171
Discovery Miles 41 710
Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts (Hardcover, New Ed): Claire Mabilat

Orientalism and Representations of Music in the Nineteenth-Century British Popular Arts (Hardcover, New Ed)

Claire Mabilat

Series: Music in Nineteenth-Century Britain

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Loot Price R4,171 Discovery Miles 41 710 | Repayment Terms: R391 pm x 12*

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Representations of music were employed to create a wider 'Orient' on the pages, stages and walls of nineteenth-century Britain. This book explores issues of orientalism, otherness, gender and sexuality that arise in artistic British representations of non-European musicians during this time, by utilizing recent theories of orientalism, and the subsidiary (particularly aesthetic and literary) theories both on which these theories were based and on which they have been influential. The author uses this theoretical framework of orientalism as a form of othering in order to analyse primary source materials, and in conjunction with musicological, literary and art theories, thus explores ways in which ideas of the Other were transformed over time and between different genres and artists. Part I, The Musical Stage, discusses elements of the libretti of popular musical stage works in this period, and the occasionally contradictory ways in which 'racial' Others was represented through text and music; a particular focus is the depiction of 'Oriental' women and ideas of sexuality. Through examination of this collection of libretti, the ways in which the writers of these works filter and romanticize the changing intellectual ideas of this era are explored. Part II, Works of Fiction, is a close study of the works of Sir Henry Rider Haggard, using other examples of popular fiction by his contemporary writers as contextualizing material, with the primary concern being to investigate how music is utilized in popular fiction to represent Other non-Europeans and in the creation of orientalized gender constructions. Part III, Visual Culture, is an analysis of images of music and the 'Orient' in examples of British 'high art', illustration and photography, investigating how the musical Other was visualized.

General

Imprint: Ashgate Publishing Limited
Country of origin: United Kingdom
Series: Music in Nineteenth-Century Britain
Release date: July 2008
First published: 2008
Authors: Claire Mabilat
Dimensions: 234 x 156 x 24mm (L x W x T)
Format: Hardcover
Pages: 272
Edition: New Ed
ISBN-13: 978-0-7546-5962-4
Categories: Books > Arts & Architecture > The arts: general issues > General
Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > General
Books > Arts & Architecture > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
Books > Language & Literature > Literature: history & criticism > Literary studies > 19th century
Books > Reference & Interdisciplinary > Interdisciplinary studies > Area / regional studies > General
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > Popular culture
Books > Arts & Architecture > Music > Contemporary popular music > Rock & pop > General
Books > Music > Contemporary popular music > Rock & pop > General
Books > Music > Western music, periods & styles > Romantic music (c 1830 to c 1900)
LSN: 0-7546-5962-3
Barcode: 9780754659624

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