Digital technologies have transformed archives in every area of
their form and function, and as technologies mature so does their
capacity to change our understanding and experience of material and
performative cultural production. There has been an exponential
explosion in the production and consumption of video online and yet
there is a scarcity of knowledge and cases about video and the
digital archive. This book seeks to address that through the lens
of the project Circus Oz Living Archive. This project provides the
case study foundation for the articulation of the issues,
challenges and possibilities that the design and development of
digital archives afford. Drawn from eight different disciplines and
professions, the authors explore what it means to embrace the
possibilities of digital technologies to transform contemporary
cultural institutions and their archives into new methods of
performance, representation and history.
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