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Oz behind the Iron Curtain - Aleksandr Volkov and His Magic Land Series (Paperback)
Loot Price: R1,127
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Oz behind the Iron Curtain - Aleksandr Volkov and His Magic Land Series (Paperback)
Series: Children's Literature Association Series
Expected to ship within 10 - 15 working days
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Recipient of the 2018 Outstanding Faculty Research Achievement
Award in the Department of Languages, Literatures, and Linguistics
at Syracuse University. In 1939, Aleksandr Volkov (1891-1977)
published Wizard of the Emerald City, a revised version of L. Frank
Baum's The Wonderful Wizard of Oz. Only a line on the copyright
page explained the book as a ""reworking"" of the American story.
Readers credited Volkov as author rather than translator. Volkov,
an unknown and inexperienced author before World War II, tried to
break into the politically charged field of Soviet children's
literature with an American fairy tale. During the height of
Stalin's purges, Volkov adapted and published this fairy tale in
the Soviet Union despite enormous, sometimes deadly, obstacles.
Marketed as Volkov's original work, Wizard of the Emerald City
spawned a series that was translated into more than a dozen
languages and became a staple of Soviet popular culture, not unlike
Baum's fourteen-volume Oz series in the United States. Volkov's
books inspired a television series, plays, films, musicals,
animated cartoons, and a museum. Today, children's authors and fans
continue to add volumes to the Magic Land series. Several
generations of Soviet Russian and Eastern European children grew up
with Volkov's writings, yet know little about the author and even
less about his American source, L. Frank Baum. Most Americans have
never heard of Volkov and know nothing of his impact in the Soviet
Union, and those who do know of him regard his efforts as
plagiarism. Erika Haber demonstrates how the works of both Baum and
Volkov evolved from being popular children's literature and became
compelling and enduring cultural icons in both the US and
USSR/Russia, despite being dismissed and ignored by critics,
scholars, and librarians for many years.
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