Site and Sound: Understanding Independent Music Scenes examines how
independent pop and rock music scenes of the 1980s and 1990s were
constituted within social and geographical spaces. Those active in
the production and consumption of « indie pop and rock music
thought of their practices as largely independent of the music
mainstream - even though some acts recorded for major labels. This
book explores the web of personal, social, historical,
geographical, cultural, and economic practices and relationships
involved in the production and consumption of « indie music.
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