Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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Common Land in English Painting, 1700-1850 (Hardcover)
Loot Price: R1,877
Discovery Miles 18 770
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Common Land in English Painting, 1700-1850 (Hardcover)
Series: Garden and Landscape History
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An examination of the treatment of common land in the work of
English painters, at a time when much of it was to disappear
forever. A most elegantly written book that calmly knocked many
entrenched but erroneous notions about British landscape painting
firmly on the head. Longlisted and commended by the judges of the
2013 William M. B. Berger prize forBritish art history. During the
eighteenth and nineteenth centuries, much of England's common land
was eradicated by the processes of parliamentary enclosure.
However, despite the fact that the landscape was frequentlyviewed
as unproductive, outmoded and unsightly, many British landscape
painters of the time - including Constable, Gainsborough and Turner
- resolutely continued to depict it. This book is the first full
study of how they did so, using evidence drawn not only from
art-historical picture analysis, but from contemporary poems and
novels, and the contemporary pamphlets, essays and reports that
advanced the rhetoric of both agricultural improvement and new
theories on landscape aesthetics. It highlights a deep-rooted
social and cultural attachment to the common field landscape, and
demonstrates that common land played a significant but - until now
- underestimated role in both the history of English art and of the
formation of an English national identity, reflecting what are
still highly sensitive issues of progress, nostalgia and loss
within the English countryside. Recasting common land as a
recurrentfacet of English culture in the modern period, the
numerous paintings, drawings and prints featured in this book give
the reader a comprehensive and evocative sense of what this now
almost wholly lost landscape looked like in itshey-day. Ian Waites
is Senior Lecturer in History of Art and Design at the University
of Lincoln.
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