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Writing the Radio War - Literature, Politics and the BBC, 1939-1945 (Hardcover)
Loot Price: R2,573
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Writing the Radio War - Literature, Politics and the BBC, 1939-1945 (Hardcover)
Series: Edinburgh Critical Studies in War and Culture
Expected to ship within 12 - 17 working days
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Wartime British writers took to the airwaves to reshape the nation
and the Empire'Writing the Radio War' positions the Second World
War as a critical moment in the history of cultural mediation in
Britain. Through chapters focusing on the middlebrow radicalism of
J.B. Priestley, ground-breaking works by Louis MacNeice and James
Hanley at the BBC Features Department, frontline reporting by Denis
Johnston, and the emergence of a West Indian literary identity in
the broadcasts of Una Marson, 'Writing the Radio War' explores how
these writers capitalised on the particularities of the sonic
medium to communicate their visions of wartime and postwar Britain
and its empire. By combining literary aesthetics with the acoustics
of space, accent, and dialect, writers created aural communities
that at times converged, and at times contended, with official
wartime versions of Britain and Britishness.Key FeaturesMerges the
fields of sound studies, radio studies, and Second World War
literary studies through considerations of both major and
marginalized figures of wartime broadcastingBrings substantial but
underused archival material (from the BBC Written Archives Centre,
the Harry Ransom Humanities Research Center, the British Library,
and other archives) to bear on the cultural importance of radio
during the warForegrounds the role of radio in bridging literary
movements from the highbrow to the middlebrow, and from the
regional to the imperialDraws on Listener Research Reports,
listener correspondence, newspaper coverage, and surveys by Mass
Observation and the Wartime Social Survey in order to capture
listeners' responses to wartime broadcasting in general as well as
specific programsFills a gap in accounts of literary radio
broadcasting, between Todd Avery's Radio Modernism (which ends at
1939) and postwar accounts of the Third Programme (by Humphrey
Carpenter and Kate Whitehead) and individual writer-broadcasters
General
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