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Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture (Paperback)
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Louis H. Sullivan and a 19th-Century Poetics of Naturalized Architecture (Paperback)
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For most of the twentieth century, modernist viewers dismissed the
architectural ornament of Louis H. Sullivan (1856-1924) and the
majority of his theoretical writings as emotional outbursts of an
outmoded romanticism. In this study, Lauren Weingarden reveals
Sullivan's eloquent articulation of nineteenth-century romantic
practices - literary, linguistic, aesthetic, spiritual, and
nationalistic - and thus rescues Sullivan and his legacy from the
narrow role imposed on him as a pioneer of twentieth-century
modernism. Using three interpretive models, discourse theory,
poststructural semiotic analysis, and a pragmatic concept of
sign-functions, she restores the integrity of Sullivan's artistic
choices and his historical position as a culminating figure within
nineteenth-century romanticism. By giving equal weight to Louis
Sullivan's writings and designs, Weingarden shows how he translated
both Ruskin's tenets of Gothic naturalism and Whitman's poetry of
the American landscape into elemental structural forms and organic
ornamentation. Viewed as a site where various romantic discourses
converged, Sullivan's oeuvre demands a cross-disciplinary
exploration of each discursive practice, and its "rules of
accumulation, exclusion, reactivation." The overarching theme of
this study is the interrogation and restitution of those
Foucauldian rules that enabled Sullivan to articulate architecture
as a pictorial mode of landscape art, which he considered co-equal
with the spiritual and didactic functions of landscape poetry.
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