Eroticism in Early Modern Music contributes to a small but
significant literature on music, sexuality, and sex in sixteenth-
and seventeenth-century Europe. Its chapters have grown from a long
dialogue between a group of scholars, who employ a variety of
different approaches to the repertoire: musical and visual
analysis; archival and cultural history; gender studies; philology;
and performance. By confronting musical, literary, and visual
sources with historically situated analyses, the book shows how
erotic life and sensibilities were encoded in musical works.
Eroticism in Early Modern Music will be of value to scholars and
students of early modern European history and culture, and more
widely to a readership interested in the history of eroticism and
sexuality.
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