The written genre of the religious pamphlet stands out as a deeply
characteristic form of public communication in the early modern
period, not least on account of its inseparable combination of
language and images. This study undertakes an analysis of
semiotically complex religious pamphlets from the late 16th
century, thereby making a contribution to research in linguistic
history that is culturally oriented. In the process, it illustrates
the opportunities for using frame semantics to analyze both verbal
and visual texts.
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