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Olivier Messiaen - Texts, Contexts, and Intertexts (1937-1948) (Hardcover)
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Olivier Messiaen - Texts, Contexts, and Intertexts (1937-1948) (Hardcover)
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The 20th century French composer Olivier Messiaen was a devout
Roman Catholic and notably claimed that his music was an expression
of his faith. Unsurprisingly, many performers and listeners
consider Messiaen's strong religiosity central to their
appreciation of the composer's music. Music scholars have devoted
much energy to exploring how Messiaen's music was an extension of
his religious beliefs. Yet, these works tend to discuss Messiaen's
Catholicism solely in terms of personal religious identity and
ignore the composer's broader connections to the cultural landscape
of Roman Catholicism in France. In Olivier Messiaen: Texts,
Contexts, and Intertexts (1937-1948) the late French literature
scholar Richard Burton examines nine of Messiaen's works in the
context of the broader French Catholic intellectual tradition.
Drawing on an expansive knowledge of the Catholic literature and
the surrealist tradition, Burton reveals that Messiaen's
middle-period compositions are filled with intertextual references
to the Bible and other theological writings, which Messiaen, given
his reputation for falsifying facts, may have gone to great lengths
to obscure. As a Catholic, Messiaen is presented as somewhat
removed from the ethos of his time and place, taking no part in the
social side of Catholicism that found expression in the Petainist
litany of 'Patrie, Famille, Travail'. Rather, Messiaen regarded
himself as having a 'vertical' relationship with God, which could
make him seem unworldly and even uncaring. With insights into the
artistic careers of Messiaen's notable contemporaries and
historical perspectives on the breakdown of French politics during
World War II, Burton creates a vivid picture of the previously
unexamined spiritual and philosophical inspirations behind
Messiaen's pivotal mid-century compositions.
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