Books > History > World history > BCE to 500 CE
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Anticipation and Anachrony in Statius' Thebaid (Paperback)
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Anticipation and Anachrony in Statius' Thebaid (Paperback)
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Applying the latest narratological theory and focusing on the use
of anachrony (or 'chronological deviation'), this book explores how
Statius competes - successfully - for a place within an established
literary canon. Given the tremendous pressure on poets to render
familiar stories in unfamiliar and novel ways, how did he achieve
this? When Statius elected to sing of the quarrelsome sons of
Oedipus he was acutely aware that this was a well-trod road, one
frequently reproduced in a variety of genres - epic, drama and
lyric poetry. Despite this highly varied corpus against which he
sought to contend, he boasts that his epic has novelty and proudly
declares that he is now counted among the 'prisca nomina', or
ancient names, that sang of Thebes. And indeed precisely the fact
that there were so many story-versions (a greater number survive
for comparison than for any other work from antiquity, rivaling
even the popularity of the Trojan legend) means that the story is
conveniently positioned to offer a unique exploration into how
Statius creates a compelling story despite working within a
saturated and overly familiar mythic tradition. This book argues
that it is chiefly through the use of narrative anachrony, or
non-chronological modes of narration, that Statius manipulates
states of anticipation, suspense, and even surprise in his
audience.
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