In a dramatic change of role, the noted television and film star
has written a vivid and incisive account of the House Committee on
Un-American Activities' probe of the entertainment industry from
1938 to 1958. Formed to investigate alleged subversives, by the
late fifties the committee had succeeded in ruining the careers and
sometimes the lives of many of Hollywood and Broadway's top writers
and performers. Quoting generously from transcripts of its
hearings, Vaughn shows how the committee's primary purpose was
punitive rather than legislative, and concludes that its most
serious damage to American theatre and film is not easily
documented: the loss of all the words never written or spoken
because of the impact - and the fear - of the committee's misdeeds.
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