This book examines the widespread response in British artistic
media to the death in childbirth in 1817 of Princess Charlotte
Augusta of Wales, daughter of the Prince Regent and heiress to the
throne, showing how both in print materials like poetry and sermons
and extra-literary artifacts like visual art, ceramics, metalwork,
and textiles her life and death were invested with the qualities of
myth even as her memorialists appropriated her experiences in the
process of producing consumer commodities for an emerging mass
audience.
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