Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900
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The Image of Antiquity - Ancient Britain and the Romantic Imagination (Hardcover, New)
Loot Price: R1,187
Discovery Miles 11 870
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The Image of Antiquity - Ancient Britain and the Romantic Imagination (Hardcover, New)
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How was the remote past of Britain imagined in the eighteenth and
nineteenth centuries? What part did the visual arts play in that
process? In this book Sam Smiles argues that the ancient Britain of
the romantic imagination was a contested world, variously seen as a
noble epoch of wisdom and patriotism and as a period of unredeemed
savagery and barbarism. The arts, says Smiles, not only reflected
these historical debates but actively contributed to them by
attempting to bring the archaic past to life. Smiles examines the
interplay of antiquarian research, historiography, and the visual
arts in constructing an image of Britain from prehistoric times to
the arrival of the Saxons. He discusses such topics as the
lengthening of prehistoric time in the contemporary view, the
status of antiquarian learning, and the celebration of ancestral
peoples as an offshoot of the growing sense of national identity.
He describes the Celtic revival during the late eighteenth century,
with its iconography that fashioned a pictorial repertoire for
megaliths, bards, Druids, and the patriotic leaders Boadicea and
Caractacus, who fought off the Romans. He also explains why the
Victorians downgraded the Celts and replaced them with the Saxons,
preferred by Victorians because they were Christians, because they
were English (rather than British), and because they had
established organized kingdoms. Illustrated with images from a wide
range of sources, this is the first major interdisciplinary
examination of the British image of antiquity that has a particular
significance for art historians and historians alike. Published for
the Paul Mellon Centre for Studies in British Art Published for the
Paul Mellon Center for Studies in British Art
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