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In the Remington Moment (Hardcover)
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In the Remington Moment (Hardcover)
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For most people, the work of Frederic Remington conjures an
antiquarian world of all things "western." Why this is so, and
whether it "should" be so, are two of the critical questions raised
in this book. Stephen Tatum closely considers selected paintings
from Remington's last four years of life--his so-called years of
critical acclaim. Tatum's purpose is twofold: first, to understand
these paintings, both formally and thematically, within their
historical, aesthetic, and biographical contexts; and second, to
account for what endows them today--after marking the centennial of
Remington's death in 1909--with continuing aesthetic and cultural
significance. To this end, Tatum examines these late paintings in
relation to Remington's other works, his letters and published
writings, his evolving critical reception, and the writing and
artwork of other cultural figures of the era, such as historian
Frederick Jackson Turner and sociologist Georg Simmel. The book
provides an illuminating glimpse of how and why particular
Remington works might seize a viewer's attention in his or her past
or present moment of reception--how in fact their unstable visual
complexity can ultimately absorb their viewer. In his "Coda," Tatum
offers a personal memoir of his own encounter with Remington's "The
Love Call," a critical meditation enacting and questioning the
"Remington Moment."
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