0
Your cart

Your cart is empty

Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900

Buy Now

The Body in Time - Figures of Femininity in Late Nineteenth-Century France (Paperback) Loot Price: R661
Discovery Miles 6 610
The Body in Time - Figures of Femininity in Late Nineteenth-Century France (Paperback): Tamar Garb

The Body in Time - Figures of Femininity in Late Nineteenth-Century France (Paperback)

Tamar Garb

 (sign in to rate)
Loot Price R661 Discovery Miles 6 610 | Repayment Terms: R62 pm x 12*

Bookmark and Share

Expected to ship within 12 - 17 working days

The Body in Time looks at two different genres in relation to the construction of femininity in late nineteenth-century France: Degas's representation of ballet dancers and the transforming tradition of female portraiture. Class, gender, power, and agency are at stake in both arenas, but they play themselves out in different ways via different pictorial languages. Degas's depictions of anonymous young female ballerinas at the Paris Opera reflect his fascination with the physical exertions and prosaic setting of the dancer's sexualized body. Unlike the standard Romantic depictions of the ballerina, Degas's dancers are anonymous spread-legged workers on public display. Female portraiture and self-portraiture, in contrast, depicted the unique and the distinctive: privileged women, self-assured individuals transgressing gender conventions. Focusing on Degas's representation of the dancer, Tamar Garb examines the development of Degas's oeuvre from its early Realist documentary ambitions to the abstracted Symbolist renderings of the feminine as cypher in his later works. She argues that despite the apparent depletion of social significance and specificity, Degas's later works remain deeply enmeshed in contemporary gendered ways of viewing and experiencing art and life. Garb also looks at the transformation in the genre of portraiture heralded by the "new woman," examining the historical expectations of female portraiture and demonstrating how these expectations are challenged by new notions of female autonomy and interiority. Women artists such as Anna Klumpke, Rosa Bonheur, and Anna Bilinska deployed the language of Realism in their own self-representation. The figure of femininity remained central to the personal, political, and pictorial imperatives of artists across the spectrum of modern aesthetics. Gender and genre intersect throughout this book to show how these categories mutually impact one another.

General

Imprint: University of Washington Press
Country of origin: United States
Release date: July 2008
First published: July 2008
Authors: Tamar Garb
Dimensions: 254 x 178 x 9mm (L x W x T)
Format: Paperback - Trade / Trade
Pages: 96
ISBN-13: 978-0-295-98793-4
Categories: Books > Arts & Architecture > History of art / art & design styles > 1800 to 1900 > General
Books > Arts & Architecture > Art forms, treatments & subjects > Painting & paintings > General
Books > Arts & Architecture > Art forms, treatments & subjects > Art treatments & subjects > Iconography, subjects depicted in art > Human figures depicted in art > Portraits in art
LSN: 0-295-98793-6
Barcode: 9780295987934

Is the information for this product incomplete, wrong or inappropriate? Let us know about it.

Does this product have an incorrect or missing image? Send us a new image.

Is this product missing categories? Add more categories.

Review This Product

No reviews yet - be the first to create one!

Partners