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The French Revolution as Blasphemy - Johan Zoffany's Paintings of the Massacre at Paris, August 10, 1792 (Hardcover, New)
Loot Price: R2,059
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The French Revolution as Blasphemy - Johan Zoffany's Paintings of the Massacre at Paris, August 10, 1792 (Hardcover, New)
Series: The Discovery Series, 6
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William Pressly presents for the first time a close analysis of two
important, neglected paintings, arguing that they are among the
most extraordinary works of art devoted to the French Revolution.
Johan Zoffany's "Plundering the King's Cellar at Paris, August 10,
1792," and "Celebrating over the Bodies of the Swiss Soldiers,"
both painted in about 1794, represent events that helped turn the
English against the Revolution.
Pressly places both paintings in their historical context--a time
of heightened anti-French hysteria--and relates them to pictorial
conventions: contemporary history painting, the depiction of urban
mobs in satiric and festival imagery, and Hogarth's humorous
presentation of modern moral subjects, all of which Zoffany adopted
and reinvented for his own purposes. Pressly relates the paintings
to Zoffany's status as a German-born Catholic living in Protestant
England and to Zoffany's vision of revolutionary justice and the
role played by the sansculottes, women, and blacks. He also
examines the religious dimension in Zoffany's paintings, showing
how they broke new ground by conveying Christian themes in a
radically new format.
Art historians will find Pressly's book of immense value, as will
cultural historians interested in religion, gender, and race.
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