The late-medieval Portuguese who arrived in Africa were colonizers in the Roman style, gold merchants on an imperial scale, conquistadores in the Hispanic tradition. Although their empire struggled to survive centuries of Dutch and English competition, it revived in the 20th century on a tide of white migration. Settlers, however, brought racial conflict as well as economic modernization and Portuguese colonies went through spasms of violence which resembled those of Algeria and South Africa. Liberation eventually came but peoples of the old colonial cities clung tightly to their acquired traditions, eating Portuguese dishes, writing Portuguese poetry, and studying in Portuguese universities.

The king and his wives-letters and documents
History is full of notable figures, but far fewer in number are those who have become iconic. An indisputably iconic figure, even among the many great kings of England, is the towering figure of the Tudor monarch, King Henry VIII. He was, of course, the father of Queen Elizabeth I, Gloriana, an equally renowned monarch of her own golden age. She sought always to be and be seen as her father's daughter, but posterity preserves what it will of a life in the public consciousness and so aside from Henry's unmistakable and imposing personal appearance what is most remembered of him by many is that he was married on six occasions and habitually terminated his relationships with an axe at the executioner's block-though this occurred only twice perhaps indicating more moderation in Henry's character as a husband than he is usually credited with. There has always been something seductively attractive about this powerful man, capable of great tenderness and romance, an artist, poet and musician-and yet a ruthless and unscrupulous tyrant capable of incredible insensitivity and cruelty. This volume contains an engrossing selection of correspondence, reports and other documents concerning Henry and his wives. The central part of the book is a famous collection of love letters sent by the king to his second wife Anne Boleyn, one of his spouses who lost her head to be superceded by another beauty of the court Jane Seymour, one of Anne's ladies in waiting. In this special and unique Leonaur edition these letters are added to by the inclusion of correspondence and other documents concerning the fate of Henry's sometimes unfortunate women and the events that surrounded them.
Leonaur editions are newly typeset and are not facsimiles; each title is available in softcover and hardback with dustjacket; our hardbacks are cloth bound and feature gold foil lettering on their spines and fabric head and tail bands.

African research played a major role in transforming the discipline of anthropology in the twentieth century. Ethnographic studies, in turn, had significant effects on the way imperial powers in Africa approached subject peoples. Ordering Africa provides the first comparative history of these processes. With essays exploring metropolitan research institutes, Africans as ethnographers, the transnational features of knowledge production, and the relationship between anthropology and colonial administration, this volume both consolidates and extends a range of new research questions focusing on the politics of imperial knowledge. Specific chapters examine French West Africa, the Belgian and French Congo, the Anglo-Egyptian Sudan, Italian Northeast Africa, Kenya, and Equatorial Africa (Gabon) as well as developments in Britain, France, Germany, Italy, and Switzerland. A major collection of essays that will be welcomed by scholars interested in imperial history and the history of Africa. -- .

The Crock of Gold (1912), one of three original novels by James Stephens, is a work only a master of fiction and folklore could imagine. Taking up the major philosophical and psychological concerns of the early-twentieth century-over a decade before works by T.S. Eliot, James Joyce, and Virginia Woolf, among others, would cement literary Modernism's place in history-Stephens' novel is a groundbreaking and important work. The text centers on the Philosopher and his wife, the Thin Woman, who undergo a series of journeys and harrowing trials. Faced with danger both human and divine, the two characters are forced to weather the winds of change in order to change themselves. Divided into six books, The Crock of Gold-no doubt inspired by the Irish oral tradition of storytelling-follows the Philosopher's quest to save the most beautiful woman in the world; his encounter with the gods who have captured her; his return home and arrest for murder (he has been framed by leprechauns incensed at the loss of their crock of gold); and finally, the Thin Woman's quest to find the fabled Three Infinites. James Stephens' The Crock of Gold is perhaps unparalleled in its ability to weave together ancient narrative techniques, mythological sources, and such dominant themes of its day as gender equality and humanity's quest for self-understanding beyond the traditional boundaries of faith and religion. It is also a darkly comic novel, full of ironic political commentary and suspiciously human conversations situated within the animal world. Most popular of Stephens' works, The Crock of Gold conceals in its humorous, irreverent outlook a deeply serious, ultimately reverent love for the human soul-unsurprising for an author whose life was marked with difficulty from the very beginning. With a beautifully designed cover and professionally typeset manuscript, this new edition of James Stephens' The Crock of Gold is a classic of Irish literature reimagined for modern readers.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Intended as an accessible, up-to-date introduction to African American history by its 1915 publisher, The Negro was much more to W. E. B. Du Bois. The chance to write on African American History for a wide audience became his chance to write a manifesto on African history worldwide. Du Bois focuses on the continent of Africa, giving justice to its oft-neglected positive history. Drawing on anthropological and linguistic literature of the time, Du Bois captures a succinct portrait of African and African American history ready for any reader no matter their prior knowledge. His argument enters the narrative fully, revealing his quest for the vindication of black history. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by John K. Thornton, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Considered a sequel to Du Bois's wildly popular The Souls of Black Folks, Darkwater revisits many of the same themes with a more militant edge, even revising previously published essays and poems to include in this newer volume. Published in 1920, Darkwater focuses on the political climate following World War I. In ten carefully crafted chapters, Du Bois explores the important issues of that period- labor, capital, politics, gender, education, and international relations-in tandem with an overarching theme of race. Blending lyrical autobiography with political thoughts and even poetry, Du Bois makes a powerful, forceful argument regarding race and the color line. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Evelyn Brooks Higginbotham, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.
Published in 1924 in response to growing racial tensions, W. E. B. Du Bois's The Gift of Black Folk explores the contributions African Americans have made to American society, detailing the importance of racial diversity to the United States. Writing for a general audience, Du Bois employs a sweeping scope for his argument, covering the European discovery of America to the twentieth century. In doing so he works to prove that through African Americans' struggle for freedom and equality, they have most fully realized the goal of democracy. With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Glenda Carpio, this edition is essential for anyone interested in African American history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history. Written in very accessible prose, these two booklets, originally published in 1930, allowed W. E. B. Du Bois to reach a wide audience with an interest in Africa. What is so incredible about the two Africa booklets is their lasting relevance and value to the study of Africa today. Coupling Du Bois's breadth of scholarship with his passion for the subjects, the analyses in these booklets are integral to the study of Africa. Many of his arguments foreshadowed the issues and debates regarding Africa in the twentieth century. Expertly synthesized in an introduction by Emmanuel Akyeampong, this edition of the two Africa booklets is essential for anyone interested in African history.

W. E. B. Du Bois was a public intellectual, sociologist, and activist on behalf of the African American community. He profoundly shaped black political culture in the United States through his founding role in the NAACP, as well as internationally through the Pan-African movement. Du Bois's sociological and historical research on African-American communities and culture broke ground in many areas, including the history of the post-Civil War Reconstruction period. Du Bois was also a prolific author of novels, autobiographical accounts, innumerable editorials and journalistic pieces, and several works of history.
Published posthumously in 1968, The Autobiography of W. E. B. Du Bois is his last and most complete autobiography. Covering his life over almost a century of living in America, it's the closest thing we have to a true autobiography of this important scholar and activist. The book, broken up into three parts, delves into the 90-year-old Du Bois's thoughts on everything from his relationship with sex to his storied association with the NAACP to his political persecution during the Cold War years to his many travels abroad. As Du Bois writes, he takes the reader on a journey to "view my life as frankly and fully as I can." With a series introduction by editor Henry Louis Gates, Jr., and an introduction by Werner Sollors, this edition is essential for anyone interested in African American history.

..".this specialist-oriented volume is a rich contribution to the literature on this region. Notably it seems directed as much toward the ongoing historiographical conversation in Bali itself as it is toward external scholars." JASO Online

..".constitutes an outstanding contribution in the study of history outside the traditional perspective of recourse to narrative sources (whether these be oral or written)." African Affairs

"This amazing book...represents a model for scholars seeking to blend the tools of history writing and political/ cultural anthropology; its value is applicable not only in Cameroon, but elsewhere." International Journal for African Historical Studies

"With the suspense of a detective novel, this slim, richly detailed volume] proceeds in a series of comparisons...This charming book is an exacting exercise in comparison and historical reconstruction." Bulletin of the School of Oriental and African Studies

..".an important contribution - not only to the local history of the Grasslands of Cameroon. It offers a better understanding of processes of transformation of rituals and asks important methodological questions, which should be of interest to anybody dealing with the history of early photography in Africa and visual anthropology. As to be expected from the "Cameroon Studies" series the volume is rounded up by a comprehensive bibliography and a very useful index." Anthropos

"As in his previous works, Fardon does not make it easy for his readers to labour through his dense writing. However, it is absolutely worthwhile. This unconventional book contains a wealth of insights with far-reaching methodological consequences. It demonstrates how to recover history without even for a moment losing sight of the constructivity of the knowledge produced." Journal of African History

Lela in Bali tells the story of an annual festival of eighteenth-century kingdoms in Northern Cameroon that was swept up in the migrations of marauding slave-raiders during the nineteenth century and carried south towards the coast. Lela was transformed first into a mounted durbar, like those of the Muslim states, before evolving in tandem with the German colonial project into a festival of arms. Reinterpreted by missionaries and post-colonial Cameroonians, Lela has become one of the most important of Cameroonian festivals and a crucial marker of identity within the state. Richard Fardon's recuperation of two hundred years of history is an essential contribution not only to Cameroonian studies but also to the broader understanding of the evolution of African cultures.

Richard Fardon, Professor of West African Anthropology in the University of London, is the author of four monographs on West Africa, as well as numerous works of anthropological theory. Since 1988 he has taught at the School of Oriental and African Studies, where he chaired the University of London's Centre of African Studies for eight years. In addition to its obvious archival sources, this book draws upon ethnographic research he began in Nigeria (from 1976) and in Cameroon (from 1984). Richard Fardon has been editor of the journal AFRICA since 2001.

Political Rationale and International Consequences of the War in Libya focuses on the international intervention in Libya in 2011, and tries to answer two broad questions; (1) What was the political rationale for the various actors to proceed as they did in the lead-up and conduct of the military intervention in Libya?, (2) What are the consequences of the UN-authorized military intervention in Libya? R2P was the public raison d'etre of the war, and an important legitimizing factor of the intervention. Still, the humanitarian situation was a necessary, but not in and by itself an adequate precondition for intervention. A number of factors coalesced to enable the intervention. While the humanitarian situation triggered the intervention, in reality a variety of national interests governed the approach by the various international actors, and more often than not, these motives were not rooted in the particular circumstances in Libya. The book offers a combination of unique perspectives. While the perspectives of the US, France, and the UK on the Libyan Crisis/War have been well documented, the Arabic and Scandinavian political and military dynamics have been much less so. While the perspectives of NATO, the UN, and R2P have been debated, the view from the Arab League and African Union (AU) have been less in focus. The volume redresses that imbalance and offers the most broad-ranging analysis yet of a key moment in recent international relations.

The world of Sub-Saharan African music is immensely rich and diverse, containing a plethora of repertoires and traditions. In The African Imagination in Music, renowned music scholar Kofi Agawu offers an introduction to the major dimensions of this music and the values upon which it rests. Agawu leads his readers through an exploration of the traditions, structural elements, instruments, and performative techniques that characterize the music. In sections that focus upon rhythm, melody, form, and harmony, the essential parts of African music come into relief. While traditional music, the backbone of Africa's musical thinking, receives the most attention, Agawu also supplies insights into popular and art music in order to demonstrate the breadth of the African musical imagination. Close readings of a variety of songs, including an Ewe dirge, an Aka children's song, and Fela's 'Suffering and Smiling' supplement the broader discussion. The African Imagination in Music foregrounds a hitherto under-reported legacy of recordings and insists on the necessity of experiencing music as sound in order to appreciate and understand it fully. Accordingly, a Companion Website features important examples of the music discussed in detail in the book. Accessibly and engagingly written for a general audience, The African Imagination in Music is poised to renew interest in Black African music and to engender discussion of its creative underpinnings by Africanists, ethnomusicologists, music theorists and musicologists.

First published in 1977. Routledge is an imprint of Taylor & Francis, an informa company.

Ralph J. Bunche (1904-1971), winner of the Nobel Peace Prize in 1950, was a key U.S. diplomat in the planning and creation of the United Nations in 1945. In 1947 he was invited to join the permanent UN Secretariat as director of the new Trusteeship Department. In this position, Bunche played a key role in setting up the trusteeship system that provided important impetus for postwar decolonization ending European control of Africa as well as an international framework for the oversight of the decolonization process after the Second World War. Trustee for the Human Community is the first volume to examine the totality of Bunche's unrivalled role in the struggle for African independence both as a key intellectual and an international diplomat and to illuminate it from the broader African American perspective. These commissioned essays examine the full range of Ralph Bunche's involvement in Africa. The scholars explore sensitive political issues, such as Bunche's role in the Congo and his views on the struggle in South Africa. Trustee for the Human Community stands as a monument to the profoundly important role of one of the greatest Americans in one of the greatest political movements in the history of the twentieth century. Contributors: David Anthony, Ralph A. Austen, Abena P. A. Busia, Neta C. Crawford, Robert R. Edgar, Charles P. Henry, Robert A. Hill, Edmond J. Keller, Martin Kilson, Georges Nzongola-Ntalaja, Jon Olver, Pearl T. Robinson, Elliott P. Skinner, Crawford Young

Contact and interaction between Greek and Egyptian culture can be traced in different forms over more than a millennium: from the sixth century BC, when Greeks visited Egypt for the sake of tourism or trade, through to the Hellenistic period, when Egypt was ruled by the Macedonian-Greek Ptolemaic dynasty who encouraged a mixed Greek and Egyptian culture, and even more intensely in the Roman Empire, when Egypt came to be increasingly seen as a place of wonder and a source of magic and mystery. This volume addresses the historical interaction between the ancient Greek and Egyptian civilizations in these periods, focusing in particular on literature and textual culture. Comprising fourteen chapters written by experts in the field, each contribution examines such cultural interaction in some form, whether influence between the two cultures, or the emergence of bicultural and mixed phenomena within Egypt. A number of the chapters draw on newly discovered Egyptian texts, such as the Book of Thoth and the Book of the Temple, and among the wide range of topics covered are religion (such as prophecy, hymns, and magic), philosophy, historiography, romance, and translation.

This book offers a genealogical critique of how food scarcity was governed in colonial Kenya. With an approach informed by the 'analysis of government', the study accounts for the emergence and persistence of dominant approaches to promoting food security in Kenya and elsewhere in Africa - policies and practices that prioritize increased agricultural production as the principal means of achieving food security. Drawing on a range of archival sources, the book investigates how those tasked with governing colonial Kenya confronted food as a particular kind of problem. It emphasizes the ways in which that problem shifted in conjunction with the emergence and consolidation of the colonial state and economic relations in the territory. The book applies a novel conceptual approach to the historical study of African food systems and famine, and provides the first longitudinal and in-depth analysis of the dynamics of food scarcity and its government in Kenya.

Born To Kwaito considers the meaning of kwaito music now. ‘Now’ not only as in ‘after 1994’ or the Truth Commission but as a place in the psyche of black people in post-apartheid South Africa.

This collection of essays tackles the changing meaning of the genre after its decline and its ever-contested relevance. Through rigorous historical analysis as well as threads of narrative journalism Born To Kwaito interrogates issues of artistic autonomy, the politics of language in the music, and whether the music is part of a strand within the larger feminist movement in South Africa. Candid and insightful interviews from the genre’s foremost innovators and torchbearers, such as Mandla Spikiri, Arthur Mafokate, Robbie Malinga and Lance Stehr, provide unique historical context to kwaito music’s greatest highs, most captivating hits and most devastating lows. Born To Kwaito offers up a history of the genre from below by having conversations not only with musicians but with fans, engineers, photographers and filmmakers who bore witness to a revolution.

Living in a place between criticism and biography, Born To Kwaito merges academic theories and rigorous journalism to offer a new understanding into how the genre influenced other art forms such as fashion, TV and film. The book also reflects on how some of the music’s best hits have found new life through the mouths of local hip-hop’s current kingmakers and opened kwaito up to a new generation.

The book does not pretend to be an exhaustive history of the genre but rather a present-active analysis of that history as it settles and finds its meaning.

The major focus of the book is an examination of the efforts being made by democratizing states in Africa to reconstitute the postcolonial state, so that it can become relevant to the needs and aspirations of the majority of the peoples of Africa. Using seven democratizing states in Africa as case studies, the book specifically examines three major interrelated issues: the multifaceted crises of state building in Africa; the efforts to democratically reconstitute the postcolonial state in Africa; and the proffering of suggestions to help address the challenges posed by the state reconstitution project.

A Prospect Best Book of 2021 'A fascinating and timely book.' William Boyd 'Gripping...a must read.' FT 'Compelling...humane, reasonable, and ultimately optimistic.' Evening Standard '[A] valuable guide to a complex narrative.' The Times In 1897, Britain sent a punitive expedition to the Kingdom of Benin, in what is today Nigeria, in retaliation for the killing of seven British officials and traders. British soldiers and sailors captured Benin, exiled its king and annexed the territory. They also made off with some of Africa's greatest works of art. The 'Benin Bronzes' are now amongst the most admired and valuable artworks in the world. But seeing them in the British Museum today is, in the words of one Benin City artist, like 'visiting relatives behind bars'. In a time of huge controversy about the legacy of empire, racial justice and the future of museums, what does the future hold for the Bronzes?

First published in 1972. This volume includes a personal recounting of events during the Nigerian Civil War, by the author who was the Chief Secretary of the Government in Biafra 1967. The second edition includes a preface that answers questions about the author's warnings and lessons for the future Africa and his reflections on the disappearance of Nigeria from news and media since the war.

This work explores the lives of people of sub-Saharan Africa and their descendants, how they were shaped by empire, and how they in turn influenced the empire in everything from material goods to cultural style. The black experience varied greatly across space and over time. Accordingly, thirteen substantive essays and a scene-setting introduction range from West Africa in the sixteenth century, through the history of the slave trade and slavery down to the 1830s, to nineteenth- and twentieth-century participation of blacks in the empire as workers, soldiers, members of colonial elites, intellectuals, athletes, and musicians. No people were more uprooted and dislocated; or traveled more within the empire; or created more of a trans-imperial culture. In the crucible of the British empire, blacks invented cultural mixes that were precursors to our modern selves - hybrid, fluid, ambiguous, and constantly in motion. SERIES DESCRIPTION The purpose of the five volumes of the Oxford History of the British Empire was to provide a comprehensive study of the Empire from its beginning to end, the meaning of British imperialism for the ruled as well as the rulers, and the significance of the British Empire as a theme in world history. The volumes in the Companion Series carry forward this purpose by exploring themes that were not possible to cover adequately in the main series, and to provide fresh interpretations of significant topics.

Traces the dynamics of state-building in Juba, Southern Sudan 2005-2011, revealing how underlying ties of ethnicity and land dominated the actions of the various parties in post-conflict reconstruction and how these may continue to influence power and resource-sharing in the newly independent state of South Sudan. Naseem Badiey examines the local dynamics of the emerging capital city of Juba, Southern Sudan, during the historically pivotal transition period following the 2005 Comprehensive Peace Agreement (CPA). Focusing on the intersections of land tenure reform and urban development, she challenges the dominant paradigm of 'post-conflict reconstruction' and re-conceptualizes state-building as a social process underpinned by negotiation. Badiey explores local resistance to reconstruction programmes, debates over the interpretation of peace settlements, and competing claims to land and resources not as problems to be solved through interventions but as negotiations of authority which are fundamental to shaping the character of the 'state'. While donors and aid agency officials anticipated clashes between the Government of Sudan and the Sudan People's Liberation Movement (SPLM) following the CPA, they did not foresee internal divisions that impeded reconstruction in Southern Sudan, raising serious questions about the viability of an independent state. In Juba local elites interpreted the CPA in line with their economic and political interests, using claims to land, authority and political power to challenge the SPLM's agenda for urban reconstruction. In revealing how local actors strategically interpreted the framework of land rights in Southern Sudan, the book offers a basis for understanding the challenges that confront the nascent South Sudan's state-builders and their international partners in the future. NASEEM BADIEY is Assistant Professor of International Development andHumanitarian Action at California State University Monterey Bay.