The earliest development of Arabic historical writing remains shrouded in uncertainty until the 9th century CE, when our first extant texts were composed. This book demonstrates a new method, termed riwaya-cum-matn, which allows us to identify citation-markers that securely indicate the quotation of earlier Arabic historical works, proto-books first circulated in the eighth century. As a case study it reconstructs, with an edition and translation, around half of an annalistic history written by al-Layth b. Sa'd in the 740s. In doing so it shows that annalistic history-writing, comparable to contemporary Syriac or Greek models, was a part of the first development of Arabic historiography in the Marwanid period, providing a chronological framework for more ambitious later Abbasid history-writing. Reconstructing the original production-contexts and larger narrative frames of now-atomised quotations not only lets us judge their likely accuracy, but to consider the political and social relations underpinning the first production of authoritative historical knowledge in Islam. It also enables us to assess how Abbasid compilers combined and augmented the base texts from which they constructed their histories.

A reinterpretation of the history of Sokoto that provides a new assessment of its leaders and their visions for the Muslim state. Sokoto was the largest and longest lasting of West Africa's nineteenth-century Muslim empires. Its intellectual and political elite left behind a vast written record, including over 300 Arabic texts authored by the jihad's leaders: Usman dan Fodio, his brother Abdullahi and his son, Muhammad Bello (known collectively as the Fodiawa). Sokoto's early years are one of the most documented periods of pre-colonial African history, yet current narratives pay little attention to the formative role these texts played in the creation of Sokoto, and the complex scholarly world from which they originated. Far from being unified around a single concept of Muslim statecraft, this book demonstrates how divided the Fodiawa were about what Sokoto could and should be, and the various discursive strategies they used to enrol local societies into their vision. Based on a close analysis of the sources (some appearing in English translation for the first time) and an effort to date their intellectual production, the book restores agency to Sokoto's leaders as individuals with different goals, characters and methods. More generally, it shows how revolutionary religious movements gain legitimacy, and how the kind of legitimacy they claim changes as they move from rebels to rulers.

This book completes a trilogy by the anthropologist Wendy James. It is a case study of how the Uduk-speaking people, originally from the Blue Nile region between the 'north' and the 'south' of Sudan, have been caught up in and displaced by a generation of civil war. Some have responded by defending their nation, others by joining the armed resistance of the Sudan People's Liberation Army, and yet others eventually finding security as international refugees in Ethiopia, and even further afield in countries such as the USA. Sudan's peace agreement of 2005 leaves much uncertainty for the future of the whole country, as conflict still rages in Darfur. The Uduk case shows how people who once lived together now try to maintain links across borders and even continents through modern communications, and where possible recreate their 'traditional' forms of story-telling, music, and song.

Kwame Nkrumah's Political Kingdom and Pan-Africanism ReInterpreted, 1909-1972 provides an in-depth study of the life of the late Pan-African leader from the former Gold Coast, Kwame Nkrumah. Authors A.B. Assensoh and Yvette M. Alex-Assensoh analyze Nkrumah's life from his birth on the Gold Coast through his studies in the United Kingdom and the United States, his activism and political life, and his exile and death. Throughout, Assensoh and Alex-Assensoh present a twenty-first-century reinterpretation of Nkrumah's Pan-Africanist views in the context of Black unity as well as Black liberation within the African continent and the United States and Caribbean diaspora.

The Umayyad World encompasses the archaeology, history, art, and architecture of the Umayyad era (644-750 CE). This era was formative both for world history and for the history of Islam. Subjects covered in detail in this collection include regions conquered in Umayyad times, ethnic and religious identity among the conquerors, political thought and culture, administration and the law, art and architecture, the history of religion, pilgrimage and the Qur'an, and violence and rebellion. Close attention is paid to new methods of analysis and interpretation, including source critical studies of the historiography and inter-disciplinary approaches combining literary sources and material evidence. Scholars of Islamic history, archaeologists, and researchers interested in the Umayyad Caliphate, its context, and infl uence on the wider world, will find much to enjoy in this volume.

This book investigates the experiences of second- and third-generation Italians living in South Africa, exploring how nostalgia for Italy influences their sense of identity and belonging.

The Italian community in South Africa is a unique diaspora, with a complex history, including roots in Italian colonial activities in Africa, and in World War II. This book looks at how the descendants of these early migrants take pride in being Italian and value the Italian language. They also ascribe much importance to their family roots, and have often created a romanticized image of Italy, mostly based on childhood vacation visits. The longing for an imaginary idealized version of Italy is closely linked to their wider search for a sense of identity and belonging against the backdrop of South African society, currently still grappling with its own multicultural identity.

Interdisciplinary by design, this book draws on insights from both cultural studies and psychology in order to shine a light on an important and under-studied diasporic community. The book will be of interest to scholars from across migration studies and the Humanities in general.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Table of Contents

Chapter 1: Situating our work

Chapter 2: Meeting in the diaspora, researching the diaspora

Chapter 3: Theoretical context

Chapter 4: Historical context of the Italian community

Chapter 5: "Our family does everything together": The importance of the family of origin

Chapter 6: "I find it unique and I am proud to be Italian": The relationship with Italy and the larger Italian community in South Africa

Chapter 7: "The point of going to Italy is the sense of belonging": The meaning of visits to Italy

Chapter 8: "There is a lot of pain that I have inherited": Identity through nostalgia

Chapter 9: "I don’t feel Italian there and I don’t feel South African here": Finding belonging in an interliminal space

Chapter 10: Conclusion

Appendix: The participants

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The widespread presence of jazz and blues in African American visual art has long been overlooked. The Hearing Eye makes the case for recognizing the music's importance, both as formal template and as explicit subject matter. Moving on from the use of iconic musical figures and motifs in Harlem Renaissance art, this groundbreaking collection explores the more allusive - and elusive - references to jazz and blues in a wide range of mostly contemporary visual artists.
There are scholarly essays on the painters Rose Piper (Graham Lock), Norman Lewis (Sara Wood), Bob Thompson (Richard H. King), Romare Bearden (Robert G. O'Meally, Johannes Volz) and Jean-Michel Basquiat (Robert Farris Thompson), as well an account of early blues advertising art (Paul Oliver) and a discussion of the photographs of Roy DeCarava (Richard Ings). These essays are interspersed with a series of in-depth interviews by Graham Lock, who talks to quilter Michael Cummings and painters Sam Middleton, Wadsworth Jarrell, Joe Overstreet and Ellen Banks about their musical inspirations, and also looks at art's reciprocal effect on music in conversation with saxophonists Marty Ehrlich and Jane Ira Bloom.
With numerous illustrations both in the book and on its companion website, The Hearing Eye reaffirms the significance of a fascinating and dynamic aspect of African American visual art that has been too long neglected.

This volume addresses the ways the 'native labour' question in the Portuguese late colonial empire in Africa became a recurrent topic of international and transnational debate and regulation after the Second World War. As other European colonial empires were tentatively transforming their labour and social policies in the aftermath of the war, the Portuguese Empire in Africa resisted significant changes in this domain, preserving a strict dual labour regime. As a result, a growing number of individuals, networks and institutions abroad engaged with labour and social realities in Portuguese African colonies, giving origin to a series of instances of denunciation of labour-related abuses. Portuguese authorities responded to these initiatives by selectively engaging with international norms, languages and mechanisms. However, as global decolonisation gained momentum, international and transnational events and processes would significantly constrain Portuguese imperial and colonial decision-making procedures, with the aim of retaining the empire. Therefore, the 'native labour' question became in its own right a crucial political and diplomatic element of the broader struggles over the meaning of Portuguese imperial legitimacy. As this volume argues, these historical processes are critical to properly understanding the history of Portuguese late colonialism and its protracted trajectory of decolonisation.

In the global context of the Cold War, the relationship between liberation movements and Eastern European states obviously changed and transformed. Similarly, forms of (material) aid and (ideological) encouragement underwent changes over time. The articles assembled in this volume argue that the traditional Cold War geography of bi-polar competition with the United States is not sufficient to fully grasp these transformations. The question of which side of the ideological divide was more successful (or lucky) in impacting actors and societies in the global south is still relevant, yet the Cold War perspective falls short in unfolding the complex geographies of connections and the multipolarity of actions and transactions that exists until today. Acknowledging the complexities of liberation movements in globalization processes, the papers thus argue that activities need to be understood in their local context, including personal agendas and internal conflicts, rather than relying primarily on the traditional frame of Cold War competition. They point to the agency of individual activists in both "Africa" and "Eastern Europe" and the lessons, practices and languages that were derived from their often contradictory encounters. In Southern African Liberation Movements, authors from South Africa, Portugal, Austria and Germany ask: What role did actors in both Southern Africa and Eastern Europe play? What can we learn by looking at biographies in a time of increasing racial and international conflict? And which "creative solutions" need to be found, to combine efforts of actors from various ideological camps? Building on archival sources from various regions in different languages, case studies presented in the edition try to encounter the lack of a coherent state of the art. They aim at combining the sometimes scarce sources with qualitative interviews to give answers to the many open questions regarding Southern African liberation movements and their connections to the "East".

Chinua Achebe and the Igbo-African World: Between Fiction, Fact, and Historical Representation explores Chinua Achebe's literary works and how they communicated the Igbo-African world to readers. Engaging in the politics of representation, Achebe sought to demystify deterministic views of race and cultural ethnocentrism. While his books and commentaries have been very influential in shaping a unique and multifaceted view of the African world, some scholars have challenged Achebe's representations of historical reality. Through in-depth analyses of his writing, contributors examine the interpretations Achebe imposed on African culture and history in his texts. The chapters cover Achebe's engagement with critical issues like historical representation, gender relations, and indigenous political institutions in a changing society. Throughout, contributors present new ways for understanding Achebe's literary works and show how his work draws from African historical reality and identity while challenging Western epistemological hegemony.

Born To Kwaito considers the meaning of kwaito music now. ‘Now’ not only as in ‘after 1994’ or the Truth Commission but as a place in the psyche of black people in post-apartheid South Africa.

This collection of essays tackles the changing meaning of the genre after its decline and its ever-contested relevance. Through rigorous historical analysis as well as threads of narrative journalism Born To Kwaito interrogates issues of artistic autonomy, the politics of language in the music, and whether the music is part of a strand within the larger feminist movement in South Africa. Candid and insightful interviews from the genre’s foremost innovators and torchbearers, such as Mandla Spikiri, Arthur Mafokate, Robbie Malinga and Lance Stehr, provide unique historical context to kwaito music’s greatest highs, most captivating hits and most devastating lows. Born To Kwaito offers up a history of the genre from below by having conversations not only with musicians but with fans, engineers, photographers and filmmakers who bore witness to a revolution.

Living in a place between criticism and biography, Born To Kwaito merges academic theories and rigorous journalism to offer a new understanding into how the genre influenced other art forms such as fashion, TV and film. The book also reflects on how some of the music’s best hits have found new life through the mouths of local hip-hop’s current kingmakers and opened kwaito up to a new generation.

The book does not pretend to be an exhaustive history of the genre but rather a present-active analysis of that history as it settles and finds its meaning.

In the midst of apartheid in South Africa, journalist Maurice Hommel documented the cruel injustices and tensions running rampant within the country. What he saw forever impacted his life.

"Conversations and Soliloquies" presents a collection of Hommel's essays and articles from the last fifty-five years, documenting and analyzing South African history during and after apartheid. Over time, the essays illuminate, in sometimes graphic detail, the anti-apartheid struggle that defined South Africa for decades.

Beginning with the Sharpeville Massacre of 1960, Hommel delves into the bloody history of apartheid and traces how it pervaded every segment of society. His interviews with prominent South Africans, including Desmond Tutu and Neville Alexander, offer intimate glimpses into the thoughts of those working for change. In addition, stark photographs capture the emotions of the time.

In its breadth of historical perspectives, this collection is a significant contribution to an understanding of South Africa's evolution to a nonracial, nonsexist, democratic country. Although lingering prejudices and smoldering resentments remain, Hommel carries an unshakable optimism of South Africa's enormous potential. "Conversations and Soliloquies" captures that hope.

Over the past few decades South African historiography has begun to recover from its previous Eurocentric bias to reflect the realities of a multiracial society. Most of the various non-white groups which form part of the population of the country have begun to receive closer attention, but two have still been largely neglected - the Korana, who no longer exist as an identifiable group, and the related Griquas, who still form a largely recognisable people with a sense of their own identity. In an attempt to help recover something of the Griqua past, the author has compiled a collection of official and semi-official documents emanating from the Philippolis Captaincy, which has been published by the Van Riebeeck Society under the title Griqua Records - the Philippolis Captaincy, 1826–1861. In order to put to use the large amount related material he has collected which could not be used in this work, as well as the knowledge of the subject he has acquired in the course of his research, he has now written what may be described as an accompanying socio-cultural and historical survey of the Captaincy, consisting mainly of precis of and quotations from contemporary non-Griqua sources. The author here describes fully for the first time the rise, development and collapse of the Philippolis Captaincy, and gives a detailed account of its organisation and administration and the lives of its inhabitants.

He needed to hear Africa speak for itself after a lifetime of hearing Africa spoken about by others Electrifying essays on the history, complexity, diversity of a continent, from the father of modern African literature. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

“How did we move from the inspiring moments of Nelson Mandela’s release after 27 years of incarceration, and the euphoria of our first democratic elections in 1994, to State Capture and the disaster of Jacob Zuma’s reign – a controversial President with over 800 charges of corruption pending? More importantly, what can we as a nation do about it? These are big issues – but Neil Wright does not pull any punches in bringing them out in the open and is not shy to give his opinions and possible solutions. His core message is that for true transformation to happen, it has to happen from the inside out, not imposed from the top down. By embracing the concept of “One Race, the Human Race, Now!” South Africans have the chance to emerge from present challenges and finally shake off the shadow of our divided past.”

From 1927-1948, the Universal Ethiopian Students' Association (UESA) mobilized the African diaspora to fight against imperialism and fascist Italy. Formed by a group of educated Africans, African-Americans, and West Indians based in Harlem and shaped by the ideals of Ethiopianism, communism, Pan-Africanism, Black Nationalism, Garveyism, and the New Negro Movement, the UESA sought to educate the diaspora about its glorious African past and advocate for anti-imperialism and independence. This book focuses on the UESA's literary organ, The African, mapping a constellation of understudied activists and their contributions to the fight for Black liberation in the twentieth century.

Applies new approaches to the study of a small, densely populated region of West Africa, integrating them into a regional history that analyzes interactions between localities and the modern state. Constructions of Belonging provides a history of local communities living in Southeastern Nigeria since the late nineteenth century, examining the processes that have defined, changed, and re-produced these communities. Harneit-Sievers explores both the meanings and the uses that the community members have given to their particular areas, while also looking at the processes that have shaped local communities, and have made them work and continue tobe relevant, in a world dominated by the modern territorial state and by worldwide flows of people, goods, and ideas. Axel Harneit-Sievers is a Research Fellow at the Center for Modern Oriental Studies, and Director ofthe Nigeria Office of the Heinrich Boell Foundation in Lagos.

Swaziland-recently renamed Eswatini-is the only nation-state in Africa with a functioning indigenous political system. Elsewhere on the continent, most departing colonial administrators were succeeded by Western-educated elites. In Swaziland, traditional Swazi leaders managed to establish an absolute monarchy instead, qualified by the author as benevolent and people-centred, a system which they have successfully defended from competing political forces since the 1970s. This book is the first to study the constitutional history of this monarchy. It examines its origins in the colonial era, the financial support it received from white settlers and apartheid South Africa, and the challenges it faced from political parties and the judiciary, before King Sobhuza II finally consolidated power in 1978 with an auto-coup d'etat. As Hlengiwe Dlamini shows, the history of constitution-making in Swaziland is rich, complex, and full of overlooked insight for historians of Africa.

This book provides a social interpretation of written South African translation history from the seventeenth century to the present, considering how trends involving various languages have reflected ideologies and unequal power relations and focusing attention on translation's often hidden social operation. Translation is investigated in relation to colonial mercantilism, scientific knowledge of extraction, Christian missionary conversion, Islamic education, various nationalisms, apartheid oppression and the anti-apartheid struggle, neoliberalism, exclusion and post-apartheid social transformation by employing Niklas Luhmann's social systems theory. This book will be an essential resource for scholars, graduate students, and general readers who are interested in or work on the history and practice of translation and its cultural agents in the South African context.

In The Last Great Safari: East Africa in World War I, military historian Corey W. Reigel explores a fascinating and misunderstood theater of operations in the history of the First World War. Unprepared for the Great War, colonial units combined modern industrial weapons and equipment with traditional African methods to produce a hybrid force. Throughout The Last Great Safari, Reigel challenges myth after myth. Were really one million Allied soldiers pulled up from Europe to toil in the tropical sun only to fall victim to local diseases? Did the Germans truly become masters of guerrilla warfare and humiliate the British Empire in what appeared a David versus Goliath conflict? Reigel brings together traditional military studies and African history to explore the myths, fables, and stereotypes that have long characterized examinations of this topic, from questions as to how German East Africa contributed to the fate of the war to claims respecting significant diversion of resources. Racism played a significant role in then prevalent definitions of what constituted military success and in how Africans and Indians were recruited, holding more sway in the minds of white armies as a success factor than differences in weapons. Reigel points out how modern methods of medicine and transportation ultimately failed, only to be replaced by a hybrid of industrial Europe and traditional African solutions for dealing with an especially difficult climate. In the end, when necessity came to outweigh then current ideas of professionalism did German forces outfight their opponents. The Last Great Safari: East Africa in World War I will interest students of military history, African studies, and World War I, as this tale of colonial warfare within a war of attrition shaped part of Africa's colonial future.

Think that Ancient Egypt is just a load of old obelisks? Don't bet your afterlife on it. Ancient Egypt should be deader than most of our yesterdays. After all it was at its height 5,000 years ago. Yet we still marvel at its mummies and ponder over its pyramids. It's easy to forget these people once lived and laughed, loved and breathed ...though not for very long. These were dangerous days for princes and peasants alike. In Ancient Egypt - a world of wars and woes, poverty and plagues - life was short. Forty was a good age to reach. A pharaoh who was eaten by a hippo ended up as dead as a ditch-digger stung by a scorpion. Unwrap the bandages and you'll find that the Egyptians' bizarre adventures in life were every bit as fascinating as the monuments they left to their deaths.