It was a dark and stormy night in 1991 when a magician took over the bridge of the Oceanos, an ageing passenger liner travelling up the Wild Coast.

The captain was nowhere to be found. The ship started taking in water in the auxiliary engine room just a few hours after it had set sail from East London. Panicking, the crew scrambled into the lifeboats, leaving passengers largely to fend for themselves. The ship’s entertainment staff bravely started to calm passengers and coordinated the abandon-ship operation and rescue effort.

The story of this dramatic rescue, which made headlines across the world, is told from the perspective of all the key role players and describes their extraordinary heroism.

Sankara's legacy, unclear as it may be, still lives and he remains immensely popular. If you travel through Africa his image is unmistakable. His picture, with beret and broad grin, is pasted on run-down taxis and is found on the walls of local bars. Internationally Sankara is often referred to as the `African Che Guevara' and like his South American counterpart; it is his perseverance, dedication and incorruptibility that appeal to the imagination. Voices of liberation: Thomas Sankara starts with a comprehensive timeline covering Thomas Sankara's life and major events in the history of the continent and region. His Life section provides the most critical and fraternal assessment of the 1980s radical experiment within the broader history of the country, the region and continent. His Voice section succinctly provides a selection of Sankara's speeches, broadcasts and interviews and gives us insight to his outlook on the world. His Legacy section combines an almost poetic tribute to the flawed through heroic period of Sankara's `revolution' with an incredibly relentless and honest analysis. This is done through the story of last year's uprising against Compaore - with haunting lessons for South Africa. The Postscript is an indispensable update to the extraordinary events in Burkina Faso during 2015, chiefly the resistance to the coup in September. The authors look at Sankara's influence on the popular movements and its wider significance for Africa.

In dié vertaling van Alfred Schaffer se bekroonde Nederlandse bundel, Mens dier ding, ondersoek die digter die mite van Sjaka Zulu deur dagboekinskrywings, monoloë, briewe en dagdrome. Die mites rondom Shaka se geskiedenis word op die kop gedraai en ondermyn. ’n Poëtiese kragtoer, vertaal deur Zandra Bezuidenhout.

In 1914 het ’n groep Afrikaners in verset teen die Unieregering gekom, aangevuur deur “Siener” van Rensburg se visioene wat vertel het van die ondergang van die Britse ryk.

Toe Louis Botha net ná die aanvang van die Eerste Wêreldoorlog aankondig dat die Unie Duits-Suidwes-Afrika sou inval, was die vet in die vuur en het honderde opstandige manne die wapen opgeneem. Volgens die joernalis L.E. Neame was dit “one of the most curious and dramatic incidents in the Great War”.

Naas die Groot Trek en die Anglo-Boereoorlog het die rebellie ’n prominente plek in Afrikanergeskiedsbeskouinge ingeneem. Dit is derhalwe nie verbasend nie dat daar reeds heelwat navorsing oor die opstand gedoen is, maar met Radelose Rebellie? ondersoek prof. Albert Grundlingh en dr. Sandra Swart aspekte daarvan wat tot dusver grotendeels verwaarloos is.

Was dit inderdaad so ’n vae, ongestadige verskynsel soos talle kommentators beweer? Was dit ’n redelose, radelose rebellie? Of het meer daaragter gesteek?

Schoeman het nie net elke teks in Afrikaans vertaal nie, maar voorsien dit ook van onontbeerlike voetnotas en insiggewende redakteursnotas waarin konteks, geskiedenis en betekenisverklarings gegee word. Schoeman het hom veral toegespits op tekste van plaaslike inwoners en boorlinge, eerder as die van besoekers of reisigers, en wys in sy voorwoord daarop dat hierdie bloemlesing dus die vroegste geskrewe letterkunde van Suid-Afrika bevat. Die tekste (telkens deur Schoeman in Afrikaans vertaal) gee 'n beeld van die Nederlandse koloniale tydperk in Suid-Afrika.