Whispers from the depths is more than just the story of the building of the Kariba Dam in the mid-1950s. Built in just five years against overwhelming odds, the dam is a monument to engineering excellence. Shrouded in political undertones, the construction of the dam was vital for the hydro-electric power it would provide for Zambia’s burgeoning copper industry. Little thought, however, appears to have been given to the future of the human and animal populations who lived in the valley that would be inundated when the dam was completed. The question has to be asked: Was this awe-inspiring man-made creation achieved at too high a cost in terms of the human suffering and environmental devastation it caused? Central to the story of Kariba was the fate of the Tonga people who had for centuries lived in the Gwembe valley, due to be flooded when the sluice gates were finally closed to halt the flow of the mighty Zambezi River. Approximately 57 000 people were forced to move from their ancestral homes, abandoning family graves and spiritual sites to the depths of Kariba's water. They became a dispersed people who have never been able to reunite as a cohesive society, never again been able to live peacefully on the banks of the river which gave them life. Animals, too, perished in their thousands despite the gallant efforts of wildlife personnel who mounted a hastily planned rescue mission known as Operation Noah. Whispers from the depths gives a voice to the all but forgotten BaTonga. It celebrates their unique culture but deplores the price they paid for progress – a price from which they themselves derived no benefit whatsoever.

A magisterial history of South Africa, from the earliest known human inhabitation of the region to the present.

Leonard Thompson, a leading scholar in southern African history and politics, provides a fresh and penetrating exploration of the country's history, from the earliest known human inhabitation of the region to the present, focusing primarily on experiences of its black inhabitants.

The Fourth Edition of this classic text brings South Africa's history up to date with a new chapter chronicling the first presidential term of Mbeki and ending with the funeral of Nelson Mandela.

Die derde deel van die reeks Imperiale somer word aan Johannesburg in die onmiddellike nasleep van die Anglo-Boereoorlog gewy, waarby alle dele van die destydse gemeenskap aandag geniet, met inbegrip van die swart stadsinwoners en die ontwikkeling van ’n eie stadskultuur onder hulle en die mynwerkers.

Anekdotes en klein kameebeskrywings maak van Babilon ’n interessante leeservaring.

Algeria: Nation, Culture and Transnationalism 1988-2015 offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary realities, the chapters in this volume serve to open up any discourse that would tie 'Algeria' to a fixed meaning or construct it in ways that neglect the weft and warp of everyday cultural production and political action. The configuration of these essays invites us to read contemporary cultural production in Algeria not as determined indices of a specific place and time (1988-2015) but as interrogations and explorations of that period and of the relationship between nation and culture. The intention of this volume is to offer historical moments, multiple contexts, hybrid forms, voices and experiences of the everyday that will prompt nuance in how we move between frames of enquiry. These chapters - written by specialists in Algerian history, politics, music, sport, youth cultures, literature, cultural associations and art - offer the granularity of microhistories, fieldwork interviews and studies of the marginal in order to break up a synthetic overview and offer keener insights into the ways in which the complexity of Algerian nation-building are culturally negotiated, public spaces are reclaimed, and Algeria reimagined through practices that draw upon the country's past and its transnational present.

The Innocence of Roast Chicken focuses on an Afrikaans/English family in the Eastern Cape and their idyllic life on their grandparents’ farm, seen through the eyes of the little girl, Kate, and the subtle web of relationships that is shattered by a horrifying incident in the mid-1960s.

Scenes from Kate’s early life are juxtaposed with Johannesburg in 1989 when Kate, now married to Joe, a human rights lawyer, stands aside from the general euphoria that is gripping the nation. Her despair, both with her marriage and with the national situation, resolutely returns to a brutal incident one Christmas day when Kate was thrust into an awareness of what lay beneath her blissful childhood.

Beautifully constructed, The Innocence of Roast Chicken is painful, evocative, beautifully drawn and utterly absorbing.