Knowledge And Global Power is a ground-breaking international study which examines how knowledge is produced, distributed and validated globally.

The former imperial nations – the rich countries of Europe and North America – still have a hegemonic position in the global knowledge economy. Fran Collyer, Raewyn Connell, João Maia and Robert Morrell, using interviews, databases and fieldwork, show how intellectual workers respond in three Southern tier countries, Brazil, South Africa and Australia. The study focuses on new, socially and politically important research fields: HIV/AIDS, climate change and gender studies.

The research demonstrates emphatically that ‘place matters’, shaping research, scholarship and knowledge itself. But it also shows that knowledge workers in the global South have room to move, setting agendas and forming local knowledge.

Perhaps the most explosive issue in South Africa today is the question of land ownership. The central theme in this country’s colonial history is the dispossession of indigenous African societies by white settlers, and current calls for land restitution are based on this loss. Yet popular knowledge of the actual process by which Africans were deprived of their land is remarkably sketchy.

This book recounts an important part of this history, describing how the Khoisan and Xhosa people were dispossessed and subjugated from the time that Europeans first arrived until the end of the Cape Frontier Wars (1779–1878).

The Land Wars traces the unfolding hostilities involving Dutch and British colonial authorities, trekboers and settlers, and the San, Khoikhoin, Xhosa, Mfengu and Thembu people – as well as conflicts within these groups. In the process it describes the loss of land by Africans to successive waves of white settlers as the colonial frontier inexorably advanced. The book does not shy away from controversial issues such as war atrocities on both sides, or the expedient decision of some of the indigenous peoples to fight alongside the colonisers rather than against them.

The Land Wars is an epic story, featuring well-known figures such as Ngqika, Lord Charles Somerset and his son, Henry, Andries Stockenström, Hintsa, Harry Smith, Sandile, Maqoma, Bartle Frere and Sarhili, and events such as the arrival of the 1820 Settlers and the Xhosa cattlekilling. It is essential reading for anyone who wants to understand South Africa’s past and present.

This 7-volume collection originally published between 1963 and 1979 contains a mix of titles on Asia and Africa. The individual titles cover topics including the Commonwealth, education, history, law, literature, politics, and society. Drawing on a great depth of knowledge and research, these titles were written by experts in their respective fields.

The prize was great -- not just land, but the riches it held, in the form of diamonds and gold. What became a country called South Africa was, until 1910, a vast and untamed land where great fortunes could be made (and lost); where great battles were fought (and lost); and where great men had their reputations forged, or dashed, or sometimes both. Martin Meredith's follow-up to his magisterial The State of Africais an equally epic new history of the making of South Africa. Covering the extraordinarily eventful four decades leading up to the establishment of the Union of South Africa in 1910, it covers some of the most iconic tales of imperial history. The Zulus at Rorke's Drift; the Jameson Raid; the diamond and gold rushes at Kimberley and Witwatersrand; the Boer wars; the titanic struggle between the arch-imperialist Cecil Rhodes and his Boer rival, Paul Kruger -- DIAMONDS, GOLD AND WARbrings all of these and more together in a stunningly coherent and compelling narrative. History, somehow, just isn't as colourful any more.

Over the past few decades South African historiography has begun to recover from its previous Eurocentric bias to reflect the realities of a multiracial society. Most of the various non-white groups which form part of the population of the country have begun to receive closer attention, but two have still been largely neglected - the Korana, who no longer exist as an identifiable group, and the related Griquas, who still form a largely recognisable people with a sense of their own identity. In an attempt to help recover something of the Griqua past, the author has compiled a collection of official and semi-official documents emanating from the Philippolis Captaincy, which has been published by the Van Riebeeck Society under the title Griqua Records - the Philippolis Captaincy, 1826–1861. In order to put to use the large amount related material he has collected which could not be used in this work, as well as the knowledge of the subject he has acquired in the course of his research, he has now written what may be described as an accompanying socio-cultural and historical survey of the Captaincy, consisting mainly of precis of and quotations from contemporary non-Griqua sources. The author here describes fully for the first time the rise, development and collapse of the Philippolis Captaincy, and gives a detailed account of its organisation and administration and the lives of its inhabitants.

The Sea of Zanj has been a place of myth and mystery since time immemorial, and its islands have captured countless imaginations. Mauritius, Réunion and Rodrigues, the Seychelles and Madagascar – Thomas Victor Bulpin recounts their stories and histories; stories of strange animals and exotic places, of pirates and runaway slaves, of forgotten kingdoms and deadly welcomes.

Much has changed in the islands since Islands in a forgotten sea first appeared in the 1950s, and the author has left an invaluable account of an enchanting and often brutal world far removed from the air-conditioned resorts and package tours so familiar to tourists today.

Angola has been embroiled in internal conflict since 1975. Yet despite countless casualties, two million displaced people and over 500,000 refugees, Western media have paid scant attention. This account provides an outline of key events and figures in recent Angolan history, offering first-hand reportage of how the revolution was deliberately derailed and the fabric of Angola systematically destroyed. Victoria Brittain describes the bombings and sabotage following Angola's invasion by South Africa in 1975 and examines the subsequent deployment of Cuban troops and the Soviet-supported MPLA's confrontations with a militia backed by the US, Morocco and Zaire. She looks at how Savimba's UNITA movement became a formidable army, and reveals his regime in Angola to be as brutal as the Khmer Rouge in Cambodia. The author argues that the terrorism of thousands of people and their human rights violations have been largely hidden from the world by US-driven propaganda portraying Savimbi as a democrat.

In Seven Khoi lives Karel Schoeman writes about seven Khoi men and women whose lives became inextricably linked to the VOC’s settlement at the Cape in the seventeenth century. Chiefs and servants, enemies and interpreters; none of them escaped unscathed as their people were marginalised and their stories reduced to mere footnotes in the annals of history. These biographies were first seen in Kinders van die Kompanjie: Kaapse lewens uit die sewentiende eeu and have now been reworked for the benefit of a non-South African readership. Schoeman paints a vivid picture of life at the southernmost point of Africa at a time when the Khoikhoi believed they could find a way of living with these foreigners and their unceasing appetite for cattle – or free themselves forever of this unasked-for presence.

The head of a business empire, Harry Oppenheimer played an influential role in twentieth century South Africa, a role that is celebrated by some and condemned by others.

This book investigates Oppenheimer’s political thinking, drawing from his speeches over the years. It looks at his views on liberalism, apartheid, socialism, sanctions, trade unions, education, geopolitics, the press and the legacy of Cecil John Rhodes.

'Extraordinary and thrilling ... This story should be known to every man, woman and child' - Lemn Sissay In 1868, British troops charged into the mountain empire of Ethiopia, stormed the citadel of its monarch Tewodros II and grabbed piles of his treasures and sacred manuscripts. They also took his son - six-year-old Prince Alamayu - and brought the boy back with them to the cold shores of England. For the first time, Andrew Heavens tells the whole story of Alamayu, from his early days in his father's fortress on the roof of Africa to his new home across the seas, where he charmed Queen Victoria, chatted with Lord Tennyson and travelled with his towering red-headed guardian Captain Speedy. The orphan prince was celebrated but stereotyped and never allowed to go home. The book also follows the loot - Ethiopia's 'Elgin Marbles' - and tracks it down to its current hiding places in bank vaults, museum store cupboards and a boarded-up cavity in Westminster Abbey. A story of adventure, trauma and tragedy, The Prince and the Plunder is also a tale for our times, as we re-examine Britain's past, pull down statues of imperial grandees and look for other figures to commemorate and celebrate in their place.

BM Mdletshe’s fascinating history begins with the growth of his ancestor, Ngomane in the eMdletsheni tribe, under the great Mthethwa dynasty and continued with the honour he had of taking care of Nandi and young Shaka of Senzangakhona in 1787. More than 200 years later, BM Mdletshe was born in KwaCeza (in 1955), and in 2001, he was officially appointed as King Goodwill Zwelithini’s praise singer.

From generation to generation, son to son, this oral history was passed on from Ngomane to Mfusi Mdletshe (his son), to Msushwana Mdletshe (his son), to Calenkomo Mavukefile Mdletshe (his son), to Kudlakudelwa Sombila Mdletshe (his son), and finally to Buzetsheni Mkhohlliseni (BM) Mdletshe (his son) who continues to serve the Zulu Kingdom to this day.

His strong interest in the history of the Zulu nation and culture is the one that passionately led him to become a cultural expert and discover his praise singing talent. Mdletshe has received numerous awards for his tremendous praise songs and rich Zulu cultural knowledge which position him as one of the finest cultural experts in KwaZulu-Natal.

In the period between the outbreak of World War II in 1939 and the enactment of university apartheid by the Nationalist Government in 1959, the University of the Witwatersrand, Johannesburg (Wits) developed as an ‘open university’, admitting students of all races. This, the second volume of the history of Wits by historian Bruce Murray, has as its central theme the process by which Wits became ‘open’, the compromises this process entailed, and the defence the University mounted to preserve its ‘open’ status in the face of the challenges posed by the Nationalist Government.

The University’s institutional autonomy is highlighted by Yunus Ballim in his preface to the centenary edition of WITS: The ‘Open’ Years. He writes: ‘The emerging posture of a university willing to rise in defence of academic freedom was important because this was to become infused into the institutional culture of Wits.’

The book looks at the University’s role in South Africa’s war effort, its contribution to the education of ex-volunteers after the war, its leading role in training job-seeking professionals required by a rapidly expanding economy, and the rise of research and postgraduate study. Students feature prominently through their political activities, the flourishing of a student intelligentsia, the heyday of the Remember and Give (Rag) parade, rugby intervarsity, and the stunning success of Wits sportsmen and women. Wits: The ‘Open’ Years paints a vivid picture of the range of personalities who enlivened the campus – among them some well-known figures in the new South Africa.

The book includes chapters by Alf Stadler, who was Professor of Political Studies at Wits and the author of The Political Economy of Modern South Africa, and Jonty Winch, former Sports Officer at Wits and the author of Wits Sport.

The "enlightening" (The Guardian) true story of the last ship to carry enslaved people to America, the remarkable town its survivors' founded after emancipation, and the complicated legacy their descendants carry with them to this day-by the journalist who discovered the ship's remains. Fifty years after the Atlantic slave trade was outlawed, the Clotilda became the last ship in history to bring enslaved Africans to the United States. The ship was scuttled and burned on arrival to hide the wealthy perpetrators to escape prosecution. Despite numerous efforts to find the sunken wreck, Clotilda remained hidden for the next 160 years. But in 2019, journalist Ben Raines made international news when he successfully concluded his obsessive quest through the swamps of Alabama to uncover one of our nation's most important historical artifacts. Traveling from Alabama to the ancient African kingdom of Dahomey in modern-day Benin, Raines recounts the ship's perilous journey, the story of its rediscovery, and its complex legacy. Against all odds, Africatown, the Alabama community founded by the captives of the Clotilda, prospered in the Jim Crow South. Zora Neale Hurston visited in 1927 to interview Cudjo Lewis, telling the story of his enslavement in the New York Times bestseller Barracoon. And yet the haunting memory of bondage has been passed on through generations. Clotilda is a ghost haunting three communities-the descendants of those transported into slavery, the descendants of their fellow Africans who sold them, and the descendants of their fellow American enslavers. This connection binds these groups together to this day. At the turn of the century, descendants of the captain who financed the Clotilda's journey lived nearby-where, as significant players in the local real estate market, they disenfranchised and impoverished residents of Africatown. From these parallel stories emerges a profound depiction of America as it struggles to grapple with the traumatic past of slavery and the ways in which racial oppression continues to this day. And yet, at its heart, The Last Slave Ship remains optimistic-an epic tale of one community's triumphs over great adversity and a celebration of the power of human curiosity to uncover the truth about our past and heal its wounds.

Written by two senior scholars, A History of Africa introduces students to the history of the world's second largest continent. While it is not possible to discuss every event that ever happened in African history, the book comprises an historical narrative emphasizing key trends and processes illustrated by detailed examples. It represents a chronological and empirical history based on scholarly research and reconstructions of Africa's past. As a continental history, it seeks to cover all regions of Africa including North Africa, a region often seen as culturally and historically distinct. Furthermore, the narrative summarizes changing views and academic debates concerning aspects of African history. Richly illustrated with numerous maps and photographs, A History of Africa is the most comprehensive story of the place all humans call home. A History of Africa is available in a combined print or eBook volume, or in split eBook volumes (Volume One: to 1880 and Volume Two: since 1870).

Photography and History in Colonial Southern Africa is a rich and in-depth study of the relationship between photography and colonial history at the turn of the 20th century. Lorena Rizzo highlights the ways in which photographic images cut across conventional institutional boundaries and complicates rigid distinctions between the private and the public, the political and the aesthetic, the colonial and the vernacular, and the subject and the object.

Rizzo argues that rather than understanding photographs primarily as a means of preserving and recreating the past in the present, we can also value them for how they evoke at once the need for and the limits of historical reconstruction.

The work is rich in detail. Readers will encounter photographs that range from prison albums from late 19th century Cape Town; police photographs from German Southwest Africa (Namibia) in the early 20th century; studio portraits commissioned by African women and men who applied for identity documents, travel permits and passports in the 1920s and 1930s; South African dompas photographs from the 1950s and 1960s; to African women collections assembled in the locations of Windhoek and Usakos in central Namibia, and aerial photography in the Eastern Cape in the mid-20th century.

It is an important contribution to the area of photography and history. It will enhance further study into constructions of whiteness and blackness and the different modes in which the imperial project operated across borders.

Toe die Britse Imperiale Ryk in 1899-1902 sy volle militêre mag teen die Boererepublieke van Suider-Afrika in die veld gestoot het, het ‘n groot gedeelte van die res van die wêreld hulle morele ondersteuning aan die dapper burgerkrygers toegesê ... maar sedert die bitter uiteinde van daardie ongelyke stryd het geskiedskrywers die verhaal van die oorlog grotendeels uit ‘n Britse oogpunt benader.

Hierdie is ‘n geskiedenisboek wat anders is.

Oorlog-Beeld voer ‘n verbeeldingsprong uit om die krygswêreld van daardie stryders wat deur Nelson Mandela as die ‘eerste Afrika-vryheidsvegters van die 20ste eeu’ beskryf is, te laat herleef. Hier, in koerantformaat soos dit destyds kon gewees het, volg die verhaal van die ‘Engelse Oorlog’ wat deur Boere vertel word: deur die offisiere wat hulle burgers op die slagvelde by Magersfontein, Colenso en Spioenkop aanvoer; deur bittereinderburgers wat tot op die laaste volgehou het; deur verveelde burgers wat Mafeking, Ladysmith en Kimberley tevergeefs beleër het; deur vroue en kinders in die konsentrasiekampe; deur regeerders en krygsgevangenes in ballingskap asook verskeie ander deelnemers – alles toegelig uit ‘n magdom kontemporêre bronne en met ‘n menigte foto’s wat destyds geneem is.

Daar word nie net oor militêre konfrontasies berig nie, maar ook oor die kommandolewe, oor die ervaringe van krygsgevangenes in kampe oor die aardbol heen versprei, oor die aktiwiteite van die Boere-afgevaardigdes in die buiteland wat buitelandse inmenging aan Boerekant teweeg moes bring, oor die aktiwiteite van prominente individue, soos president Paul Kruger en Emily Hobhouse, en oor die treurige lot van vroue en kinders in die konsentrasiekampe.

The text contains stories of some of the more remarkable persons in the early history of the Cape Town - a beer brewer who was brought down by his fatal passion for a young slave woman, as well as an assortment of runaway slaves and company deserters.

Fully updated, and coming up to the present day, with new material encompassing current concerns, such as African opposition to apartheid, international anti-apartheid activities and recent events, such as the election of Cyril Ramaphosa as President of the ANC, which have led to deeper consideration of the differing ideological approaches reflected in the history, the volume gives students, with no prior background in South African history, a full historical grounding for the current situation in South Africa and its position in the world. African history, particularly global South African history encompassing as it does a site of historical racial tension, is popular in universities around the world, and with anniversaries approaching, such as the 25th anniversary of the democratic transition, and the 60th anniversary of the Sharpeville Massacre, this will only increase. Even in its fourth edition it remains the only student-friendly text that focuses on the history of apartheid, as one of the most defining periods in modern history, as distinct from trying to provide a full account of the entirety of South African history.

'A letter is handed to you. In broken English, it tells you that you must now vacate your farm; that this is no longer your home, for it now belongs to the crowd on your doorstep. Then the drums begin to beat.' As the land invasions gather pace, the Retzlaffs begin an epic journey across Zimbabwe, facing eviction after eviction, trying to save the group of animals with whom they feel a deep and enduring bond - the horses. When their neighbours flee to New Zealand, the Retzlaffs promise to look after their horses, and making similar promises to other farmers along their journey, not knowing whether they will be able to feed or save them, they amass an astonishing herd of over 300 animals. But the final journey to freedom will be arduous, and they can take only 104 horses. Each with a different personality and story, it is not just the family who rescue the horses, but the horses who rescue the family. Grey, the silver gelding: the leader. Brutus, the untamed colt. Princess, the temperamental mare. One Hundred and Four Horses is the story of an idyllic existence that falls apart at the seams, and a story of incredible bonds - a love of the land, the strength of a family, and of the connection between man and the most majestic of animals, the horse.