The popular Wiccapedia gets the ultimate companion journal!   A Book of Shadows is a journal that witches keep close at hand for jotting down their spells—and this beautiful keepsake edition, by the authors of Wiccapedia, is the perfect accompaniment to that popular guide for modern witches. A concise first section features basic information on essential tools for spells, key herbs and crystals, moon phases and magick, and a wheel of yearly Wiccan holidays. Over 225 pages of journal pages follow, where you can record all the details of your spellcraft such as the date, the phase of the moon, the ingredients . . . and the results.  

From the Middle Ages to the close of the 17th century, alchemy was fundamental to Western culture, as scores of experimenters sought to change lead into gold. Though its significance declined with the rise of chemistry, alchemy continued to captivate the imagination of writers and its images still appear in modern creative works. This book examines the literary representation of alchemical theory and the metaphor of alchemical regeneration in the works of Edward Taylor, Edgar Allan Poe, Nathaniel Hawthorne, and Margaret Fuller. While Taylor used alchemical metaphors to illustrate the redeeming grace of God upon the soul, these same metaphors were used by Poe, Hawthorne, and Fuller to depict a broader concept of redemption. These later writers used alchemical imagery to describe both the regeneration of the individual and the possible transformation of society. For Poe, alchemy became a metaphor for the transforming power of imagination; for Hawthorne, it became a means of representing the redeeming power of love; for Fuller, it figured the reconciliation of gender opposites. Thus these four American writers incorporated the idea of regeneration in their works, and the tropes and metaphors of the medieval alchemists provided a fascinating way of imagining the transformative process.

Who are the "Nones"? What does humanism say about race, religion and popular culture? How do race, religion and popular culture inform and affect humanism? The demographics of the United States are changing, marked most profoundly by the religiously unaffiliated, or what we have to come to call the "Nones". Spread across generations in the United States, this group encompasses a wide range of philosophical and ideological perspectives, from some in line with various forms of theism to those who are atheistic, and all sorts of combinations in between. Similar changes to demographics are taking place in Europe and elsewhere. Humanism: Essays on Race, Religion and Popular Culture provides a much-needed humanities-based analysis and description of humanism in relation to these cultural markers. Whereas most existing analysis attempts to explain humanism through the natural and social sciences (the "what" of life), Anthony B. Pinn explores humanism in relation to "how" life is arranged, socialized, ritualized, and framed. This ground-breaking publication brings together old and new essays on a wide range of topics and themes, from the African-American experience, to the development of humanist churches, and the lyrics of Jay Z.

In the first chapters of this book we simultaneously follow two threads. While considering the lives of Richard Wagner, Friedrich Nietzsche, and King Ludwig II of Bavaria in their nineteenth-century incarnations and in earlier incarnations, we examine the planetary configurations accompanying not only their conception, birth, and death, but also various significant events in their lives. In this way we experience how these two perspectives-the biographical and the astrological-weave together and are intimately interconnected. As illuminating as this is, the author also indicates however that astrological calculation alone can never suffice for the truly deep biographical research into karma and reincarnation demonstrated in this work. The author shows that although it is clear that an individual's destiny is connected with the positions of the celestial bodies-that certain regular occurrences are evident-nonetheless no strict regularities exist. He maintains moreover that a certain level of clairvoyance is requisite for any serious astrological study of destiny; even more-that real astrology requires initiation. Such astrological research, when successfully carried out as it is here, relating salient celestial configurations to the life-drama of well-known historical personalities, reads like fine literature. On a practical level this work illustrates several important new tools for the astrologer: how to calculate hermetic charts, how to cast horoscopes not only of birth and death but also of conception (including the astrological significance of the embryonic period between conception and birth), and then also how to apply these various horoscopes in describing the spiral of life that unfolds in seven-year periods during the course of a person's earthly existence. All this reveals profound and fascinating regularities-among them the discovery that stellar configurations during the embryonic period are reflected again and again in the subsequent periods of life. Quite new for most readers will be the author's treatment of Uranus, Neptune, and Pluto, indicating that the names given these planets are deeply meaningful in the light of spiritual science. To make his case he extends Rudolf Steiner's description of cosmic evolution by drawing upon Greek mythology, particularly Orphic cosmology. This book by Robert Powell is of the greatest possible interest. Professor Konrad Rudni_ki Astronomical Observatory Jagiellonian University Cracow, Poland

In ancient Greece and Rome, dreams were believed by many to offer insight into future events. Artemidorus' Oneirocritica, a treatise on dream-divination and compendium of dream-interpretations written in Ancient Greek in the mid-second to early-third centuries AD, is the only surviving text from antiquity that instructs its readers in the art of using dreams to predict the future. In it, Artemidorus discusses the nature of dreams and how to interpret them, and provides an encyclopaedic catalogue of interpretations of dreams relating to the natural, human, and divine worlds. In this volume, Harris-McCoy offers a revised Greek text of the Oneirocritica with facing English translation, a detailed introduction, and scholarly commentary. Seeking to demonstrate the richness and intelligence of this understudied text, he gives particular emphasis to the Oneirocritica's composition and construction, and its aesthetic, intellectual, and political foundations and context.

Important essays on Gnosis and Gnosticism. Contributors include Rudolph, Pagels, Grant, and Barrett.

Nasr argues that the current ecological crisis has been exacerbated by the reductionist view of nature that has been advanced by modern secular science. What is needed, he believes, if the recovery of the truth to which the great enduring religions all attest: that nature is sacred.

"Art and War in Japan and its Empire: 1931-1960" is an anthology that investigates the impact of the Fifteen-Year War (1931-1945) on artistic practices and brings together twenty scholars including art historians, historians, and museum curators from the United States, Canada, France, Taiwan, Korea, and Japan. This will be the first art-historical anthology that examines responses to the war within and outside Japan in the wartime and postwar period. The anthology will scrutinize official and unofficial war artists who recorded, propagated, or resented the war; explore the unprecedented transnationality of artistic activity under Japan s colonial expansion; and consider the role of today s museum institutions in remembering the war through art. Contributors include: Asato Ikeda, Aya Lousa McDonald, Ming Tiampo, Akihisa Kawata, Mikiko Hirayama, Mayu Tsuruya, Michael Lucken, Bert Winther-Tamaki, Mark H. Sandler, Maki Kaneko, Kendall Brown, Reita Hirase, Gennifer Weisenfeld, Kari Shepherdson-Scott, Aida-Yuen Wong, Hyeshin Kim, Laura Hein, and Julia Adeney Thomas.

This book examines magic's generally maleficent effect on humans from ancient Egypt through the Middle Ages, including tales from classical mythology, Jewish, Christian, and Muslim cultures. It shows that certain magical motifs lived on from age to age, but that it took until the Italian Renaissance for magic tales to become fairy tales.

A former African American minister reveals his unusual journey from faith to atheism.
Anthony Pinn preached his first sermon at age twelve. At eighteen he became one of the youngest ordained ministers in his denomination. He then quickly moved up the ministerial ranks. Eventually he graduated from Columbia University and then received a Master of Divinity in theology and a PhD in religion from Harvard University.
All the while, Pinn was wrestling with a growing skepticism. As his intellectual horizons expanded, he became less and less confident in the theism of his upbringing. At the same time, he became aware that his church could offer only anemic responses to the
acute social needs of the community. In his mid-twenties, he finally decided to leave the ministry and committed the rest of his life to academia. He went on to become a distinguished scholar of African American humanism and religious history.
The once fully committed believer evolved into an equally committed nonbeliever convinced that a secular approach to life offers the best hope of solving humanity's problems.

Atheists generated widespread anxieties between the Reformation and the Enlightenment. In response to such anxieties a distinct genre of religious apologetics emerged in England between 1580 and 1720. By examining the form and the content of the confutation of atheism, Anti-Atheism in Early Modern England demonstrates the prevalence of patterned assumptions and arguments about who an atheist was and what an atheist was supposed to believe, outlines and analyzes the major arguments against atheists, and traces the important changes and challenges to this apologetic discourse in the early Enlightenment.

This is the first anthology ever published to feature the writings of leading eighteenth-century thinkers on the subjects of atheism, religion, freethought, and secularism.
Editor S. T. Joshi has compiled notable essays by writers from Germany, France, England, and early America. The contributors include Denis Diderot (a principal author of the multivolume French "Encyclopedie)," Baron d'Holbach ("System of Nature," 1770), Voltaire ("Philosophical Dictionary"), David Hume, Immanuel Kant, Thomas Jefferson, James Madison, Ethan Allen, Thomas Paine, and other lesser-known thinkers.
With a comprehensive introduction providing the intellectual and cultural context of the essays, this outstanding compilation will be of interest to students of philosophy, religious studies, and eighteenth-century intellectual history.