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Books > Computing & IT > Applications of computing > Audio processing
A practitioner's guide to the basic principles of creating sound
effects using easily accessed free software. Designing Sound
teaches students and professional sound designers to understand and
create sound effects starting from nothing. Its thesis is that any
sound can be generated from first principles, guided by analysis
and synthesis. The text takes a practitioner's perspective,
exploring the basic principles of making ordinary, everyday sounds
using an easily accessed free software. Readers use the Pure Data
(Pd) language to construct sound objects, which are more flexible
and useful than recordings. Sound is considered as a process,
rather than as data-an approach sometimes known as "procedural
audio." Procedural sound is a living sound effect that can run as
computer code and be changed in real time according to
unpredictable events. Applications include video games, film,
animation, and media in which sound is part of an interactive
process. The book takes a practical, systematic approach to the
subject, teaching by example and providing background information
that offers a firm theoretical context for its pragmatic stance.
[Many of the examples follow a pattern, beginning with a discussion
of the nature and physics of a sound, proceeding through the
development of models and the implementation of examples, to the
final step of producing a Pure Data program for the desired sound.
Different synthesis methods are discussed, analyzed, and refined
throughout.] After mastering the techniques presented in Designing
Sound, students will be able to build their own sound objects for
use in interactive applications and other projects
Below the level of the musical note lies the realm of
microsound, of sound particles lasting less than one-tenth of a
second. Recent technological advances allow us to probe and
manipulate these pinpoints of sound, dissolving the traditional
building blocks of music -- notes and their intervals -- into a
more fluid and supple medium. The sensations of point, pulse
(series of points), line (tone), and surface (texture) emerge as
particle density increases. Sounds coalesce, evaporate, and mutate
into other sounds.Composers have used theories of microsound in
computer music since the 1950s. Distinguished practitioners include
Karlheinz Stockhausen and Iannis Xenakis. Today, with the increased
interest in computer and electronic music, many young composers and
software synthesis developers are exploring its advantages.
Covering all aspects of composition with sound particles,
Microsound offers composition theory, historical accounts,
technical overviews, acoustical experiments, descriptions of
musical works, and aesthetic reflections. The book is accompanied
by an audio CD of examples.
'Groundbreaking' Amy Cuddy, bestselling author of Presence 'A
roadmap for innovators, entrepreneurs and those seeking new avenues
for exploring and reimagining the future' Deepak Chopra Musicians
are masters of innovation, constantly finding new ways to adapt to
accelerating change and staying ahead of the beat.
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In Two Beats Ahead, Michael Hendrix and Panos Panay demystify the
artistic process of some of the greatest creative minds of our time
and reveal what they can teach us about creativity. Drawing from
first person interviews, you'll learn the secrets of collaboration
from Beyonce and Pharrell Williams, grasp the value of
experimentation with Radiohead and Imogen Heap, learn how to
prototype with Jimmy Iovine, hear why Justin Timberlake thinks you
should 'dare to suck', understand the power of reinvention from
Gloria Estefan, and the art of producing from T Bone Burnett and
Hank Shocklee, co-founder of Public Enemy. A musical mindset is a
revolutionary framework for creating and innovating in a dynamic
world. Two Beats Ahead shows you how
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'Inspiration for anyone looking to expand the reach of their
creativity' Tim Brown, author of Change By Design 'Based on their
course at Berklee, Michael and Panos show that a musician's
perspective, much like a designers perspective, can unlock
inspiration and innovation, no matter who you are' David Kelley,
founder of IDEO and the Stanford d.school
Best-selling recording guide from one of our most well-regarded
authors, accessible for students, professionals and amateurs alike
Updated second edition with new content on cutting-edge
technologies, as well as new voices from a more diverse group of
producers Accompanied by author-hosted online resources, including
300+ audio examples, free backing tracks and further reading
Natural language processing (NLP) is a scientific discipline which
is found at the interface of computer science, artificial
intelligence and cognitive psychology. Providing an overview of
international work in this interdisciplinary field, this book gives
the reader a panoramic view of both early and current research in
NLP. Carefully chosen multilingual examples present the state of
the art of a mature field which is in a constant state of
evolution. In four chapters, this book presents the fundamental
concepts of phonetics and phonology and the two most important
applications in the field of speech processing: recognition and
synthesis. Also presented are the fundamental concepts of corpus
linguistics and the basic concepts of morphology and its NLP
applications such as stemming and part of speech tagging. The
fundamental notions and the most important syntactic theories are
presented, as well as the different approaches to syntactic parsing
with reference to cognitive models, algorithms and computer
applications.
Since 2002, the overall minutes of use and costs for the
Telecommunications Relay Service (TRS) program have grown
significantly due to the advent of Internet-based forms of TRS and
increased usage by the deaf and hard-of-hearing communities. TRS
allows persons with hearing or speech disabilities to place and
receive telephone calls, often with the help of a communications
assistant who acts as a translator or facilitator between the two
parties having the conversation. FCC is the steward of the TRS
program and the federal TRS Fund, which reimburses TRS providers.
This book examines, among other things, changes in TRS services and
costs since 2002; FCC's TRS performance goals and measures and how
they compare with key characteristics of successful performance
goals and measures; and the extent to which the design of the
program's internal control system identifies and considers program
risks.
In today's digital age, learning and creating music has never been
so easy and affordable. Anyone can enhance their musical knowledge,
skills, and creativity with the multitude of music apps available.
However, sifting through thousands of music apps in the Apple App
Store and Google Play can be a daunting task for any musician or
music instructor. But not anymore! Having spent countless hours
researching the most interesting useful, educational, fun, and
easy-to-use music apps, Elizabeth C. Axford in Music Apps for
Musicians and Music Teachers surveys the landscape of music-related
apps for both iOS and Android mobile devices, including tablets and
smartphones. Music Apps for Musicians and Music Teachers lists
hundreds of music-related apps organized by category, including
singing, musical instruments, music theory and composition,
songwriting, improvisation, recording, evaluating music
performances, listening to music, music history and literature,
music appreciation, and more. App developers are listed with each
app, including links to their websites for updates and support. The
book sections and chapters align with the newly revised National
Standards for Music Education released in 2014 by the National
Association for Music Education. Suggested activities for educators
are provided, as well as key terms and a bibliography. Music Apps
for Musicians and Music Teachers is for anyone interested in music,
whether hobbyist or professional. It enhances the ability to learn
on the go by offering musicians, music students, and music
instructors a list of the most useful music apps available.
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