Dame Beryl's life is defined by her love of dance. Both as a ballerina and an Artistic Director she helped make British ballet the powerhouse it is today. Knowing and working with virtually everyone in dance, she reveals fascinating insights into the people, characters and institutions that made up world dance in the 20th century. Grey began her dancing career with the Sadler's Wells Ballet in 1943 at the unprecedented early age of 14. Her natural virtuosity saw her quickly promoted, dancing her first Giselle at 17, and Princess Aurora at 19. Dame Beryl was the first English ballerina to dance at the Bolshoi and the Kirov, as well as the Peking Ballet. Asked to become Artistic Director of what is now English National Ballet, her love of dance allowed her to navigate the tricky passage from ballerina to leader of a dance company. This autobiography proves a fascinating and personal insight into and extraordinary woman, her life and career.

Peter Wright has been a dancer, choreographer, teacher, producer and director in the theatre as well as in television for over 70 years. _x000D_ In Wrights & Wrongs, Peter offers his often surprising views of today's dance world, lessons learned - and yet to learn - from a lifetime's experience of ballet, commercial theatre and television.

The first translation of the writings of Akim Volynsky, the greatest ballet authority of early twentieth-century Russia Akim Volynsky was a Russian literary critic, journalist, and art historian who became Saint Petersburg's liveliest and most prolific ballet critic in the early part of the twentieth century. This book, the first English edition of his provocative and influential writings, provides a striking look at life inside the world of Russian ballet at a crucial era in its history. Stanley J. Rabinowitz selects and translates forty of Volynsky's articles-vivid, eyewitness accounts that sparkle with details about the careers and personalities of such dance luminaries as Anna Pavlova, Mikhail Fokine, Tamara Karsavina, and George Balanchine, at that time a young dancer in the Maryinsky company whose keen musical sense and creative interpretive power Volynsky was one of the first to recognize. Rabinowitz also translates Volynsky's magnum opus, The Book of Exaltations, an elaborate meditation on classical dance technique that is at once a primer and an ideological treatise. Throughout his writings, Rabinowitz argues in his critical introduction, which sets Volynsky's life and work against the backdrop of the principal intellectual currents of his time, Volynsky emphasizes the spiritual and ethereal qualities of ballet.

Mastering the pas de deux-or "step of two"-requires more than just physical proficiency; it demands genuine commitment between dancers. Respect, patience, and etiquette matter just as much as technique. The best partners communicate effectively through breath, eye contact, and musical cues. In Experiencing the Art of Pas de Deux, professional dance couple Jennifer Kronenberg and Carlos Miguel Guerra demystify the physical, emotional, and artistic intricacies behind the art of two dancing as one. Experienced principal dancers and ballet instructors, Kronenberg and Guerra disclose key components of partnering work often overlooked in classes, such as how to build and maintain the connections necessary for a trusting relationship and thus a successful team. Their combined explanations illuminate choreographic work from both a male and female perspective and detail the responsibilities of each partner. With step-by-step instructions for proper posture, lifts, jumps, turns, and even dance conditioning, each chapter's lesson includes personal anecdotes, offering a more intimate look at how partners can support one another during practices and performances. Additionally, QR code-accessible videos provide brief demonstrations that more fully illustrate newer and complex movements. Offering expert technical pointers and honing in on the secrets to forming successful interpersonal bonds, Kronenberg and Guerra's firsthand look at this "art form within an art form" will allow dancers in every genre to discover the inner workings of the finest and most memorable partnerships.

Title: The Sleeping Beauty Composer: Pyotr Ilyich Tchaikovsky Original Publisher: Muzgiz The Prologue and Act I of Tchaikovsky's complete ballet, The Sleeping Beauty, Op. 66. Performer's Reprints are produced in conjunction with the International Music Score Library Project. These are out of print or historical editions, which we clean, straighten, touch up, and digitally reprint. Due to the age of original documents, you may find occasional blemishes, damage, or skewing of print. While we do extensive cleaning and editing to improve the image quality, some items are not able to be repaired. A portion of each book sold is donated to small performing arts organizations to create jobs for performers and to encourage audience growth.

On Technique provides a fascinating look into the careers and teaching philosophies of eighteen of the world's most respected ballet masters, principals, and artistic directors. Author Dean Speer sat down with prominent ballet pedagogues and asked each a standard set of questions, including 'What do we mean when we say someone has beautiful technique?' and 'How did you become a dancer?'. Featuring such artists as Peter Boal (artistic director of the Pacific Northwest Ballet) and Bene Arnold (first ballet mistress of the San Francisco Ballet), this volume offers fascinating insights into the nature of both performance and artistic instruction. Speer's approach reveals sometimes surprising convergences among these world-class talents, despite their varying pedagogical backgrounds and divisions.