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Books > Health, Home & Family > Cookery / food & drink etc > Beverages
Take a swig of the Wild, Wild West with 60 historically inspired cattle
kingdom cocktails.
Based on trail life after the Civil War, the cow towns at the time, and
on the drinks enjoyed there, Cowboy Cocktails gives you a true taste of
the cowboy lifestyle. With charming sidebars throughout, learn some
surprising history about cowboys and their experiences in the Wild West
like:
- Free Lunch – During the cowboy era, American saloons offered
“free lunch,” or small bites served gratis alongside drink orders. A
typical free lunch included smoked oysters, crackers with Limburger
cheese, rye bread, and sardines. If you want to recreate a free lunch
and make it a feast, add salted peanuts, sauerkraut, cold cuts,
pretzels, and dill pickles. Crafty saloon owners knew that such salty
offerings not only kept customers around longer but kept them thirsty
for more.
- Chili Powder – German immigrant William Gebhardt first pulverized
dried chile peppers by using a meat grinder in the 1890s. The powder
was popularized along the Wells Fargo stagecoach line in Texas and
became a boon to home cooks and chuck wagon chefs alike. The powder
also helped popularize chili as a recognizable dish across the US.
With whiskey-, tequila-, and gin-based cocktail recipes complemented by
some serious cowboy lore, this cocktail book full of captivatingly
photographed cowboy drinks will transport you to the rough and wild
times of the American Old West. Some of the cocktails you can make
include:
- Dead Man’s Hand – bourbon whiskey, agave nectar, spicy bitters,
Peychaud’s bitters; fun fact: named for the cards Wild Bill Hickok was
holding when he was shot, now called the “dead man’s hand” (two black
aces and two black eights)
- Watermelon Ranch Water – blanco tequila, lime juice, fresh
watermelon juice, Topo Chico (or club soda); fun fact: “ranch water” is
the name for the combination of tequila, lime juice, and sparkling water
- Madame Mustache – mezcal, agave nectar, Angostura bitters, beer;
fun fact: named for Eleanor Dumont, who operated a series of gambling
dens across the western frontier (and, yes, also had a mustache)
- I’m Your Huckleberry – bourbon whiskey, huckleberry syrup, lemon
juice, Angostura bitters; fun fact: named for a real quote said by Doc
Holliday, but made famous by Val Kilmer’s delivery of the line in the
1993 movie Tombstone
- Tombstone Tonsil Painter – rye whiskey, Tawny Port, Benedictine,
Angostura bitters; fun fact: “tonsil paint,” or “tonsil varnish,” was a
cowboy nickname for whiskey
Every cowboy enthusiast who enjoys a good drink needs this book in
their cocktail-recipe arsenal.
Translated into English for the first time, the 1927 Cuban classic
El Arte de Hacer un Cocktail y Algo Mas: The Art of Mixing a
Cocktail & More documents the creative genius of the legendary
Cuban cantineros. Within these pages you'll find 788 recipes that
were shaken, stirred, thrown, and frappeed during the 1920s in the
hotels, restaurants, casinos, bodegas, and bars of "the Little
Paris of the Caribbean"-Havana, Cuba. A very rare book that has
achieved legendary status amongst cocktail book collectors, the
recipes found in El Arte have never been available in English,
making this book an essential resource and a collectible on its
own. Complete with its original illustrations and a foreword by
Cuban rum and drinks historian Anistatia Miller, El Arte de Hacer
un Cocktail y Algo Mas: The Art of Mixing a Cocktail & More is
not merely a peek into Cuban cocktail history. El Arte demonstrates
the Cuban passion for complex yet subtle flavours accentuated a
hint of sweetness as well as the cantineros' awareness of their
audience (both local and international) and of prevailing trends.
That is a lesson that none of us should ever forget. Drinks and
food must appeal to the people who consume them. It's a skill that
Havana 's cantineros from those legendary days continue to teach us
very well.
The Art of Persian Tea is a sensory journey that will transport you
back to the fairytale courts of ancient Persia. Inspired by her
heritage Farahnaz highlights the essentials of Persian tea culture:
tradition, blending, & brewing the perfect cup. Showcasing 32
artisanal tea blends, alongside generation's worth of family
recipes and cure-alls (tonics & elixirs) that are truly
priceless jewels. Focusing on the senses and subtle experiences,
transport yourself to the majestic world of Persia.
Super Juicing is on trend and packed with delicious and highly
nutritious juicing recipes and fresh, bright photography
Denton Marks uses economic analysis, in plain and simple language,
to demystify the wine world and to enrich our understanding of it.
This remarkable book could well serve as an introduction to the
wine industry for economists or as an introduction to economics for
the wine industry. Up to date and thorough, Marks has undertaken a
prodigious task.' - Orley Ashenfelter, Princeton University, and
Co-Founder and President, American Association of Wine Economists,
US'What is welcome with Denton Marks's book is its exploration
beyond the narrow focus of wine pricing. The outline of how wine
fits into key economic processes is illuminating, and the
understanding of the political economy of wine is especially
helpful. Crucially, the examination of how wine functions as a
cultural good is a real expansion of our understanding of its
social and economic context, underlining that value is not merely a
financial construct but includes intangible, symbolic meaning as
well.' - Steve Charters MW, School of Wine and Spirits Business,
Burgundy School of Business, France 'Denton Marks's book fills a
void in both the economics and the wine-related literature. It
offers the economics student insights into the wine world and the
wine professionals insights into economic thinking. Certainly, this
is the first 'wine economics' textbook.' - Karl Storchmann, New
York University, US and Managing Editor, Journal of Wine Economics
'Marks harvests wine's potential as a lens through which to view
human economic behavior- and economic misbehavior - taking readers
on a sophisticated but accessible and comprehensive tour of the
fascinating nooks and crannies of the wine market. Perhaps the
crowning achievement is the original and thought-provoking
treatment of some of the thorniest philosophical and scientific
dilemmas unique to wine, including price signals, asymmetric
information, and sensory intersubjectivity. This is a much-needed
book from an economist who knows the subject.' - Robin Goldstein,
Author of The Wine Trials, Blind Taste, and blindtaste.com/ 'Most
professions show a professional interest in wine, and economics is
no exception: it can help us understand how wine markets work. But
since economics is considered by many as a rather 'dry' subject,
wine can boost student enthusiasm for economics. This book exploits
those two interests by helping non-economists understand wine
producer and consumer behavior and helping college students
understand economics.' - Kym Anderson, Wine Economics Research
Centre, University of Adelaide and Australian National University,
Australia Wine and the wine trade are steeped in culture and
history; few products have consistently enjoyed both cultural
importance and such wide distribution over time even seen by some
as 'an elixir of life'. While wine has been produced and consumed
for centuries, what is distinctive about the economics of wine?
Professor Marks's book is an accessible exploration of the
economics of wine, using both basic principles and specialized
topics and emphasizing microeconomics and related research. Drawing
upon economic themes such as International Trade and Public Choice,
Wine and Economics also relates economic reasoning to management
issues in wine markets. The discussion ranges from economic
fundamentals and wine and government, to the challenge of knowing
what is in the bottle and the importance of wine as a cultural
good. This novel and comprehensive introduction to the subject is
an invaluable resource for students, scholars and anyone interested
in wine and the wine industry.
Sour Grapes cuts through the South African wine industry to uncork its vinous myths, revealing the veritas in the Cape vino.
Neil Pendock presents an idiosyncratic view of South African wine and illuminates some of the fascinating characters who contribute to the frothy spittoon in the kingdom of Bacchus at the continent’s southernmost tip.
Irreverent, opinionated, always amusing – Pendock probes incisively beneath the tannic skin of the wine world. This book gives a refreshingly sceptical view of the entourage of wine commentators – the VIPs, the writers, the connoisseurs and the amateurs, the charlatans and the experts, the professionals and the detractors – the people who really make our local wines tick.
In what is not so much a book about wine itself, as it is about the people who talk about, write about and make wine – the Bacchic chattering classes – ultimately, the author chooses humour as the best way to approach the subject.
This book investigates the birth and evolution of craft breweries
around the world. Microbrewery, brewpub, artisanal brewery,
henceforth craft brewery, are terms referred to a new kind of
production in the brewing industry contraposed to the mass
production of beer, which has started and diffused in almost all
industrialized countries in the last decades. This project provides
an explanation of the entrepreneurial dynamics behind these new
firms from an economic perspective. The product standardization of
large producers, the emergence of a new more sophisticated demand
and set of consumers, the effect of contagion, and technology
aspects are analyzed as the main determinants behind this
'revolution'. The worldwide perspective makes the project
distinctive, presenting cases from many relevant countries,
including the USA, Australia, Japan, China, UK, Belgium, Italy and
many other EU countries.
This is the second edition of the definitive analysis of the
international wine trade. This new edition focuses on individual
trade flows across the major importing and exporting countries,
examines the increasing role of food retailers in wine selling and
looks for the future trends which will shape the industry in the
new millennium.
The book begins by examining technical factors in the wine trade
giving rise to differences in pricing and considers how wines'
characteristics help to position the final products. It shows how
trends in consumption are changing in different ways in the
traditional and Anglo-Saxon markets and explains the effects of
developments in international trade such as the role of trade
barriers.
The heart of the book profiles the ten major wine importing
countries and considers: Trends in the consumption of alcoholic
drinksWine market and import patternsThe configuration of import
and distribution channelsEach country's trade policy with detailed
comparisons between themThe book then goes on to consider the wine
trade from the exporters point of view and describes: The challenge
posed by New World producers to those based in Western EuropeThe
influence of the previously planned economies of the former Soviet
blocThe role of the EU and the likely effect of further European
integrationThe influence of tariff schedules and the GATT
negotiationsThis edition will be essential reading for all wine
trade professionals including: wine producers, importers and
exporters, negocients, co-operatives and regional economic
development agencies, and wine merchants and retailers.
In the beginning, for me, winemaking was a romanticized notion of
putting grape juice into a barrel and allowing time to perform its
magic as you sat on the veranda watching the sunset on a Tuscan
landscape. For some small wineries, this notion might still ring
true, but for the majority of wineries commercially producing
quality wines, the reality of winemaking is far more complex. The
persistent evolution of the wine industry demands continual advan-
ments in technology and education to sustain and promote quality
winem- ing. The sciences of viticulture, enology, and wine
chemistry are becoming more intricate and sophisticated each year.
Wine laboratories have become an integral part of the winemaking
process, necessitating a knowledgeable staff possessing a multitude
of skills. Science incorporates the tools that new-age winemakers
are utilizing to produce some of the best wines ever made in this
multibillion dollar trade. A novice to enology and wine chemistry
can find these subjects daunting and intimidating. Whether you are
a home winemaker, a new winemaker, an enology student, or a
beginning-to-intermediate laboratory technician, p- ting all the
pieces together can take time. As a winemaker friend once told me,
"winemaking is a moving target. " Introduction to Wine Laboratory
Practices and Procedures was written for the multitude of people
entering the wine industry and those that wish to learn about wine
chemistry and enology.
In this fascinating little book, John DeMers tells the story of the
Vieux Carre cocktail against the evolving backdrop of the ever-rich
cocktail culture of New Orleans. Mixologist Walter Bergeron created
this distinctive drink in the 1930s at the Hotel Monteleone; it was
later dubbed "the Cocktail that Spins" in honor of the slowly
turning Carousel Bar at the hotel. It's an iconic cocktail that, in
recent years, was rarely ordered or prepared, though that is
changing as a new generation of cocktail enthusiasts rediscover the
old ways. The Vieux Carre draws on the local proto-cocktail, the
Sazerac, as well as several booze-forward classics including the
Manhattan, the Old Fashioned, and, from Italy, the Negroni. DeMers
tells all that is known of Walter Bergeron's early life and also
examines the ingredients in this cocktail and how each of them made
its way to the Crescent City.
Naked wine is wine stripped down to its basics--wine as it was
meant to be: wholesome, exciting, provocative, living, sensual, and
pure. Naked, or natural, wine is the opposite of most New World
wines today; Alice Feiring calls them "overripe, over-manipulated,
and overblown" and makes her case that good (and possibly great)
wine can still be made, if only winemakers would listen more to
nature and less to marketers, and stop using additives and
chemicals. But letting wine make itself is harder than it seems.
Three years ago, Feiring answered a dare to try her hand at
natural winemaking. In "Naked Wine," she details her
adventure--sometimes calm, sometimes wild, always revealing--and
peers into the nooks and crannies of today's exciting, new (but
centuries-old) world of natural wine.
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