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Books > Humanities > Religion & beliefs > Non-Christian religions > Religions of Indic & Oriental origin > Buddhism
The context for the first part of this study is the community
(sangha) of early Buddhism in India, as it is reflected in the
religion's canon composed in the Pali language, which is preserved
by the Theravada tradition as the only authentic record of the
words of the Buddha and his disciples, as well as of events within
that community. This book does not assert that the Pali Canon
represents any sort of "original" Buddhism, but it maintains that
it reflects issues and concerns of this religious community in the
last centuries before the Common Era. The events focused on in part
one of this study revolve around diversity and debate with respect
to proper soteriology, which in earliest Buddhist communities
entails what paths of practice successfully lead to the religion's
final goal of nibbana (Sanskrit: nirvana). One of the main theses
of this study is that some of the vocational and soteriological
tensions and points of departure of the early community depicted in
the Pali Canon have had a tendency to crop up in the ongoing
Theravada tradition in Sri Lanka, which forms the second part of
the study. In particular, part two covers first a vocational
bifurcation in the Sri Lankan that has existed at least from the
last century of the Common Era to contemporary times, and second a
modern debate held between two leading voices in Theravada
Buddhism, on the subject of what constitutes the right meditative
path to nibbana.With a few notable exceptions, both members of
Theravada Buddhism and the scholars who have studied them have
maintained that the Pali Canon, and the ongoing tradition that has
grown out of it, has a singular soteriology. The aim of this study
is to deconstruct tradition, in the simple sense of revealing the
tradition's essential multiplicity. Prior to this study, past
scholarship--which preferred to portray early Indian and Theravada
Buddhsim as wholly rationalist systems--has shied away from giving
ample treatment on the noble person who possesses supernormal
powers. This book examines the dichotomy between two Theravada
monastic vocations that have grown out of tensions discussed in
part one. The bifurcation is between the town-dwelling scholar monk
and the forest-dwelling meditator monk. Scholars have certainly
recognized this split in the sangha before, but this is the first
attempt to completely compare their historical roles side by side.
This is an important book for collections in Asian studies,
Buddhist studies, history, and religious studies.
Reiko Ohnuma offers a wide-ranging exploration of maternal imagery
and discourse in pre-modern South Asian Buddhism, drawing on
textual sources preserved in Pali and Sanskrit. She demonstrates
that Buddhism in India had a complex and ambivalent relationship
with mothers and motherhood-symbolically, affectively, and
institutionally. Symbolically, motherhood was a double-edged sword,
sometimes extolled as the most appropriate symbol for buddhahood
itself, and sometimes denigrated as the most paradigmatic
manifestation possible of attachment and suffering. On an affective
level, too, motherhood was viewed with the same ambivalence: in
Buddhist literature, warm feelings of love and gratitude for the
mother's nurturance and care frequently mingle with submerged
feelings of hostility and resentment for the unbreakable
obligations thus created, and positive images of self-sacrificing
mothers are counterbalanced by horrific depictions of mothers who
kill and devour. Institutionally, the formal definition of the
Buddhist renunciant as one who has severed all familial ties seems
to co-exist uneasily with an abundance of historical evidence
demonstrating monks' and nuns' continuing concern for their
mothers, as well as other familial entanglements. Ohnuma's study
provides critical insight into Buddhist depictions of maternal love
and maternal grief, the role played by the Buddha's own mothers,
Maya and Mahaprajapati, the use of pregnancy and gestation as
metaphors for the attainment of enlightenment, the use of
breastfeeding as a metaphor for the compassionate deeds of buddhas
and bodhisattvas, and the relationship between Buddhism and
motherhood as it actually existed in day-to-day life.
This book explores the value impact that theist and other
worldviews have on our world and its inhabitants. Providing an
extended defense of anti-theism - the view that God's existence
would (or does) actually make the world worse in certain respects -
Lougheed explores God's impact on a broad range of concepts
including privacy, understanding, dignity, and sacrifice. The
second half of the book is dedicated to the expansion of the
current debate beyond monotheism and naturalism, providing an
analysis of the axiological status of other worldviews such as
pantheism, ultimism, and Buddhism. A lucid exploration of
contemporary and relevant questions about the value impact of God's
existence, this book is an invaluable resource for scholars
interested in axiological questions in the philosophy of religion.
'Tea began as a medicine and grew into a beverage,' are the opening
words of Okakura Kakuzo's The Book of Tea, written in English in
1906 for a Western audience. The book is a long essay celebrating
the secular art of the Japanese tea ceremony and linking its
importance with Zen Buddhism and Taoism. It is both about cultural
life, aesthetics and philosophy, emphasising how Teaism - a term
Kakuzo coined - taught the Japanese many things; most importantly,
simplicity, which can be seen in Japanese art and architecture.
Looking back at the evolution of the Japanese tea ceremony, Kakuzo
argues that Teaism, in itself, is one of the profound universal
remedies that two parties could sit down to. Where the West had
scoffed at Eastern religion and morals, it held Eastern tea
ceremonies in high regard. With a new introduction, this is an
exquisitely produced edition of a classic text made using
traditional Chinese bookbinding techniques. Surely it's time for
tea.
Scholars and practitioners from a variety of Buddhist cultures,
philosophical traditions, and academic disciplines analyze
important dimensions of the new cross-cultural Buddhist women's
movement: the status and experiences of women in Buddhist
societies, feminist interpretation of Buddhist tenets, and the
relationship of women to Buddhist institutions. Buddhist Women
Across Cultures documents both women's struggle for religious
equality in Asian Buddhist cultures as well as the process of
creating Buddhist feminist identity across national and ethnic
boundaries as Buddhism gains attention in the West. The book
contributes significantly to an understanding of women and religion
in both Western and non-Western cultures.
Zen is not a religion of God, nor a religion of faith. It is a
religion of emptiness, a religion of absolute nothingness. However
it is not nothingness but dynamically positive, for Zen is based on
self-awakening, awakening to the self. In this book, a sequel to
Zen and Western Thought, the author tries to clarify the true
meaning of Buddhist emptiness in comparison with Aristotelian
notion of substance and Whiteheadron notion of process. He also
emphasises that Buddhism completely defies and overcomes dualism,
but it is not monistic, but rather nondualistic. What is
Nondualism? This is one of the important themes of this book.
How are Buddhists and Buddhism represented in contemporary films?
Are these mediated sources accurate representations of the Buddhist
tradition? What kinds of Buddhisms and Buddhists are missing in
these films and why?"Silver Screen Buddha" is the first book to
explore the representation of Buddhism, race, and gender in
contemporary films directed by both Asian and non-Asian directors.
It examines the cinematic encounter with Buddhism that has
flourished in Asia and in the West in the past century - from
images of Shangri-La in Frank Capra's 1937 "Lost Horizon" to Kim
Ki-Duk's 2003 international box office success, "Spring, Summer,
Fall, Winter....and Spring." The book helps readers see that
representations of Buddhism in Asia and in the West are often
fraught with political, gendered, and racist undertones that are
missed and overlooked by viewers. "Silver Screen Buddha" also draws
significant attention to the ordinary lay Buddhism that is often
overlooked in popular film. Readers are introduced to some of the
key Buddhist texts and doctrines that are implied in Buddhist films
yet not explicitly explained, helping them to ascertain the
difference between a fictionalized, commodified, and exoticized
Buddhism and a more realistic representation of the tradition that
includes the laity and, in particular, women and Asian/Asian
Americans. The book also engages in a reimagining of Buddhism that
expands the popular understanding of Buddhism as the realm of
meditating monks and nuns to include an everyday lay Buddhism.
Abhidhamma in Daily Life is an exposition of absolute realities in
detail. Abhidhamma means higher doctrine and the book's purpose is
to encourage the right application of Buddhism in order to
eradicate wrong view and eventually all defilements. Many terms in
Pali the language of early Buddhism are used and are defined as
they are introduced. The book is therefore suitable for beginners
as well as practicing Buddhists. It is detailed and precise and an
invaluable aid to unlocking the deep meaning of the entire Buddhist
canon and applying the theory to our daily lives for the benefit of
ourselves and others.
The Buddhist view of inter-religious dialogue is significantly
different from, say, that of Christianity. In Christianity Jesus
Christ, being the only incarnation in the history, has an
inexplicable uniqueness. It must be maintained even in the
inter-faith dialogue. By contrast, in Buddhism Guatama Buddha is
not the only Buddha, but one of many Buddhas. His uniqueness is
realized in the fact that he is the first Buddha in human history.
Furthermore, the Buddhist teaching of dependent co-origination and
emptiness not only provides a dynamic common basis for various
religions, but also will suggest a creative cooperation amongst
world religions. The book clarifies such a Buddhist view and
inter-religious dialogue from various perspectives.
This study is an investigation of the moral percepts and codes of
every day conduct by which ordained women regulated their lives. It
takes as its basis the Bhiksuni Pratmoksa Sutras of the Dharmagupta
school, preserved in Chinese translation, and the Mulasarvastivada
school, preserved in Tibetan translation.
The Mahayana tradition in Buddhist philosophy is defined by its
ethical orientation-the adoption of bodhicitta, the aspiration to
attain awakening for the benefit of all sentient beings. And
indeed, this tradition is known for its literature on ethics,
particularly such texts as Nagarjuna's Jewel Garland of Advice
(Ratnavali), Aryadeva's Four Hundred Verses (Catuhsataka), and
especially Santideva's How to Lead an Awakened Life
(Bodhicaryavatara) and its commentaries. All of these texts reflect
the Madhyamaka tradition of philosophy, and all emphasize both the
imperative to cultivate an attitude of universal care (karuna)
grounded in the realization of emptiness, impermanence,
independence and the absence of any self in persons or other
phenomena. This position is morally very attractive, but raises an
important problem: if all phenomena, including persons and actions,
are only conventionally real, can moral injunctions or principles
be binding, or does the conventional status of the reality we
inhabit condemn us to an ethical relativism or nihilism? In
Moonshadows, the international collective known as the Cowherds
addresses an analogous problem in the domain of epistemology and
argues that the Madhyamaka tradition has the resources to develop a
robust account of truth and knowledge within the context of
conventional reality. The essays explore a variety of ways in which
to understand important Buddhist texts on ethics and Mahayana moral
theory so as to make sense of the genuine force of morality. The
volume combines careful textual analysis and doctrinal exposition
with philosophical reconstruction and reflection, and considers a
variety of ways to understand the structure of Mahayana Buddhist
ethics.
Advances in Contemplative Psychotherapy offers mental health
professionals of all disciplines and orientations the most
comprehensive and rigorous introduction to the art of integrating
contemplative psychology, ethics, and practices, including
mindfulness, compassion, and embodiment techniques. It brings
together clinicians, scholars, and thought leaders of unprecedented
caliber, featuring some of the most eminent pioneers in the rapidly
growing field of contemplative psychotherapy. The new edition
offers an expanded array of effective contemplative interventions,
contemplative psychotherapies, and contemplative approaches to
clinical practice. New chapters discuss how contemplative work can
effect positive psychosocial change at personal, interpersonal, and
collective levels to address racial, gender, and other forms of
systemic oppression. The new edition also explores the
cross-cultural nuances in the integration of Buddhist psychology
and healing practices by Western researchers and clinicians and
includes the voices of leading Tibetan doctors. Advances in
Contemplative Psychotherapy offers a profound and synoptic overview
of one of psychotherapy's most intriguing and promising fields.
This is the first book in a western language to treat these
doctrines about Budda from a philosophical and thoroughly critical
viewpoint.
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