In Allegories of the Anthropocene Elizabeth M. DeLoughrey traces how indigenous and postcolonial peoples in the Caribbean and Pacific Islands grapple with the enormity of colonialism and anthropogenic climate change through art, poetry, and literature. In these works, authors and artists use allegory as a means to understand the multiscalar complexities of the Anthropocene and to critique the violence of capitalism, militarism, and the postcolonial state. DeLoughrey examines the work of a wide range of artists and writers-including poets Kamau Brathwaite and Kathy Jetnil-Kijiner, Dominican installation artist Tony Capellan, and authors Keri Hulme and Erna Brodber-whose work addresses Caribbean plantations, irradiated Pacific atolls, global flows of waste, and allegorical representations of the ocean and the island. In examining how island writers and artists address the experience of finding themselves at the forefront of the existential threat posed by climate change, DeLoughrey demonstrates how the Anthropocene and empire are mutually constitutive and establishes the vital importance of allegorical art and literature in understanding our global environmental crisis.

This anthology brings together Dr. Bhimrao Ambedkar's works on the theme of Democracy. The editors of this volume have assembled Ambedkar's original writings including his memorandums, speeches, lectures, and talks from 1919-1956 to understand his contribution to Indian political thought and history. An introductory chapter binds the anthology together by helping put in context Ambedkar's arguments and perceptions within contemporary debates on Democracy. It captures Ambedkar's political trajectory and addresses how his idea of Democracy is deeply embedded in both the colonial and the post-colonial context. The editors argue that Democracy is not merely a procedural and substantive idea, but relational as well and in Ambedkar it is deeply caught with ideas of state, power, nationalism, constitutionalism, equality, and liberty, thus emphasizing its societal and as well as political dimensions. The anthology therefore helps readers think through contemporary political debates in the country within the context of a critical overview of Ambedkar's thoughts on Democracy.

An argument against the idea of the indigenous chief as a liberal political figure. Across Africa, it is not unusual for proponents of liberal democracy and modernization to make room for some aspects of indigenous culture, such as the use of a chief as a political figure. Yet for Olu fe mi Ta i wo , no such accommodation should be made. Chiefs, he argues, in this thought-provoking and wide-ranging pamphlet, cannot be liberals-and liberals cannot be chiefs. If we fail to recognize this, we fail to acknowledge the metaphysical underpinnings of modern understandings of freedom and equality, as well as the ways in which African intellectuals can offer a distinctive take on the unfinished business of colonialism.

Africa since 1940 is the flagship textbook in Cambridge University Press' New Approaches to African History series. Now revised to include the history and scholarship of Africa since the turn of the millennium, this important book continues to help students understand the process out of which Africa's position in the world has emerged. A history of decolonisation and independence, it allows readers to see just what political independence did and did not signify, and how men and women, peasants and workers, religious and local leaders sought to refashion the way they lived, worked and interacted with each other. Covering the transformation of Africa from a continent marked by colonisation to one of independent states, Frederick Cooper follows the 'development question' across time, seeing how first colonial regimes and then African elites sought to transform African society in their own ways. He shows how people in cities and villages tried to make their way in an unequal world, through times of hope, despair, renewed possibilities, and continued uncertainties. Looking beyond the debate over what or who may be to blame, Cooper explores alternatives for the future.

During the tumultuous closing decades of the nineteenth century, as the prospect of democracy loomed and as intensified global economic and strategic competition reshaped the political imagination, British thinkers grappled with the question of how best to organize the empire. Many found an answer to the anxieties of the age in the idea of Greater Britain, a union of the United Kingdom and its settler colonies in Australia, Canada, New Zealand, and southern Africa. In "The Idea of Greater Britain," Duncan Bell analyzes this fertile yet neglected debate, examining how a wide range of thinkers conceived of this vast "Anglo-Saxon" political community. Their proposals ranged from the fantastically ambitious--creating a globe-spanning nation-state--to the practical and mundane--reinforcing existing ties between the colonies and Britain. But all of these ideas were motivated by the disquiet generated by democracy, by challenges to British global supremacy, and by new possibilities for global cooperation and communication that anticipated today's globalization debates. Exploring attitudes toward the state, race, space, nationality, and empire, as well as highlighting the vital theoretical functions played by visions of Greece, Rome, and the United States, Bell illuminates important aspects of late-Victorian political thought and intellectual life.

This volume traces the history of the British Empire through the use of primary and secondary documentary sources. Selections are presented within a chronological framework and organized around a central theme of identity, providing a clear and coherent approach to the selected readings. General and section introductions explore such issues as the role of economics and religion in imperial expansion and rule; how indigenous and Creole populations constructed and expressed their own identities; and what changes were wrought by the process of decolonization. With the emphasis on primary sources, this volume examines the phenomenon of British imperialism, while taking into account the wide range of debates that have recently invigorated the study of imperialism.

In 1956, sea area Heligoland became German Bight. But why did the North Sea island, which for nearly a century had demonstrated its loyalty to Britain, lose its identity? How had this once peaceful haven become, as Admiral Jacky Fisher exclaimed "a dagger pointed at England's heart"? Behind the renaming of Heligoland lies a catalogue of deceit, political amibition, blunder, and daring. Heligoland came under British rule in the nineteenth century, a "Gibraltar" of the North Sea. Then, in 1890, despite the islanders' wishes, Lord Salisbury announced his intention to swap it for Germany's presence in Zanzibar. The Prime Minister's decision unleashed a storm of controversy. Queen Victoria telegrammed from Balmoral to register her fury. During both world wars, it was used by Germany to control the North Sea, and RAF planes bombed the once-British territory. The story of Heligoland is more than an obscure footnote to the British Empire--it shows the significance of territory throughout history.

In 1895 Japan acquired Taiwan as its first formal colony after a resounding victory in the Sino-Japanese war. For the next fifty years, Japanese rule devastated and transformed the entire socioeconomic and political fabric of Taiwanese society. In "Becoming Japanese, "Leo Ching examines the formation of Taiwanese political and cultural identities under the dominant Japanese colonial discourse of assimilation ("doka") and imperialization ("kominka") from the early 1920s to the end of the Japanese Empire in 1945.
"Becoming Japanese "analyzes the ways in which the Taiwanese struggled, negotiated, and collaborated with Japanese colonialism during the cultural practices of assimilation and imperialization. It chronicles a historiography of colonial identity formations that delineates the shift from a collective and heterogeneous political horizon into a personal and inner struggle of "becoming Japanese." Representing Japanese colonialism in Taiwan as a topography of multiple associations and identifications made possible through the triangulation of imperialist Japan, nationalist China, and colonial Taiwan, Ching demonstrates the irreducible tension and contradiction inherent in the formations and transformations of colonial identities. Throughout the colonial period, Taiwanese elites imagined and constructed China as a discursive space where various forms of cultural identification and national affiliation were projected. Successfully bridging history and literary studies, this bold and imaginative book rethinks the history of Japanese rule in Taiwan by radically expanding its approach to colonial discourses.