"A Place That Matters Yet" unearths the little-known story of Johannesburg's MuseumAfrica, a South African history museum that embodies one of the most dynamic and fraught stories of colonialism and postcolonialism, its life spanning the eras before, during, and after apartheid. Sara Byala, in examining this story, sheds new light not only on racism and its institutionalization in South Africa but also on the problems facing any museum that is charged with navigating colonial history from a postcolonial perspective. Drawing on thirty years of personal letters and public writings by museum founder John Gubbins, Byala paints a picture of a uniquely progressive colonist, focusing on his philosophical notion of "three-dimensional thinking," which aimed to transcend binaries and thus - quite explicitly - racism. Unfortunately, Gubbins died within weeks of the museum's opening, and his hopes would go unrealized as the museum fell in line with emergent apartheid politics. Following the museum through this transformation and on to its 1994 reconfiguration as a postapartheid institution, Byala showcases it as a rich - and problematic - archive of both material culture and the ideas that surround that culture, arguing for its continued importance in the establishment of a unified South Africa.

Edward W. Said discusses the centrality of popular resistance to his understanding of culture, history, and social change. He reveals his thoughts on the war on terrorism, the war in Afghanistan, and the Israeli-Palestinian conflict, and lays out a compelling vision for a secular, democratic future in the Middle East-and globally. Edward W. Said's books include Orientalism, The Question of Palestine, Covering Islam, Culture and Imperialism, and The Politics of Dispossession. He has also published a memoir, Out of Place. David Barsamian is the producer of the critically acclaimed program Alternative Radio.

Based on close reading of historical documents--poetry as much as statistics--and focused on the conceptualization of technology, this book is an unconventional evocation of late colonial Netherlands East Indies (today Indonesia). In considering technology and the ways that people use and think about "things," Rudolf Mrazek invents an original way to talk about freedom, colonialism, nationalism, literature, revolution, and human nature.

The central chapters comprise vignettes and take up, in turn, transportation (from shoes to road-building to motorcycle clubs), architecture (from prison construction to home air-conditioning), optical technologies (from photography to fingerprinting), clothing and fashion, and the introduction of radio and radio stations. The text clusters around a group of fascinating recurring characters representing colonialism, nationalism, and the awkward, inevitable presence of the European cultural, intellectual, and political avant-garde: Tillema, the pharmacist-author of Kromoblanda; the explorer/engineer IJzerman; the "Javanese princess" Kartina; the Indonesia nationalist journalist Mas Marco; the Dutch novelist Couperus; the Indonesian novelist Pramoedya Ananta Toer; and Dutch left-wing liberal Wim Wertheim and his wife.

In colonial Indies, as elsewhere, people employed what Proust called "remembering" and what Heidegger called "thinging" to sense and make sense of the world. In using this observation to approach Indonesian society, Mrazek captures that society off balance, allowing us to see it in unfamiliar positions. The result is a singular work with surprises for readers throughout the social sciences, not least those interested in Southeast Asia or colonialism more broadly."

That Indonesia's ongoing occupation of West Papua continues to be largely ignored by world governments is one of the great moral and political failures of our time. West Papuans have struggled for more than fifty years to find a way through the long night of Indonesian colonization. However, united in their pursuit of merdeka (freedom) in its many forms, what holds West Papuans together is greater than what divides them. Today, the Morning Star glimmers on the horizon, the supreme symbol of merdeka and a cherished sign of hope for the imminent arrival of peace and justice to West Papua. Morning Star Rising: The Politics of Decolonization in West Papua is an ethnographically framed account of the long, bitter fight for freedom that challenges the dominant international narrative that West Papuans' quest for political independence is fractured and futile. Camellia Webb-Gannon's extensive interviews with the decolonization movement's original architects and its more recent champions shed light on complex diasporic and intergenerational politics as well as social and cultural resurgence. In foregrounding West Papuans' perspectives, the author shows that it is the body politic's unflagging determination and hope, rather than military might or influential allies, that form the movement's most unifying and powerful force for independence. This book examines the many intertwining strands of decolonization in Melanesia. Differences in cultural performance and political diversity throughout the region are generating new, fruitful trajectories. Simultaneously, Black and Indigenous solidarity and a shared Melanesian identity have forged a transnational grassroots power-base from which the movement is gaining momentum. Relevant beyond its West Papua focus, this book is essential reading for those interested in Pacific studies, Native and Indigenous studies, development studies, activism, and decolonization.

Between 2009 and 2014, an anti-homosexuality law circulating in the Ugandan parliament came to be the focus of a global conversation about queer rights. The law attracted attention for the draconian nature of its provisions and for the involvement of US evangelical Christian activists who were said to have lobbied for its passage. Focusing on the Ugandan case, this book seeks to understand the encounters and entanglements across geopolitical divides that produce and contest contemporary queerphobias. It investigates the impact and memory of the colonial encounter on the politics of sexuality, the politics of religiosity of different Christian denominations, and the political economy of contemporary homophobic moral panics. In addition, Out of Time places the Ugandan experience in conversation with contemporaneous developments in India and Britain-three locations that are yoked together by the experience of British imperialism and its afterlives. Intervening in a queer theoretical literature on temporality, Rahul Rao argues that time and space matter differently in the queer politics of postcolonial countries. By employing an intersectional analysis and drawing on a range of sources, Rao offers an original interpretation of why queerness mutates to become a metonym for categories such as nationality, religiosity, race, class, and caste. The book argues that these mutations reveal the deep grammars forged in the violence that founds and reproduces the social institutions in which queer difference struggles to make space for itself.

How denial sustains the liberal imagination of a progressive and democratic Israel. The question that this book aims to answer might seem simple: how can a violent project of dispossession and discrimination be imagined, felt, and profoundly believed in as though it were the exact opposite--an embodiment of sustainability, multicultural tolerance, and democratic idealism? Despite well-documented evidence of racism and human rights abuse, Israel has long been embraced by the most liberal sectors of European and American society as a manifestation of the progressive values of tolerance, plurality, inclusivity, and democracy, and hence a project that can be passionately defended for its lofty ideals. Tolerance Is a Wasteland argues that the key to this miraculous act of political alchemy is a very specific form of denial. Here the Palestinian presence in, and claim to, Palestine is not simply refused or covered up, but negated in such a way that the act of denial is itself denied. The effects of destruction and repression are reframed, inverted into affirmations of liberal virtues that can be passionately championed. In Tolerance Is a Wasteland, Saree Makdisi explores many such acts of affirmation and denial in a range of venues: from the haunted landscape of thickly planted forests covering the ruins of Palestinian villages forcibly depopulated in 1948; to the theater of "pinkwashing" as Israel presents itself to the world as a gay-friendly haven of cultural inclusion; to the so-called Museum of Tolerance being built on top of the ruins of a Muslim cemetery in Jerusalem, which was methodically desecrated in order to clear the space for this monument to "human dignity." Tolerance Is a Wasteland reveals the system of emotional investments and curated perceptions that makes this massive project of cognitive dissonance possible.

The surprising story of how George Washington, Alexander Hamilton, John Adams, and Thomas Jefferson came to despair for the future of the nation they had created Americans seldom deify their Founding Fathers any longer, but they do still tend to venerate the Constitution and the republican government that the founders created. Strikingly, the founders themselves were far less confident in what they had wrought, particularly by the end of their lives. In fact, most of them-including George Washington, Alexander Hamilton, John Adams, and Thomas Jefferson-came to deem America's constitutional experiment an utter failure that was unlikely to last beyond their own generation. Fears of a Setting Sun is the first book to tell the fascinating and too-little-known story of the founders' disillusionment. As Dennis Rasmussen shows, the founders' pessimism had a variety of sources: Washington lost his faith in America's political system above all because of the rise of partisanship, Hamilton because he felt that the federal government was too weak, Adams because he believed that the people lacked civic virtue, and Jefferson because of sectional divisions laid bare by the spread of slavery. The one major founder who retained his faith in America's constitutional order to the end was James Madison, and the book also explores why he remained relatively optimistic when so many of his compatriots did not. As much as Americans today may worry about their country's future, Rasmussen reveals, the founders faced even graver problems and harbored even deeper misgivings. A vividly written account of a chapter of American history that has received too little attention, Fears of a Setting Sun will change the way that you look at the American founding, the Constitution, and indeed the United States itself.

"Another Reason" is a bold and innovative study of the intimate relationship between science, colonialism, and the modern nation. Gyan Prakash, one of the most influential historians of India writing today, explores in fresh and unexpected ways the complexities, contradictions, and profound importance of this relationship in the history of the subcontinent. He reveals how science served simultaneously as an instrument of empire and as a symbol of liberty, progress, and universal reason--and how, in playing these dramatically different roles, it was crucial to the emergence of the modern nation.

Prakash ranges over two hundred years of Indian history, from the early days of British rule to the dawn of the postcolonial era. He begins by taking us into colonial museums and exhibitions, where Indian arts, crafts, plants, animals, and even people were categorized, labeled, and displayed in the name of science. He shows how science gave the British the means to build railways, canals, and bridges, to transform agriculture and the treatment of disease, to reconstruct India's economy, and to transfigure India's intellectual life--all to create a stable, rationalized, and profitable colony under British domination.

But Prakash points out that science also represented freedom of thought and that for the British to use it to practice despotism was a deeply contradictory enterprise. Seizing on this contradiction, many of the colonized elite began to seek parallels and precedents for scientific thought in India's own intellectual history, creating a hybrid form of knowledge that combined western ideas with local cultural and religious understanding. Their work disrupted accepted notions of colonizer versus colonized, civilized versus savage, modern versus traditional, and created a form of modernity that was at once western and indigenous.

Throughout, Prakash draws on major and minor figures on both sides of the colonial divide, including Mahatma Gandhi, Jawaharlal Nehru, the nationalist historian and novelist Romesh Chunder Dutt, Prafulla Chandra Ray (author of "A History of Hindu Chemistry"), Rudyard Kipling, Lord Dalhousie, and John Stuart Mill. With its deft combination of rich historical detail and vigorous new arguments and interpretations, "Another Reason" will recast how we understand the contradictory and colonial genealogy of the modern nation.

A classic work in postcolonial studies, "Masks of Conquest" describes the introduction of English studies in India under British rule and its function as an effective form of political control abetting voluntary cultural assimilation. Gauri Viswanathan demonstrates how the literary text functioned as a mirror of the ideal Englishman and became a mask of exploitation that camouflaged the material activities of the colonizing British government. In her new preface, she argues that the curricular study of English can no longer be understood innocently or inattentively to the deeper contexts of imperialism, transnationalism, and globalization in which the discipline first articulated its mission. "Masks of Conquest" illuminates the transcontinental movements and derivations of English studies, revealing the discipline's origins are as diffuse as its future shape.

In this book, the prominent theorist Partha Chatterjee looks at the creative and powerful results of the nationalist imagination in Asia and Africa that are posited not on identity but on difference with the nationalism propagated by the West. Arguing that scholars have been mistaken in equating political nationalism with nationalism as such, he shows how anticolonialist nationalists produced their own domain of sovereignty within colonial society well before beginning their political battle with the imperial power. These nationalists divided their culture into material and spiritual domains, and staked an early claim to the spiritual sphere, represented by religion, caste, women and the family, and peasants. Chatterjee shows how middle-class elites first imagined the nation into being in this spiritual dimension and then readied it for political contest, all the while "normalizing" the aspirations of the various marginal groups that typify the spiritual sphere.

While Chatterjee's specific examples are drawn from Indian sources, with a copious use of Bengali language materials, the book is a contribution to the general theoretical discussion on nationalism and the modern state. Examining the paradoxes involved with creating first a uniquely non-Western nation in the spiritual sphere and then a universalist nation-state in the material sphere, the author finds that the search for a postcolonial modernity is necessarily linked with past struggles against modernity.

!Viva Mexico! !Viva la Independencia! Celebrations of September 16 examines the Independence holiday, exploring how this most important public festival in the civic calendar has given Mexicans a rich tradition of national celebration that is part creation myth, part official pomp, and part popular merrymaking. The editors examine how Independence Day festivities have provided a medium for informal education, sketching on the canvas of the public sphere national values, glorifying specific historical events and individuals, and celebrating government plans and achievements. Since 1823, this festival has served as an essential contribution to the conversion of Mexicans to common ideals, as people across the country express their national identity with the cry, '!Viva Mexico! !Viva la Independencia!'

Bernard Cohn's interest in the construction of Empire as an intellectual and cultural phenomenon has set the agenda for the academic study of modern Indian culture for over two decades. His earlier publications have shown how dramatic British innovations in India, including revenue and legal systems, led to fundamental structural changes in Indian social relations. This collection of his writings in the last fifteen years discusses areas in which the colonial impact has generally been overlooked. The essays form a multifaceted exploration of the ways in which the British discovery, collection, and codification of information about Indian society contributed to colonial cultural hegemony and political control.

Cohn argues that the British Orientalists' study of Indian languages was important to the colonial project of control and command. He also asserts that an arena of colonial power that seemed most benign and most susceptible to indigenous influences--mostly law--in fact became responsible for the institutional reactivation of peculiarly British notions about how to regulate a colonial society made up of "others." He shows how the very Orientalist imagination that led to brilliant antiquarian collections, archaeological finds, and photographic forays were in fact forms of constructing an India that could be better packaged, inferiorized, and ruled. A final essay on cloth suggests how clothes have been part of the history of both colonialism and anticolonialism.

Scottish nationalism is a powerful movement in contemporary politics, yet the goal of Scottish independence emerged surprisingly recently into public debate. The origins of Scottish nationalism lie not in the medieval battles for Scottish statehood, the Acts of Union, the Scottish Enlightenment, or any other traditional historical milestone. Instead, an influential separatist Scottish nationalism began to take shape only in the 1970s and achieved its present ideological maturity in the course of the 1980s and 1990s. The nationalism that emerged from this testing period of Scottish history was unusual in that it demanded independence not to defend a threatened ancestral culture but as the most effective way to promote the agenda of the left. This accessible and engaging account of the political thought of Scottish nationalism explores how the arguments for Scottish independence were crafted over some fifty years by intellectuals, politicians and activists, and why these ideas had such a seismic impact on Scottish and British politics in the 2014 independence referendum.

In contrast to most accounts of Puritan-Indian relations, New England Frontier argues that the first two generations of Puritan settlers were neither generally hostile toward their Indian neighbors nor indifferent to their territorial rights. Rather, American Puritans-especially their political and religious leaders-sought peaceful and equitable relations as the first step in molding the Indians into neo-Englishmen. With a new introduction, this third edition affords the reader a clear, balanced overview of a complex and sensitive area of American history. "Vaughan has exhaustively examined the records and written a book of indispensable value to any student of colonial New England."-New York Times Book Review Alden T. Vaughan, Professor Emeritus of History at Columbia University is the author or editor of numerous books, including The Puritan Tradition in America, 1620-1730, New England's Prospect, and Puritans among the Indians.

This volume examines the history of Angola since independence in 1975, and in particular the fact that the country has known only one year of peace in that time. The contributions come from a conference held in Cambridge to discuss the issues involved.

Against the historical background of slavery and colonialism, this study investigates how white and Afro-Caribbean women writers have responded to feminist, abolitionist and post-emancipationist issues. It aims to reveal a relationship between colonial exploitation and female sexual oppression.

Winner of the John Gilmary Shea Prize A groundbreaking history of how Africans in the French Empire embraced both African independence and their Catholic faith during the upheaval of decolonization, leading to a fundamental reorientation of the Catholic Church. African Catholic examines how French imperialists and the Africans they ruled imagined the religious future of French sub-Saharan Africa in the years just before and after decolonization. The story encompasses the political transition to independence, Catholic contributions to black intellectual currents, and efforts to alter the church hierarchy to create an authentically "African" church. Elizabeth Foster recreates a Franco-African world forged by conquest, colonization, missions, and conversions-one that still exists today. We meet missionaries in Africa and their superiors in France, African Catholic students abroad destined to become leaders in their home countries, African Catholic intellectuals and young clergymen, along with French and African lay activists. All of these men and women were preoccupied with the future of France's colonies, the place of Catholicism in a postcolonial Africa, and the struggle over their personal loyalties to the Vatican, France, and the new African states. Having served as the nuncio to France and the Vatican's liaison to UNESCO in the 1950s, Pope John XXIII understood as few others did the central questions that arose in the postwar Franco-African Catholic world. Was the church truly universal? Was Catholicism a conservative pillar of order or a force to liberate subjugated and exploited peoples? Could the church change with the times? He was thinking of Africa on the eve of Vatican II, declaring in a radio address shortly before the council opened, "Vis-a-vis the underdeveloped countries, the church presents itself as it is and as it wants to be: the church of all."

The Oxford Handbook of the Ends of Empire offers the most comprehensive treatment of the causes, course, and consequences of the ends of empire in the twentieth century. The volume's contributors convey the global reach of decolonization, with chapters analysing the empires of Western Europe, Eastern Europe, China and Japan. The Handbook combines broad, regional treatments of decolonization with chapter contributions constructed around particular themes or social issues. It considers how the history of decolonization is being rethought as a result of the rise of the 'new' imperial history, and its emphasis on race, gender, and culture, as well as the more recent growth of interest in histories of globalization, transnational history, and histories of migration and diaspora, humanitarianism and development, and human rights. The Handbook, in other words, seeks to identify the processes and commonalities of experience that make decolonization a unique historical phenomenon with a lasting resonance. In light of decades of historical and social scientific scholarship on modernization, dependency, neo-colonialism, 'failed state' architectures and post-colonial conflict, the obvious question that begs itself is 'when did empires actually end?' In seeking to unravel this most basic dilemma the Handbook explores the relationship between the study of decolonization and the study of globalization. It connects histories of the late-colonial and post-colonial worlds, and considers the legacies of empire in European and formerly colonised societies.

Africa since 1940 is the flagship textbook in Cambridge University Press' New Approaches to African History series. Now revised to include the history and scholarship of Africa since the turn of the millennium, this important book continues to help students understand the process out of which Africa's position in the world has emerged. A history of decolonisation and independence, it allows readers to see just what political independence did and did not signify, and how men and women, peasants and workers, religious and local leaders sought to refashion the way they lived, worked and interacted with each other. Covering the transformation of Africa from a continent marked by colonisation to one of independent states, Frederick Cooper follows the 'development question' across time, seeing how first colonial regimes and then African elites sought to transform African society in their own ways. He shows how people in cities and villages tried to make their way in an unequal world, through times of hope, despair, renewed possibilities, and continued uncertainties. Looking beyond the debate over what or who may be to blame, Cooper explores alternatives for the future.

In 1880 the continent of Africa was largely unexplored by Europeans. Less than thirty years later, only Liberia and Ethiopia remained unconquered by them. The rest - 10 million square miles with 110 million bewildered new subjects - had been carved up by five European powers (and one extraordinary individual) in the name of Commerce, Christianity, 'Civilization' and Conquest. The Scramble for Africa is the first full-scale study of that extraordinary episode in history.

Departures supports, contextualizes, and advances the field of critical refugee studies by providing a capacious account of its genealogy, methods, and key concepts as well as its premises, priorities, and possibilities. The book outlines the field's main tenets, questions, and concerns and offers new approaches that integrate theoretical rigor and policy considerations with refugees' rich and complicated lived worlds. It also provides examples of how to link communities, movements, networks, artists, and academic institutions and forge new and humane reciprocal paradigms, dialogues, visuals, and technologies that replace and reverse the dehumanization of refugees that occurs within imperialist gazes and frames, sensational stories, savior narratives, big data, colorful mapping, and spectator scholarship. This resource and guide is for all readers invested in addressing the concerns, perspectives, knowledge production, and global imaginings of refugees.

First published in 1949, 'Guerilla Days in Ireland' is an extraordinary story of the Irish War of Independence and the fight between two unequal forces, which ended in the withdrawal of the British from twenty-six counties. Seven weeks before the Truce of July 1921, the British presence in County Cork consisted of a total of over 12,500 men. Against these British forces stood the Irish Republican Army whose flying columns never exceeded 310 riflemen in the whole of the county. These flying columns were small groups of dedicated Volunteers, severely commanded and disciplined. Constantly on the move, their paramount objective was merely to exist, to strike when conditions were favourable and to avoid disaster at all costs. In 'Guerilla Days in Ireland' Tom Barry describes the setting up of the West Cork flying column, its training and the plan of campaign, which he implemented. In particular he gives his account of the Kilmichael ambush, one of the most controversial episodes of the War of Independence.