Sovereignty in Exile explores sovereignty and state power through the case of a liberation movement that set out to make itself into a state. The Sahrawi Arab Democratic Republic (SADR) was founded by the Polisario Front in the wake of Spain's abandonment of its former colony, the disputed Western Sahara. Morocco laid claim to the same territory, and the conflict has locked Polisario and Morocco in a political stalemate that has lasted forty years. Complicating the situation is the fact that Polisario conducts its day-to-day operations in refugee camps near Tindouf, in Algeria, which house most of the Sahrawi exile community. SADR (a partially recognized state) and Polisario (Western Sahara's liberation movement) together form an unusual governing authority, originally premised on the dismantling of a perceived threat to national (Sahrawi) unity: tribes. Drawing on unprecedented long-term research gained by living with Sahrawi refugee families, Alice Wilson examines how tribal social relations are undermined, recycled, and have reemerged as the refugee community negotiates governance, resolves disputes, manages social inequalities, and improvises alternatives to taxation. Wilson trains an ethnographic lens on the creation of administrative categories, legal reforms, aid distribution, marriage practices, local markets, and contested elections within the camps. Tracing social, political, and economic changes among Sahrawi refugees, Sovereignty in Exile reveals the dynamics of a postcolonial liberation movement that has endured for decades in the deserts of North Africa while trying to bring about the revolutionary transformation of a society which identifies with a Bedouin past.

A look at the encounter between the French and the peoples of Southern Gabon in terms of their differing conceptions of boundaries. In the second half of the nineteenth century, two very different practices of territoriality confronted each other in Southern Gabon. Clan and lineage relationships were most important in the local practice, while the French practice was informed by a territorial definition of society that had emerged with the rise of the modern nation-state and industrial capitalism. This modern territoriality used an array of bureaucratic instruments -- such as maps andcensuses -- previously unknown in equatorial Africa. Such instruments denied the existence of locally created territories and were fundamental to the exercise of colonial power. Thus modern territoriality imposed categories and institutions foreign to the peoples to whom they were applied. As colonial power became more effective from the 1920s on, those institutions started to be appropriated by Gabonese cultural elites who negotiated their meanings in reference to their own traditions. The result was a strongly ambiguous condition that left its imprint on the new colonial territories and subsequently the postcolonial Gabonese state. Christopher Gray was Assistant Professor of History, Florida International University.

Against the historical background of slavery and colonialism, this study investigates how white and Afro-Caribbean women writers have responded to feminist, abolitionist and post-emancipationist issues. It aims to reveal a relationship between colonial exploitation and female sexual oppression.

The book brings together experts from Media and Communication Studies with Postcolonial Studies scholars to illustrate how the two fields may challenge and enrich each other. Its essays introduce readers to selected topics including "Media Convergence", "Transcultural Subjectivity", "Hegemony", "Piracy" and "Media History and Colonialism". Drawing on examples from film, literature, music, TV and the internet, the contributors investigate the transnational dimensions in today's media, engage with local and global media politics and discuss media outlets as economic agents, thus illustrating mechanisms of power in postcolonial and neo-colonial mediascapes.

The term aecolonisationAe encompasses much diversity, from the settlement of the western Mediterranean and the Black Sea by Greeks in the archaic period to the foundation of Roman colonies in mainland Italy during the Republic. Though very different in their motives and methods, both Greek and Roman colonisations are presented by our sources as organised and clearly defined processes, within which internal and external relations were firmly delineated. This volume contains six new studies, two Greek and four Roman. Contributors employ historiographical, comparative and post-colonial approaches to question ancient constructs. The book contains detailed case-studies as well as synoptic treatments. Contributors build on recent research in Greek and Roman history to show how ideologies of colonisation develop and come to dominate the historical record.

Cultures of decolonisation combines studies of visual, literary and material cultures in order to explore the complexities of the 'end of empire' as a process. Where other accounts focus on high politics and constitutional reform, this volume reveals the diverse ways in which cultures contributed to wider political, economic and social change. This book demonstrates the transnational character of decolonisation, thereby illustrating the value of comparison - between different cultural forms and diverse places - in understanding the nature of this wide-reaching geopolitical change. Individual chapters focus on architecture, theatre, museums, heritage sites, fine art and interior design, alongside institutions such as artists' groups, language agencies and the Royal Mint, across Africa, Asia, the Caribbean and Europe. Offering a range of disciplinary perspectives, these contributions provide revealing case studies for those researching decolonisation across the humanities and social sciences.

How denial sustains the liberal imagination of a progressive and democratic Israel. The question that this book aims to answer might seem simple: how can a violent project of dispossession and discrimination be imagined, felt, and profoundly believed in as though it were the exact opposite--an embodiment of sustainability, multicultural tolerance, and democratic idealism? Despite well-documented evidence of racism and human rights abuse, Israel has long been embraced by the most liberal sectors of European and American society as a manifestation of the progressive values of tolerance, plurality, inclusivity, and democracy, and hence a project that can be passionately defended for its lofty ideals. Tolerance Is a Wasteland argues that the key to this miraculous act of political alchemy is a very specific form of denial. Here the Palestinian presence in, and claim to, Palestine is not simply refused or covered up, but negated in such a way that the act of denial is itself denied. The effects of destruction and repression are reframed, inverted into affirmations of liberal virtues that can be passionately championed. In Tolerance Is a Wasteland, Saree Makdisi explores many such acts of affirmation and denial in a range of venues: from the haunted landscape of thickly planted forests covering the ruins of Palestinian villages forcibly depopulated in 1948; to the theater of "pinkwashing" as Israel presents itself to the world as a gay-friendly haven of cultural inclusion; to the so-called Museum of Tolerance being built on top of the ruins of a Muslim cemetery in Jerusalem, which was methodically desecrated in order to clear the space for this monument to "human dignity." Tolerance Is a Wasteland reveals the system of emotional investments and curated perceptions that makes this massive project of cognitive dissonance possible.

In the nineteenth century, global systems of capitalism and empire knit the North Atlantic and Indian Ocean worlds into international networks in contest over the meanings of slavery and freedom. Sojourners, Sultans, and Slaves mines multinational archives to illuminate the Atlantic reverberations of US mercantile projects, "free labor" experiments, and slaveholding in western Indian Ocean societies. Gunja SenGupta and Awam Amkpa profile transnational human rights campaigns. They show how the discourses of poverty, kinship, and care could be adapted to defend servitude in different parts of the world, revealing the tenuous boundaries that such discourses shared with liberal contractual notions of freedom. An intercontinental cast of empire builders and emigres, slavers and reformers, a "cotton queen" and courtesans, and fugitive "slaves" and concubines populates the pages, fleshing out on a granular level the interface between the personal, domestic, and international politics of "slavery in the East" in the age of empire. By extending the transnational framework of US slavery and abolition histories beyond the Atlantic, Gunja SenGupta and Awam Amkpa recover vivid stories and prompt reflections on the comparative workings of subaltern agency.

A brilliant, shattering, and convincing account of United States-backed suppression of political and human rights in Latin America, Asia, and Africa and the role of the media in misreporting these policies The Washington Connection and Third World Fascism relentlessly dissects the official views of establishment scholars and their journals. The best and brightest pundits of the status quo emerge from this book thoroughly denuded of their credibility.

Much has been written on the how colonial subjects took up British and European ideas and turned them against empire when making claims to freedom and self-determination. The possibility of reverse influence has been largely overlooked. Insurgent Empire shows how Britain's enslaved and colonial subjects were not merely victims of empire and subsequent beneficiaries of its crises of conscience but also agents whose resistance both contributed to their own liberation and shaped British ideas about freedom and who could be free. Insurgent Empire examines dissent over the question of empire in Britain and shows how it was influenced by rebellions and resistance in the colonies from the West Indies and East Africa to Egypt and India. It also shows how a pivotal role in fomenting dissent was played by anti-colonial campaigners based in London at the heart of the empire.

Why are relations between minorities and the police in France so fraught? Stripping away the myth that this tension is a sudden and recent disruption of its universalist republican tradition brought on by the presence of North African immigrants, Amit Prakash locates the origins of contemporary conflicts in race and empire in France's history. In Empire on the Seine, Prakash argues that the metropole and the colony dynamically co-developed a policing regime over the course of the nineteenth and twentieth centuries to manage colonial and racial difference. With the North African community emerging as a sizable and durable presence in Paris after World War I, this policing became a key state practice in imagining and administering the immigrant population. Prakash shows that despite the French state's current reluctance to use race as an official category, racial thought and racial targets animated police services, social services, and urban planning schemes from the 1920s until the 1970s. Using police archival records, reports from colonial officials, urban planning and housing studies, and the records of French social workers and immigrant associations, Prakash shows that colonial racism was integrated into the policing of Paris and that architecture, urbanism, and social housing assumed police functions for colonial and postcolonial migrants. In light of this history, contemporary social and racial segregation, periodic protests and rioting against police violence, and the aggressive posture of the Parisian police emerge as the material traces of French colonialism in the metropole. The city of Paris was the capital of an empire and its imperial shadows are long.

Offering a global history of India's refugee regime, Making Refugees in India explores how one of the first postcolonial states during the mid-twentieth century wave of decolonisation rewrote global practices surrounding refugees - signified by India's refusal to sign the 1951 UN Refugee Convention. In broadening the scope of this decision well beyond the Partition of India, starting with the so called 'Wilsonian moment' and extending to the 1970s, the refugee is placed within the postcolonial effort to address the inequalities of the subject-citizenship of the British empire through the fullest realisation of self-determination. India's 'strategically ambiguous' approach to refugees is thus far from ad hoc, revealing a startling consistency when viewed in conversation of postcolonial state building and anti-imperial worldmaking to address inequity across the former colonies. The anti-colonial cry for self-determination as the source of all rights, it is revealed in this work, was in tension with the universal human rights that focused on the individual, and the figure of the refugee felt this irreconcilable difference most intensely. To elucidate this, this work explores contrasts in Indians' and Europeans' rights in the British empire and in World War Two, refugee rehabilitation during Partition, the arrival of the Tibetan refugees, and the East Pakistani refugee crisis. Ria Kapoor finds that the refugee was constitutive of postcolonial Indian citizenship, and that assistance permitted to refugees - a share of the rights guaranteed by self-determination - depended on their potential to threaten or support national sovereignty that allowed Indian experiences to be included in the shaping of universal principles.

Reproducing Domination: On the Caribbean Postcolonial State collects thirteen key essays on the Caribbean by Percy C. Hintzen, the foremost political sociologist in Anglophone Caribbean studies. For the past thirty years, Hintzen has been one of the most articulate and discerning critics of the postcolonial state in Caribbean scholarship, making seminal contributions to the study of Caribbean politics, sociology, political economy, and diaspora studies. His work on the postcolonial elites in the region, first given full articulation in his book The Costs of Regime Survival: Racial Mobilization, Elite Domination, and Control of the State in Guyana and Trinidad, is unparalleled. Reproducing Domination contains some of Hintzen's most important Caribbean essays over a twenty-five-year period, from 1995 to the present. These works have broadened and deepened his earlier work in The Costs of Regime Survival to encompass the entire Anglophone Caribbean; interrogated the formation and consolidation of the postcolonial Anglophone Caribbean state; and theorized the role of race and ethnicity in Anglophone Caribbean politics. Given the recent global resurgence of interest in elite ownership patterns and their relationship to power and governance, Hintzen's work assumes even more resonance beyond the shores of the Caribbean. This groundbreaking volume serves as an important guide for those concerned with tracing the consolidation of power in the new elite that emerged following flag independence in the 1960s.

This book reviews al-Tall's military-political biography during the years he served as an officer in the Arab Legion and those he spent in political exile in Egypt. The purpose is to understand al-Tall's personality, his contribution to the success of the Arab Legion in the 1948 war, and his part in the assassination of King Abdullah. A thorough survey of the historic background of the founding of Jordan and the Arab Legion, the 1948 war, the rivalry between King Abdullah and King Faruq, and the Egyptian-Jordanian struggle in the 1950s and 1960s, is provided. Primary questions to be answered include: What was Abdullah al-Tall's contribution to the success of the Arab Legion during the 1948 war? Did he engage in secret contacts with the Jews during the war, while at the same time denigrating them and praising Palestinian nationality? Was he involved in the assassination of King Abdullah, or was this a Jordanian conspiracy to slander him? What were his views vis-a-vis the tumultuous events in the Middle East in the 1950-1960s? And why was he allowed return to Jordan and take part in its political life after his exile to Egypt? Ronen Yitzhak's book is based on books written by al-Tall himself and material located in Israeli archives (the IDF, Haganah and Israel state archives), as well as the UK National Archives (London). In addition memoirs of prominent persons of the time, along with newspaper reports and other general secondary material written in Arabic, Hebrew and English are utilised. This book is essential reading for anybody engaged in the history of the Middle East and Israeli-Arab conflict.

This book argues that Armenians around the world - in the face of the Genocide, and despite the absence of an independent nation-state after World War I - developed dynamic socio-political, cultural, ideological and ecclesiastical centres. And it focuses on one such centre, Beirut, in the postcolonial 1940s and 1950s. Tsolin Nalbantian explores Armenians' discursive re-positioning within the newly independent Lebanese nation-state; the political-cultural impact (in Lebanon as well as Syria) of the 1946-8 repatriation initiative to Soviet Armenia; the 1956 Catholicos election; and the 1957 Lebanese elections and 1958 mini-civil war. What emerges is a post-Genocide Armenian history of - principally - power, renewal and presence, rather than one of loss and absence.

Amid the burgeoning literature on the connections between the global north and the global south, Mecca of Revolution is a pure example of post-colonial, or "south-south," international history. Through an examination of Algeria's interactions with the wider world, from the beginning of its war of independence to the fall of its first post-colonial regime, the Third Worldist perspective on the twentieth century comes into view. Hitherto dominant historical paradigms such as the Cold War are situated in the larger context of decolonization and the re-inclusion of the large majority of humanity in international affairs. At the same time, groundbreaking research in the archives of Algeria and a half-dozen other countries enable Mecca of Revolution to advance beyond the focus on discourse analysis that has typified previous studies of Third World internationalism. It demystifies terms like Non-Alignment, Afro-Asianism, and Bandung, and sheds new light on the relationships between the emergent elites of Africa, the Middle East, Asian, and Latin America. As one of the most prominent sites of post-colonial socialist experimentation and an epicenter of transnational guerrilla activity, Algeria was at the heart of efforts to transform global political and economic structures. Yet, the book also shows how Third Worldism evolved from a subversive transnational phenomenon into a mode of elite cooperation that reinforced the authority of the post-colonial state. In so doing, the Third World movement played a key role in the construction of the totalizing international order of the late-twentieth century. Ultimately, Mecca of Revolution shows the "post-colonial world" is all of our world.

The project of Indian art cinema began in the years following independence in 1947, at once evoking the global reach of the term "art film" and speaking to the aspirations of the new nation-state. In this pioneering book, Rochona Majumdar examines key works of Indian art cinema to demonstrate how film emerged as a mode of doing history and that, in so doing, it anticipated some of the most influential insights of postcolonial thought. Majumdar details how filmmakers as well as a host of film societies and publications sought to foster a new cinematic culture for the new nation, fueled by enthusiasm for a future of progress and development. Good films would help make good citizens: art cinema would not only earn global prestige but also shape discerning individuals capable of exercising aesthetic and political judgment. During the 1960s, however, Satyajit Ray, Mrinal Sen, and Ritwik Ghatak-the leading figures of Indian art cinema-became disillusioned with the belief that film was integral to national development. Instead, Majumdar contends, their works captured the unresolvable contradictions of the postcolonial present, which pointed toward possible, yet unrealized futures. Analyzing the films of Ray, Sen, and Ghatak, and working through previously unexplored archives of film society publications, Majumdar offers a radical reinterpretation of Indian film history. Art Cinema and India's Forgotten Futures offers sweeping new insights into film's relationship with the postcolonial condition and its role in decolonial imaginations of the future.

This incisive study reveals the fundamental, paradoxical weakness of colonialism and the enduring power of anticolonial resistance. Resistance is everywhere, but everywhere a surprise, especially when the agents of struggle are the colonized, the enslaved, the wretched of the earth. Anticolonial revolts and slave rebellions have often been described by those in power as "eruptions"-volcanic shocks to a system that does not, cannot, see them coming. In Anticolonial Eruptions, Geo Maher diagnoses a paradoxical weakness built right into the foundations of white supremacist power, a colonial blind spot that grows as domination seems more complete. Anticolonial Eruptions argues that the colonizer's weakness is rooted in dehumanization. When the oppressed and excluded rise up in explosive rebellion, with the very human demands for life and liberation, the powerful are ill-prepared. This colonial blind spot is, ironically, self-imposed: the more oppressive and expansive the colonial power, the lesser-than-human the colonized are believed to be, the greater the opportunity for resistance. Maher calls this paradox the cunning of decolonization, an unwitting reversal of the balance of power between the oppressor and the oppressed. Where colonial power asserts itself as unshakable, total, and perpetual, a blind spot provides strategic cover for revolutionary possibility; where race or gender make the colonized invisible, they organize, unseen. Anticolonial Eruptions shows that this fundamental weakness of colonialism is not a bug, but a permanent feature of the system, providing grounds for optimism in a contemporary moment roiled by global struggles for liberation.

When in 1492 Christopher Columbus set out for Asia but instead happened upon the Bahamas, Cuba, and Hispaniola, his error inaugurated a specifically colonial modernity. This is, Security and Terror contends, the colonial modernity within which we still live. And its enduring features are especially vivid in the current American century, a moment marked by a permanent War on Terror and pervasive capitalist dispossession. Resisting the assumption that September 11, 2001, constituted a historical rupture, Eli Jelly-Schapiro traces the political and philosophic genealogies of security and terror-from the settler-colonization of the New World to the wars in Afghanistan, Iraq, and beyond. A history of the present crisis, Security and Terror also examines how that history has been registered and reckoned with in significant works of contemporary fiction and theory-in novels by Teju Cole, Mohsin Hamid, Junot Diaz, and Roberto Bolano, and in the critical interventions of Jean Baudrillard, Giorgio Agamben, Judith Butler, Michael Hardt and Antonio Negri, and others. In this richly interdisciplinary inquiry, Jelly-Schapiro reveals how the erasure of colonial pasts enables the perpetual reproduction of colonial culture.

SPECIAL COMMENDATION in Africa's 100 Best Books of the Twentieth Century. The series is illustrated throughout with maps and black and white photographs. Volume 7 examines the period of partition, conquest and occupation from the beginnings of the 'European Scramble for Africa' to the Italian fascist invasion of Ethiopia in 1935. Throughout the volume the focus is on the responsesof Africans themselves to the challenge of colonialism. A general overview is followed by more detailed regional analyses. Chapters 13 to 21 concern the impact of economic and social aspects of colonial systems in Africa from1919 to 1935; the operation of colonial economies; the emergence of new social structures and demographic patterns; and the role of religion and the arts in Africa during the colonial period. The final section traces the growth of anti-colonial movements, the strengthening of African political nationalism and the interaction between black Africa and blacks of the New World. Liberia and Ethiopia are discussed in special chapters. The seriesis co-published in Africa with seven publishers, in the United States and Canada by the University of California Press, and in association with the UNESCO Press.

Based on close reading of historical documents--poetry as much as statistics--and focused on the conceptualization of technology, this book is an unconventional evocation of late colonial Netherlands East Indies (today Indonesia). In considering technology and the ways that people use and think about "things," Rudolf Mrazek invents an original way to talk about freedom, colonialism, nationalism, literature, revolution, and human nature.

The central chapters comprise vignettes and take up, in turn, transportation (from shoes to road-building to motorcycle clubs), architecture (from prison construction to home air-conditioning), optical technologies (from photography to fingerprinting), clothing and fashion, and the introduction of radio and radio stations. The text clusters around a group of fascinating recurring characters representing colonialism, nationalism, and the awkward, inevitable presence of the European cultural, intellectual, and political avant-garde: Tillema, the pharmacist-author of Kromoblanda; the explorer/engineer IJzerman; the "Javanese princess" Kartina; the Indonesia nationalist journalist Mas Marco; the Dutch novelist Couperus; the Indonesian novelist Pramoedya Ananta Toer; and Dutch left-wing liberal Wim Wertheim and his wife.

In colonial Indies, as elsewhere, people employed what Proust called "remembering" and what Heidegger called "thinging" to sense and make sense of the world. In using this observation to approach Indonesian society, Mrazek captures that society off balance, allowing us to see it in unfamiliar positions. The result is a singular work with surprises for readers throughout the social sciences, not least those interested in Southeast Asia or colonialism more broadly."

In this second edition of The Repeating Island, Antonio Benitez-Rojo, a master of the historical novel, short story, and critical essay, continues to confront the legacy and myths of colonialism. This co-winner of the 1993 MLA Katherine Singer Kovacs Prize has been expanded to include three entirely new chapters that add a Lacanian perspective and a view of the carnivalesque to an already brilliant interpretive study of Caribbean culture. As he did in the first edition, Benitez-Rojo redefines the Caribbean by drawing on history, economics, sociology, cultural anthropology, psychoanalysis, literary theory, and nonlinear mathematics. His point of departure is chaos theory, which holds that order and disorder are not the antithesis of each other in nature but function as mutually generative phenomena. Benitez-Rojo argues that within the apparent disorder of the Caribbean--the area's discontinuous landmasses, its different colonial histories, ethnic groups, languages, traditions, and politics--there emerges an island of paradoxes that repeats itself and gives shape to an unexpected and complex sociocultural archipelago. Benitez-Rojo illustrates this unique form of identity with powerful readings of texts by Las Casas, Guillen, Carpentier, Garcia Marquez, Walcott, Harris, Buitrago, and Rodriguez Julia.

"Another Reason" is a bold and innovative study of the intimate relationship between science, colonialism, and the modern nation. Gyan Prakash, one of the most influential historians of India writing today, explores in fresh and unexpected ways the complexities, contradictions, and profound importance of this relationship in the history of the subcontinent. He reveals how science served simultaneously as an instrument of empire and as a symbol of liberty, progress, and universal reason--and how, in playing these dramatically different roles, it was crucial to the emergence of the modern nation.

Prakash ranges over two hundred years of Indian history, from the early days of British rule to the dawn of the postcolonial era. He begins by taking us into colonial museums and exhibitions, where Indian arts, crafts, plants, animals, and even people were categorized, labeled, and displayed in the name of science. He shows how science gave the British the means to build railways, canals, and bridges, to transform agriculture and the treatment of disease, to reconstruct India's economy, and to transfigure India's intellectual life--all to create a stable, rationalized, and profitable colony under British domination.

But Prakash points out that science also represented freedom of thought and that for the British to use it to practice despotism was a deeply contradictory enterprise. Seizing on this contradiction, many of the colonized elite began to seek parallels and precedents for scientific thought in India's own intellectual history, creating a hybrid form of knowledge that combined western ideas with local cultural and religious understanding. Their work disrupted accepted notions of colonizer versus colonized, civilized versus savage, modern versus traditional, and created a form of modernity that was at once western and indigenous.

Throughout, Prakash draws on major and minor figures on both sides of the colonial divide, including Mahatma Gandhi, Jawaharlal Nehru, the nationalist historian and novelist Romesh Chunder Dutt, Prafulla Chandra Ray (author of "A History of Hindu Chemistry"), Rudyard Kipling, Lord Dalhousie, and John Stuart Mill. With its deft combination of rich historical detail and vigorous new arguments and interpretations, "Another Reason" will recast how we understand the contradictory and colonial genealogy of the modern nation.