![]() |
![]() |
Your cart is empty |
||
Books > Social sciences > Politics & government > Political structure & processes > Colonization & independence
Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance ethnography and in institutional and disciplinary settings. Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars.
How the support of patriotic sentiments in Ottoman Egypt led to an emerging Arab nationalism Arab Patriotism presents the essential backstory to the formation of the modern nation-state and mass nationalism in the Middle East. While standard histories claim that the roots of Arab nationalism emerged in opposition to the Ottoman milieu, Adam Mestyan points to the patriotic sentiment that grew in the Egyptian province of the Ottoman Empire during the nineteenth century, arguing that it served as a pivotal way station on the path to the birth of Arab nationhood. Through extensive archival research, Mestyan examines the collusion of various Ottoman elites in creating this nascent sense of national belonging and finds that learned culture played a central role in this development. Mestyan investigates the experience of community during this period, engendered through participation in public rituals and being part of a theater audience. He describes the embodied and textual ways these experiences were produced through urban spaces, poetry, performances, and journals. From the Khedivial Opera House's staging of Verdi's Aida and the first Arabic magazine to the 'Urabi revolution and the restoration of the authority of Ottoman viceroys under British occupation, Mestyan illuminates the cultural dynamics of a regime that served as the precondition for nation-building in the Middle East. A wholly original exploration of Egypt in the context of the Ottoman Empire, Arab Patriotism sheds fresh light on the evolving sense of political belonging in the Arab world.
During the Irish Civil War, events of late 1922 and early 1923 together with waves of 'dishonourable' killings created poisoned relations between Republicans and 'Free Staters' which would last for several generations. The most enduring of these controversies, a policy of summary executions carried out by the Provisional Government from November 1922, continues to surround the argument. This book offers a fresh perspective on the causes, development and consequences of the Irish Civil War. Triggered by the signing of the Anglo-Treaty, there were those that would accept nothing less than complete Irish independence. Very few IRA commanders active in the field supported the Treaty and, as happens often in the dissection of civil wars, controversy over the conduct of both sides figures heavily within the text, where, at a local and national level, it left bitter legacies. This book offers an overview of the war in all regions of Ireland.
The image of the Caribbean figure has been reconfigured by photography from the mid-19th century onwards. Initial images associated with the slave and indentured worker from the locations and legacies associated with plantation economies have been usurped by visual representations emerging from struggles for social, political and cultural autonomy. Contemporary visual artists engaging with the Caribbean as a 21st century globalised space have focused on visually re-imagining historical material and events as memories, histories and dreamscapes. Creole in the Archive uses photographic analysis to explore portraits, postcards and social documentation of the colonial worker between 1850 and 1960 and contemporary, often digital, visual art by post-independent, postcolonial Caribbean artists. Drawing on Derridean ideas of the archive, the book reconceptualises the Caribbean visual archive as contiguous and relational. It argues that using a creolising archive practice, the conjuncture of contemporary artworks, historical imagery and associated locations can develop insightful new multimodal representations of Caribbean subjectivities.
The expression "to come out of the closet" calls for an analysis of how language and notional as well as social spaces interact and intersect to constitute "queer". This performative book, a product of artistic research, is an exploration of the proverbial closet through linguistics, queer, and postcolonial theory. It is a project in which opacity, minority, and improvisation happen on the levels of content, analysis, and typography. Eleven queer slangs from around the world become part of an exploration of queerness and knowledge from the Periphery through autoethnography, Edouard Glissant's concept of opacity, Jose Munoz's disidentifications, and Gloria Anzaldua's performative writing. Theory, personal accounts, and art are interwoven to offer an interdisciplinary reading of the slangs as queer methods of survival and resistance.
The 2011 split of Sudan into two nations - and the conflicts that have continued in its wake - has made it a case of ongoing significance for understanding security and state-building in sub-Saharan Africa. Examining both the north-south divide in the two Sudans as well as the spread of political violence from Darfur, this timely study has two aims: First, it shows how slavery and the legacies of colonialism continue to shape the challenges of state formation and political identity. Secondly, it charts out a possible path for overcoming historical obstacles to achieve inclusive citizenship and representative democracy.
Melancholia Africana argues that in the African and Afro-diasporic context, melancholy is rooted in collective experiences such as slavery, colonization, and the post-colony. From these experiences a theme of loss resonates-loss of land, of freedom, of language, of culture, of self, and of ideals born from independence. Nathalie Etoke demonstrates that, beyond territorial expropriation and the pain inflicted upon the body and the soul, the violence that seals the encounter with the `other' annihilates an age-old cycle of life. In the wake of this annihilation, continental and diasporic Africans strive to reconcile that which has been destroyed with what has been newly introduced. Their survival depends on their capacity to negotiate the inherent tension of their historical becoming. The book develops a transdisciplinary method encompassing historicism, critical theory, Africana existential thought, and poetics.
Frantz Fanon was one of the twentieth-century's most influential theorists and activists, whose work fighting against colonialism and imperialism has been an inspiration to today's decolonization and anti-racism movements. As the author of essential texts such as The Wretched of the Earth and Black Skin, White Masks, his impact on today's activists - from Rhodes Must Fall to Black Lives Matter - is indelible. Leo Zeilig here details the fascinating life of Fanon - from his upbringing in Martinique to his wartime experiences and work in Europe and North Africa - and frames his ideas and activism within the greater context of his career as a practising psychiatrist and his politically tumultuous surroundings. The book covers the period of the Algerian War of Independence, national liberation and what Fanon described as 'the curse of independence'. Highlighting Fanon's role as the most influential theorist of anti-colonialism and racial liberation, this book is an essential read for those interested in the roots of the modern day anti-racism and decolonization movements.
Fought at a strategic crossroads in the Cold War, Algeria's war for independence was a harbinger of the contemporary era. In this history, Mathew Connelly shows how the rebels harnessed the forces of globalisation to break up the French empire and how it created the conditions of the postcolonial world. It is being published on the 40th anniversary of the end of the war.
"Local Histories/Global Designs" is an extended argument about the "coloniality" of power by one of the most innovative Latin American and Latino scholars. In a shrinking world where sharp dichotomies, such as East/West and developing/developed, blur and shift, Walter Mignolo points to the inadequacy of current practices in the social sciences and area studies. He explores the crucial notion of "colonial difference" in the study of the modern colonial world and traces the emergence of an epistemic shift, which he calls "border thinking." Further, he expands the horizons of those debates already under way in postcolonial studies of Asia and Africa by dwelling in the genealogy of thoughts of South/Central America, the Caribbean, and Latino/as in the United States. His concept of "border gnosis," or sensing and knowing by dwelling in imperial/colonial borderlands, counters the tendency of occidentalist perspectives to manage, and thus limit, understanding. In a new preface that discusses "Local Histories/Global Designs" as a dialogue with Hegel's Philosophy of History, Mignolo connects his argument with the unfolding of history in the first decade of the twenty-first century.
George Washington's place in the foundations of the Republic remains unrivalled. His life story-from his beginnings as a surveyor and farmer, to colonial soldier in the Virginia Regiment, leader of the Patriot cause, commander of the Continental Army, and finally first president of the United States-reflects the narrative of the nation he guided into existence. There is, rightfully, no more chronicled figure. Yet American history has largely forgotten what Washington himself knew clearly: that the new Republic's fate depended less on grand rhetoric of independence and self-governance and more on land-Indian land. Colin G. Calloway's biography of the greatest founding father reveals in full the relationship between Washington and the Native leaders he dealt with intimately across the decades: Shingas, Tanaghrisson, Guyasuta, Attakullakulla, Bloody Fellow, Joseph Brant, Cornplanter, Red Jacket, and Little Turtle, among many others. Using the prism of Washington's life to bring focus to these figures and the tribes they represented-the Iroquois Confederacy, Lenape, Miami, Creek, Delaware-Calloway reveals how central their role truly was in Washington's, and therefore the nation's, foundational narrative. Calloway gives the First Americans their due, revealing the full extent and complexity of the relationships between the man who rose to become the nation's most powerful figure and those whose power and dominion declined in almost equal degree during his lifetime. His book invites us to look at America's origins in a new light. The Indian World of George Washington is a brilliant portrait of both the most revered man in American history and those whose story during the tumultuous century in which the country was formed has, until now, been only partially told.
The heroes of the British and French empires stood at the vanguard of the vibrant cultures of imperialism that emerged in Europe in the second-half of the nineteenth century. Their stories are well known. Scholars have tended to assume that figures such as Livingstone and Gordon, or Marchand and Brazza, vanished rapidly at the end of empire. Yet imperial heroes did not disappear after 1945, as British and French flags were lowered around the world. On the contrary, their reputations underwent a variety of metamorphoses in both the former metropoles and the former colonies. This book develops a framework to understand the complex legacies of decolonisation, both political and cultural, through the case study of imperial heroes. We demonstrate that the 'decolonisation' of imperial heroes was a much more complex and protracted process than the political retreat from empire, and that it is still an ongoing phenomenon, even half a century after the world has ceased to be 'painted in red'. Whilst Decolonising Imperial Heroes explores the appeal of the explorers, humanitarians and missionaries whose stories could be told without reference to violence against colonized peoples, it also analyses the persistence of imperial heroes as sites of political dispute in the former metropoles. Demonstrating that the work of remembrance was increasingly carried out by diverse, fragmented groups of non-state actors, in a process we call 'the privatisation of heroes', the book reveals the surprising rejuvenation of imperial heroes in former colonies, both in nation-building narratives and as heritage sites. This book was originally published as a special issue of the Journal of Imperial and Commonwealth History.
What can homespun cloth, stuffed birds, quince jelly, and ginseng reveal about the formation of early American national identity? In this wide-ranging and bold new interpretation of American history and its Founding Fathers, Kariann Akemi Yokota shows that political independence from Britain fueled anxieties among the Americans about their cultural inferiority and continuing dependence on the mother country. Caught between their desire to emulate the mother country and an awareness that they lived an ocean away on the periphery of the known world, they went to great lengths to convince themselves and others of their refinement. Taking a transnational approach to American history, Yokota examines a wealth of evidence from geography, the decorative arts, intellectual history, science, and technology to underscore that the process of "unbecoming British" was not an easy one. Indeed, the new nation struggled to define itself economically, politically, and culturally in what could be called America's postcolonial period. Out of this confusion of hope and exploitation, insecurity and vision, a uniquely American identity emerged.
In myriad ways, each narrator's life has been shaped by loss, injustice, and resilience-and by the struggle of how to share space with settler nations whose essential aim is to take all that is Indigenous. Hear from Jasilyn Charger, one of the first five people to set up camp at Standing Rock, which kickstarted a movement of Water Protectors that roused the world; Gladys Radek, a survivor of sexual violence whose niece disappeared along Canada's Highway of Tears, who became a family advocate for the National Inquiry into Missing and Murdered Indigenous Women and Girls; and Marian Naranjo, herself the subject of a secret radiation test while in high school, who went on to drive Santa Clara Pueblo toward compiling an environmental impact statement on the consequences of living next to Los Alamos National Laboratory. Theirs are stories shaped by loss, injustice, resilience, and the struggle to share space with settler nations.
In 2011 the Philippines surpassed India to become what the New York Times referred to as "the world's capital of call centers." By the end of 2015 the Philippine call center industry employed over one million people and generated twenty-two billion dollars in revenue. In A Nation on the Line Jan M. Padios examines this massive industry in the context of globalization, race, gender, transnationalism, and postcolonialism, outlining how it has become a significant site of efforts to redefine Filipino identity and culture, the Philippine nation-state, and the value of Filipino labor. She also chronicles the many contradictory effects of call center work on Filipino identity, family, consumer culture, and sexual politics. As Padios demonstrates, the critical question of call centers does not merely expose the logic of transnational capitalism and the legacies of colonialism; it also problematizes the process of nation-building and peoplehood in the early twenty-first century.
According to Saunders Lewis the Investiture of 1969 was a turning point in Welsh history. This book tells the story through the voices of the most prominent characters: protesters, journalists and politicians. It tells of the bickering within some of Wales' most prominent institutions, such as the Urdd and Gorsedd, as well as the absurd and intense events leading up to the ceremony in Caernarfon. We read about Cymdeithas yr Iaith rallies, demonstrations by Aberystwyth and Bangor students, dramatic appearances by the FWA, the bombing campaign by Mudiad Amddiffyn Cymru and the suspicious activities of the secret police. This book creates a picture of the turbulent years of the sixties and gives an idea of what it was like to be a part of the battle between Welsh nationalists and the British institution of the time.
What are the stakes of cultural production in a time of war? How is artistic expression prone to manipulation by the state and international humanitarian organizations? In the charged political terrain of post-genocide Rwanda, post-civil war Uganda, and recent violence in the Democratic Republic of Congo, Laura Edmondson explores performance through the lens of empire. Instead of celebrating theatre productions as expression of cultural agency and resilience, Edmondson traces their humanitarian imperatives to a place where global narratives of violence take precedence over local traditions and audiences. Working at the intersection of performance and trauma, Edmondson reveals how artists and cultural workers manipulate narratives in the shadow of empire and how empire, in turn, infiltrates creative capacities.
In the course of fifteen momentous years, the Spanish- and the Portuguese-American empires that had endured for three centuries came to an end in the mid-1820s. How did this come about? Not all Latin Americans desired such a change, and the independence wars were civil wars, often cruel and always violent. What social and economic groups lined up on one side or the other? Were there variations from place to place, region to region? Did men and women differ in their experience of war? How did Indians and blacks participate and how did they fare as a result? In the end, who won and who lost? Independence in Latin America is about the reciprocal effect of war and social dislocation. It also demonstrates that the war itself led to national identity and so to the creation of new states. These governments generally acknowledged the novel principle of constitutionalism and popular sovereignty, even when sometimes carving out exceptions to such rules. The notion that society consisted of individuals and was not a body made up of castes, guilds, and other corporate orders had become commonplace by the end of these wars. So international politics and military confrontations are only part of the intriguing story recounted here. For this third edition, Richard Graham has written a new introduction and extensively revised and updated the text. He has also added new illustrations and maps.
Until Vasco da Gama discovered the sea-route to the East in 1497-9 almost nothing was known in the West of the exotic cultures and wealth of the Indian Ocean and its peoples. It is this civilisation, and its destruction at the hands of western invaders, that Richard Hall recreates in this book. Written with all the narrative power and keen analysis of the true storyteller, Hall shows how, from the sixteenth century onwards, the European presence changed the life of the Indian Ocean irrevocably. His history of exploration and exploitation – by Chinese and Arab travellers and later by the Portuguese, Dutch and British – is one of brutality, betrayal and colonial ambition. It is told with an eye for the exotic in a fine, unobtrusive style. It is a compelling and instructive epic. ‘A triumph: a first class comprehensive narrative of the impact upon the people of the Indian Ocean of those who penetrated it. It is hard to believe that this account of a European epic has any rival.’ ‘'Empires of the Monsoon' is a panoramic study of the history of the Indian Ocean and the destruction of its traditional trade by colonial Europe… Its major achievement is to weave into a coherent whole the histories of a kaleidoscope of civilisations and peoples… 'Empires of the Monsoon' reads like some mediaeval Books of Wonders, rich with exotic improbabilities… It is all gripping stuff, dizzily ambitious in its scope and full of some of the oddest facts imaginable.’ ‘A panoramic account of the Indian Ocean and its invaders… combining scholarly zeal with a good journalist’s flair for selection and narrative. This book is full of fascinating information.’ ‘Hall’s lively compendium is rich in bloodthirsty sultans, swashbuckling pirates, hypocritical imperialists and serendipitous Sinbads… He is an enthusiastic storyteller who can hold you with his glittering eye.’
Since independence from Great Britain in 1963, Kenya has survived five decades as a functioning nation-state, holding regular elections; its borders and political system intact and avoiding open war with its neighbours and military rule internally. It has been a favoured site for Western aid, trade, investment and tourism and has remained a close security partner for Western governments. However, Kenya's successive governments have failed to achieve adequate living conditions for most of its citizens; violence, corruption and tribalism have been ever-present, and its politics have failed to transcend its history. The decisions of the early years of independence and the acts of its leaders in the decades since have changed the country's path in unpredictable ways, but key themes of conflicts remain: over land, money, power, economic policy, national autonomy and the distribution of resources between classes and communities.While the country's political institutions have remained stable, the nation has changed, its population increasing nearly five-fold in five decades. But the economic and political elite's struggle for state resources and the exploitation of ethnicity for political purposes still threaten the country's existence. Today, Kenyans are arguing over many of the issues that divided them 50 years ago. The new constitution promulgated in 2010 provides an opportunity for national renewal, but it must confront a heavy legacy of history. This book reveals that history.
The historiography of modern India is largely a pageant of presumed virtues: harmonious territorial unity, religious impartiality, the miraculous survival of electoral norms in the world's most populous democracy. Even critics of injustices within Indian society still underwrite such claims. But how well does the 'Idea of India' correspond to the realities of the Union? In an iconoclastic intervention, Marxist historian Perry Anderson provides an unforgettable reading of the Subcontinent's passage through Independence and the catastrophe of Partition, the idiosyncratic and corrosive vanities of Gandhi and Nehru, and the close interrelationship of Indian democracy and caste inequality. The Indian Ideology caused uproar on first publication in 2012, not least for breaking with euphemisms for Delhi's occupation of Kashmir. This new, expanded edition includes the author's reply to his critics, an interview with the late Praful Bidwai of the Indian weekly Outlook, and a postscript on India under the rule of Narendra Modi. Anderson considers whether his regime is as much of a break with the practices and thought processes of Congress rule as is generally supposed.
The emergence of Brazil, Russia, India, China, and South Africa on a global stage has upset the dominance of the United States as the world's only superpower. But can they chart a path toward a more just global economy? This collection, which brings together leading political economists from around the world, argues that the BRICS are actually amplifying some of the worst features of international capitalism. This book aims to fill a gap in studies of the BRICS grouping of countries (Brazil, Russia, India, China and South Africa). It provides a critical analysis of their economies, societies and geopolitical strategies within the framework of a global capitalism that is increasingly predatory, unequal and ecologically self-destructive -- no more so than in the BRICS countries themselves. In unprecedented detail and with great innovation, the contributors consider theoretical traditions in political economy as applied to the BRICS, including "sub-imperialism," the World System perspective and dynamics of territorial expansion. Only such an approach can interpret the potential for a "brics-from-below" uprising that appears likely to accompany the rise of the BRICS. Contributors: Elmar Altvater, Baruti Amisi, Patrick Bond, Omar Bonilla, Einar Braathen, Pedro Henrique Campos, Ruslan Dzarasov, Virginia Fontes, Ana Garcia, Ho-fung Hung, Richard Kamidza, Karina Kato, Claudio Katz, Mathias Luce, Farai Maguwu, Judith Marshall, Gilmar Mascarenhas, Sam Moyo, Leo Panitch, Bobby Peek, Gonzalo Pozo, Vijay Prashad, Niall Reddy, William Robinson, Susanne Soederberg, Celina Sorboe, Achin Vanaik, Immanuel Wallerstein and Paris Yeros. |
![]() ![]() You may like...
Voices of liberation - 6 volume set
Gerald Pillay, Don Pinnock, …
Paperback
Students Must Rise - Youth Struggle In…
Anne Heffernan, Noor Nieftagodien
Paperback
![]()
Imperialism at the Inter-Colonial…
J Castell (John Castell) 1 Hopkins
Hardcover
R709
Discovery Miles 7 090
After Empires - European Integration…
Giuliano Garavini, Translated by Richard R. Nybakken
Hardcover
R4,269
Discovery Miles 42 690
|