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Books > Reference & Interdisciplinary > Communication studies
Most students struggle with learning how to find references, use
them effectively, and cite them appropriately in a required format.
One of the most common formats is that of APA. The authors all have
vast experience teaching writing courses to various levels of
studentsfrom undergraduates to graduates in other countries.
However, there was lacking a book that could explain the basics of
APA in simple, easy-to-understand language for non-native speakers
of English, who are often unfamiliar with using references and
formatting an essay in a particular method. In order to offer
English Learner student writers a source of information that is
appropriate for their level, and is cost-effective, this updated
APA 7th edition guidebook provides students with important
information in clear, concise, user-friendly language, as well as
to offer practical examples that will help them grasp the concept
of secondary research writing. Much of the published materials on
the market targets native speakers of English. The problem with
this is that they present the nitpicky details of APA in ways that
do not make sense to native speakers of English, let alone to those
for whom English is not their first language, because the
information is presented in very technical terms that are not
easyto understand. This handbook presents the same information in
simplified terms with images and step-by-step instructions in ways
that make sense to both native and non-native English speaking
student writers. Additionally, student writers often struggle with
understanding the concept of plagiarism, as well as how to find
sources, evaluate the appropriateness of sources, and use sources
in effective ways (e.g., how to integrate quotes, when to
paraphrase, among others). This book provides this important
information that is concise and easy to understand. NOTE: This is a
REVISED edition of our original The Concise APA Handbook, which has
been updated for APA 7th edition, which was issued in the fall,
2019.
The role of cultural memory in American identity Terrorism in
American Memory argues that the terrorist attacks of 9/11 and all
that followed in its wake were the primary force shaping United
States politics and culture in the post-9/11 era. Marita Sturken
maintains that during the past two decades, when the country was
subjected to terrorist attacks and promulgated ongoing wars of
aggression, we have veered into increasingly polarized factions and
been extraordinarily preoccupied with memorialization and the
politics of memory. The post-9/11 era began with a hunger for
memorialization and it ended with massive protests over police
brutality that demanded the destruction of historical monuments
honoring racist historical figures. Sturken argues that memory is
both the battleground and the site for negotiations of national
identity because it is a field through which the past is
experienced in the present. The paradox of these last two decades
is that it gave rise to an era of intensely nationalistic politics
in response to global terrorism at the same time that it released
the containment of the ghosts of terrorism embedded within US
history. And within that disruption, new stories emerged, new
memories were unearthed, and the story of the nation is being
rewritten. For these reasons, this book argues that the post-9/11
era has come to an end, and we are now in a new still undefined era
with new priorities and national demands. An era preoccupied with
memory thus begins with the memorial projects of 9/11 and ends with
the radical intervention of the National Memorial for Peace and
Justice, informally known as the Lynching Memorial, in Montgomery,
Alabama, a project that, unlike the nationalistic 9/11 Memorial and
Museum in New York, dramatically rewrites the national script of
American history. Woven within analyses of memorialization,
memorials, memory museums, art projects on memory, and
architectural projects is a discussion about design and
architecture, the increased creation of memorials as experiences,
and the role of architecture as national symbolism and renewal.
Terrorism in American Memory sheds light on the struggles over who
is memorialized, who is forgotten, and what that politics of memory
reveals about the United States as an imaginary and a nation.
Global esports explores the recent surge of esports in the global
scene and comprehensively discusses people's understanding of this
spectacle. By historicizing and institutionalizing esports, the
contributors analyze the rapid growth of esports and its
implications in culture and digital economy. Dal Yong Jin curates a
discussion as to why esports has become a global phenomenon. From
games such as Spacewar to Starcraft to Overwatch, a key theme,
distinguishing this collection from others, is a potential shift of
esports from online to mobile gaming. The book addresses why many
global game players and fans play and enjoy online and mobile games
in professional game competitions, and therefore, they investigate
the manner in which the transfer to, from and between online and
mobile gaming culture is occurring in a specific subset of global
youth. The remaining focus identifies the major platforms used to
enjoy esports, including broadcasting and smartphones. By analyzing
these unexamined or less-discussed agendas, this book sheds light
on the current debates on the growth of global esports culture.
Diving Deeper into Communication: An Introduction and Beyond not
only provides students with the foundational information they need
to understand the broad study of communication, but also
demonstrates how to "do" communication. The book describes the
different areas of communication studies and explores their unique
features. Equipped with this knowledge, students interested in
communication studies will better understand the avenues and
careers available to them. The book is organized into four
sections, which correspond to the four primary fields of
communication: interpersonal, instructional, and health
communication; mass communication; strategic and organizational
communication; and intercultural and communication for social
change. Each section provides an introduction to the communication
field, followed by an exploration of research within the field to
promote deeper understanding and scholarly interest. Featuring
content written by a variety of experts within the field, the book
helps students explore relational sharing, cancer communication,
mass media and gender identity, digital communication, pop culture
and communication, and more. Engrossing, scholarly, and designed to
pique students' interest in the discipline, Diving Deeper into
Communication is well suited for foundational courses in
communication.
The debate over US involvement in World War II was a turning point
in the history of both US foreign policy and radio. In this book
the author argues that the debate's historical significance cannot
be fully appreciated unless these stories are understood in
relation rather than in isolation. All the participants in the
Great Debate took for granted the importance of radio and made it
central to their efforts. While they generally worked within
radio's rules, they also tried to work around or even break those
rules, setting the stage for changes that ultimately altered the
way media managed American political discourse. This study breaks
with traditional accounts that see radio as an industry biased in
favor of interventionism. Rather, radio fully aired the opposing
positions in the debate. It nonetheless failed to resolve fully
their differences. Despite the initial enthusiasm for radio's
educational potential, participants on both sides came to doubt
their conviction that radio could change minds. Radio increasingly
became a tool to rally existing supporters more than to recruit new
ones. Only events ended the debate over US involvement in World War
II. The larger question-of what role the US should play in world
affairs-remained.
As media becomes more readily available in the digital age, it also
becomes more vulnerable to tampering and manipulation, making
techniques for verifying reliable news and media sources essential.
Understanding online technologies' role in shaping the media
environment allows for insight into the correlations between the
rapidly transforming media landscape and its unwanted effect on
news and content tampering. Cross-Media Authentication and
Verification: Emerging Research and Opportunities is a collection
of innovative research on the methods and applications of verifying
the newsgathering and publishing process. While highlighting topics
including human authentication, information evaluation, and
tampered content, this book is ideally designed for researchers,
students, publishers, and academicians seeking current research on
media authenticity and misinformation.
Since the fall of 2014, The Advice King has been one of the most
widely read sections of alt-weekly the Nashville Scene. The Advice
King Anthology contains the best of those columns, with new
In-the-Meantime notes, a new introduction, and a foreword by writer
Tracy Moore. If you are looking for traditional advice, this might
not be the book for you. But if you care to find the incendiary,
subversive, and hilarious alongside actual thoughts about
addiction, depression, gentrification, politics, poetry, music,
economic policy, living in New Nashville, and (inevitably) romance,
the Advice King has much to offer.
During the Brexit referendum campaign it became clear how easily
national conversations around politics could become raucous and
bitter. This book explores the nature of talking about politically
contentious issues and how our society can begin to develop a more
constructive culture of political talk. Uniquely, this study
focuses on citizens own experiences and reflections on developing,
practising and evaluating their own political voices. Based on
seventy in-depth interviews with a diverse range of people, Stephen
Coleman explores the intricate nature of interpersonal political
talk and what this means for public attitudes towards politics and
how people negotiate their political identities. Engaging with a
broad range of subjects from Political Communication to Sociology
this book offers valuable insight into how the public can discuss
politically turbulent topics in a meaningful and constructive way.
The mass production and diversification of media have accelerated
the development of popular culture. This has started a new trend in
consumerism of desiring new consumption objects and devaluing those
consumption objects once acquired, thus creating a constant demand
for new items. Pop culture now canalizes consumerism both with
advertising and the marketing of consumerist lifestyles, which are
disseminated in the mass media. The Handbook of Research on
Consumption, Media, and Popular Culture in the Global Age discusses
interdisciplinary perspectives on media influence and consumer
impacts in a globalizing world due to modern communication
technology. Featuring research on topics such as consumer culture,
communication ethics, and social media, this book is ideally
designed for managers, marketers, researchers, academicians, and
students.
Aestheticization of evil is a frequently used formula in cinema and
television. However, the representation of evil as an aesthetic
object pushes it out of morality. Moral judgments can be pushed
aside when evil is aestheticized in movies or TV series because
there is no real victim. Thus, situations such as murder or war can
become a source of aesthetic pleasure. Narratives in cinema and
television can sometimes be based on a simple good-evil dichotomy
and sometimes they can be based on individual or social experiences
of evil and follow a more complicated method. Despite the various
ways evil is depicted, it is a moral framework in film and
television that must be researched to study the implications of
aestheticized evil on human nature and society. International
Perspectives on Rethinking Evil in Film and Television examines the
changing representations of evil on screen in the context of the
commonness, normalization, aestheticization, marginalization,
legitimization, or popularity of evil. The chapters provide an
international perspective of the representations of evil through an
exploration of the evil tales or villains in cinema and television.
Through looking at these programs, this book highlights topics such
as the philosophy of good and evil, the portrayal of heroes and
villains, the appeal of evil, and evil's correspondence with gender
and violence. This book is ideal for sociologists, professionals,
researchers and students working or studying in the field of cinema
and television and practitioners, academicians, and anyone
interested in the portrayal and aestheticization of evil in
international film and television.
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