El llamado auge de la visibilidad transgenero no ha sido ajeno a Latinoamerica, ejemplo de ello es el aclamado filme Una mujer fantastica (2017) galardonado con prestigiosos premios en la region y fuera de ella. El presente libro explora dicha visibilidad en la prensa y el cine de Colombia y Venezuela a traves de una metodologia interdisciplinar, interseccional y decolonial. En el, se exploran los estereotipos y estrategias discursivas que la prensa de ambos paises utiliza para construir discursivamente la imagen de las mujeres trans. Ademas, se sostiene que las producciones audiovisuales proponen formas alternativas de representacion, pues en ellas la subjetividad trans es representada de manera compleja donde convergen aspectos sociohistoricos, politicos y economicos.

Life writing is people-centered nonfiction writing. Not just autobiographical or biographical, life writing encompasses a broad range of personal-experience narratives. Life writing can be serious or humorous or both. It can include any kind of subject matter because people are always at the heart of any endeavor. Fred D. White, Ph.D., author of four textbooks on writing, walks the reader through the life writing process from research to composition to revision to marketing.

This book will help students in choosing a topic for their thesis that they can investigate and turn into a short paper or a long dissertation. The book looks at questions like the following. What should feed into their choice of a supervisor? How should they compile and organise their bibliography and set about writing the introduction? What are some tips for writing paragraphs and entire chapters and producing conclusions? What are ways of providing references, using helpful (or at least correct) punctuation, avoiding common mistakes in spelling, and improving their level of writing? When difficulties arise-for instance, with their supervisor-how might they cope with and resolve such difficulties? This book is a guide. It aims to offer straightforward suggestions about doing research, putting the results into a convincing form, and dealing with difficulties that inevitably arise. The overall objective of this book is to provide students and their supervisors with some down-to-earth proposals about things to do and things to avoid when preparing and producing a long essay or a thesis. This book is the result of many years of teaching and supervising students.

In Film und Literatur gibt es durch kanonisierte UEberwachungserzahlungen eine Vielzahl von Narrativen der UEberwachung, die in das Alltagswissen ubergegangen sind und die kulturellen Verhandlungen und Vorstellungen von Privatheit und Autonomie pragen. Doch auch in einer Vielzahl von anderen Medien und Diskursen lassen sich Narrative der UEberwachung finden, wie etwa im Computerspiel, in der Werbung, in Dokumentationen oder der Aktionskunst, und nicht zuletzt in der Wissenschaft selbst. Der Band widmet sich Modellierungen von UEberwachung und geht Entwicklungen von Erzahlungen und Diskursen anhand von verschiedenen Beispielen nach. Die interdisziplinaren Perspektiven nehmen dabei auch das Verhaltnis der UEberwachungsnarrative zu Sicherheits-, Privatheits- und Digitalisierungsthemen in den Blick.

With this latest book in the SCAD Creative Essentials series from the esteemed Savannah College of Art and Design, comics writer and instructor Mark Kneece gives aspiring comic book writers the essential tools they need to write scripts for sequential art with confidence and success. He provides a practical set of guidelines favoured by many comic book publishers and uses a unique trial and error approach to show would-be scribes the potential pitfalls they might encounter when seeking a career in comics writing. The Art of Comic Book Writing strips away the mysteries of this popular artform and provides real-world advice and easy-to-follow examples for those looking to write for the comics medium.

Elements of Indigenous Style offers Indigenous writers and editors-and everyone creating works about Indigenous Peoples-the first published guide to common questions and issues of style and process. Everyone working in words or other media needs to read this important new reference, and to keep it nearby while they're working. This guide features: * Twenty-two succinct style principles. * Advice on culturally appropriate publishing practices, including how to collaborate with - Indigenous Peoples, when and how to seek the advice of Elders, and how to respect Indigenous Oral Traditions and Traditional Knowledge. * Terminology to use and to avoid. * Advice on specific editing issues, such as biased language, capitalization, and quoting from historical sources and archives. * Case studies of projects that illustrate best practices.

Off the Page examines the business and craft of screenwriting in the era of media convergence. Bernardi and Hoxter use the recent history of screenwriting labor coupled with close analysis of the screenwriting para-industry-from "how to write a winning script" books to screenwriting software-to explore the state of screenwriting throughout the US media industries. They address the conglomerate studios making tentpole movies, expanded television, Indiewood, independent animation, microbudget scripting, the video games industry, and online content creation. This book is designed to be used by students and writers who want to understand what studios want and why they want it, but also how scripting is developing in the convergent media, beneath and beyond the Hollywood tent-pole. By addressing specific genres old and new, across a wide range of media, this essential volume sets the standard for anyone in the expanded screenwriting industry and the scholars that study it.

Este libro aborda la produccion cultural en Espana y Latinoamerica en los anos noventa del siglo XX, desde una variedad de perspectivas historicas y metodologicas. Este es un periodo decisivo para discernir la configuracion socio-historica contemporanea dado que el mundo en que vivimos es, en gran parte, heredero de los cambios que se produjeron durante esta decada.El volumen se divide en tres partes. La primera, "Flujos transnacionales de produccion, representacion y consumo", explora una serie de conexiones entre el audiovisual europeo y el latinoamericano; la segunda, "Cine comercial, independiente y documental: teoria y praxis", estudia diferentes aspectos del panorama cinematografico espanol; la tercera, "Television, musica y cultura popular", aborda cambios sustanciales en diversos ambi-tos culturales en Espana y Brasil, y analiza una serie de artefactos contemporaneos que reevaluan los anos noventa

Narrative designers and game designers are critical to the development of digital and analog games. This book provides a detailed look at the work writers and designers perform every day on game development projects. It includes practical advice on how to break into the game industry as a writer or game designer. Readers can use the templates and detailed instructions provided here to create lively portfolios that will help open the door to jobs in the game industry. Key features of this book: * An intimate look at the workings of AAA game development from someone who has spent decades embedded on teams at well-known companies. * An insider's look at the game industry, including advice on breaking into the industry. * Detailed instructions for creating a portfolio to demonstrate narrative design and game design skills to prospective employers. * Lessons and exercises to help students develop narrative design and game design skills. * A how-to guide for college instructors teaching classes in narrative design and game design. Detailed assignments and syllabi are included. Author Bio: Michael Breault is a 35-year industry veteran who has contributed his writing and game design skills to over 130 published games. He currently teaches narrative design and game design courses at Webster University in St. Louis. The courses he creates and teaches are based on the tasks narrative designers and game designers undertake every day while developing games. These classes provide his students with a real-world view of the work they will be doing as writers and designers in the game industry.

This beautiful gift is for writers at any stage, whether you're just starting out or know exactly what you want to write. It's a full writing course, packed with information, support, advice, ideas and tools to help you focus your writing and share it with the world. It includes a 6-month subscription to Writing Magazine and a beautiful notebook in which to record your thoughts and ideas on the go, or as you listen to the accompanying MP3 CD. Full of inspiring, creativity-boosting suggestions, you'll not only learn how to write with confidence but also discover how the publishing industry works, who does what, and how decisions are made. Discover the tips, tricks and insider secrets that will help you fine-tune your creative writing - and launch your publishing career. Includes: * Chris Sykes' Complete Creative Writing Course - the 368pp book * Complete Creative Writing Course - the audio accompaniment to the Complete Creative Writing Course book. * The Insider's Guide to Publishing - full of tips and insights (Features the key content from Teach Yourself's Get Your Book Published and Get Started in Self-Publishing) * Deluxe notebook for when inspiration strikes * 6-month subscription to Writing Magazine ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their stories. Covering a range of genres from science fiction and romantic novels to illustrated children's books and comedy, this series is packed with advice, exercises, and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community, at tyjustwrite.com, for budding authors and successful writers to connect and share.

Este es el primer libro dedicado en su integridad a las adaptaciones cinematograficas de la comedia aurea. Con el, el Siglodorismo salda una deuda contraida con un patrimonio filmico que hasta fechas muy recientes habia despertado el interes solo de unos pocos. Desde una perspectiva interdisciplinar, la autora analiza diez peliculas y ofrece un recorrido a traves de la historia del cine que permite entender como, durante los ultimos cien anos, lectores de distintas ideologias y naciones se han aproximado al teatro barroco y lo han reescrito a voluntad. Los resultados invitan a reflexionar no solo sobre el poder que poseen las pantallas para dar a conocer (o bien condenar al olvido) un espectaculo que en su dia fue de masas, sino tambien sobre la actitud que deben tomar los especialistas hacia esta clase de producciones.

The New Writer's Guide to Producing Great Content Everyone has that fabled "book in them" but not everyone has the talent to write it. Right? Wrong. Great writing's not a talent. It's a craft. It can be taught and learnt, affording everyone the confidence to express themselves in words. Writing Well for Work & Pleasure teaches you how to start your writing project and how to keep going. It deconstructs the elements of writing - creating a step-by-step process for generating content that's ready for publication. With tips on style, eloquence and finding your voice, it also teaches you how to write for different audiences, including professionals, the public, students, customers and even your opponents. And it helps writers talk to editors, publishers and other industry insiders. This book is for professionals and academics wanting to write that book; ambitious executives needing to write a white paper to accelerate their careers; managers being asked to write articles for publication; artisans and hobbyists with skills to convey; idealists and polemicists wanting to inspire and agitate; and anyone wanting to write well in order to improve their communications skills. "If you follow Robert Kelsey's advice you will produce better prose, which will be both easier for readers to understand and more persuasive, whichever audience you are addressing. I strongly recommend it," Luke Johnson, columnist, author, serial entrepreneur and Chairman of Risk Capital Partners

Die Untersuchung bietet die erste Bestandsaufnahme eines bemerkenswerten Phanomens des politischen Gegenwartstheaters: In den Spielzeiten 2012/13 bis 2017/18 wurden 25 Theatertexte uraufgefuhrt, die sich mit der Verbrechensserie der Terrorgruppe 'Nationalsozialistischer Untergrund' (NSU) befassen. Sie reagieren damit auf Leerstellen der politischen, gesellschaftlichen sowie juristischen Aufarbeitung des NSU. Die Studie untersucht ausgewahlte prototypische Theatertexte von Elfriede Jelinek bis Nuran David Calis und deren Inszenierungen. Der Fokus auf Zeugenschaft als Analyseperspektive verbindet Fragen der Darstellung, wie jene von Angehoerigen der Opfer oder von TaterInnenfiguren, mit Fragen der Rezeption von TheaterzuschauerInnen.

Realisateur britannique de fictions politiques, Peter Kosminsky a fait le choix d'investir une television aux potentialites politiques evidentes. Ses scenarios filmiques offrent un traitement holistique a une actualite recente, souvent abordee de maniere parcellaire, voire sensationnelle. L'examen des oeuvres de Peter Kosminsky permet de mieux comprendre le caractere atypique de son parcours: comment, en optant pour la fiction il est parvenu a porter a l'attention de tous, un travail de questionnement des politiques gouvernementales au Royaume-Uni depuis les annees 1990. L'ambition de cet ouvrage, qui revient sur l'ensemble des films de Peter Kosminsky, est aussi de montrer comment la television britannique s'est emparee de la fiction a valeur documentaire pour retraiter l'actualite.

Drawing on contemporary histories of film and screenwriting, as well as American screenwriting manuals from the 1910s and 1920s, this volume breaks new ground in thinking about the nature of screenwriting and its shape as a particular kind of practice. The author examines such topics as the notion of the script as blueprint, the emergence of the screenplay, and the politics of writing for the screen. Bringing an accessible academic approach to practitioner-oriented discussions of craft, the book provides new perspectives on auteurism, processes of funding, digital technology, and the future of screenwriting. Focusing primarily on American style and practices, this book builds on a wide range of writings by filmmakers and screenwriters and the work of different critics and theorists, including Sergei Eisenstein, Pier Paolo Pasolini, Janet Staiger, and Dudley Nichols. Arguing that the study of film has yet to come to terms with screenwriting and the script, this work will be a vital contribution to debates on film and the critical analysis of screenwriting.

Diese Studie wurde vom VDI mit dem Conrad-Matschoss-Preis 2021 ausgezeichnet. Zu Beginn der 1930er Jahre tauchten im bis dato expressionistisch gepragten deutschen Zukunftsfilm vermehrt Ingenieure auf, die als Helden technischer Grossprojekte einem vordergrundigen Fortschrittsoptimismus froenten. Dabei verwiesen diese Filmfiguren auf Ordnungsvorstellungen, die technokratische bis voelkische Loesungen der zeitgenoessisch virulenten Frage nach dem Konflikt von Kapital und Arbeit bemuhten. In einem technikhistorischen Zugriff auf cineastische vergangene Zukunfte sowie unter Anwendung des Konzepts der hegemonialen Mannlichkeit analysiert die Autorin die filmische Inszenierung von Ingenieuren und Technik. Sie zeigt auf, dass sich diese Filme als (Zerr-)Spiegel einer zentralen Konfliktlinie der industriellen Klassengesellschaft der Zwischenkriegszeit verstehen lassen.

Der Band enthalt Studien zum Musiktheater von der Fruhen Neuzeit bis ins spate 19. Jahrhundert. Im Mittelpunkt stehen Fragen der Poetik und AEsthetik sowie der spezifischen Bedeutungserzeugung im Musiktheater. Als Kombination sprachlicher, musikalischer und szenischer Komponenten erfordert das Musiktheater eigene Methoden der wissenschaftlichen Auseinandersetzung. Dies wird an konkreten Fallbeispielen (auch aus der historischen Operntheorie) gezeigt. Behandelt werden dabei u.a. Werke von Gluck, Mozart und Wagner, Libretti von Goethe und Hoffmann sowie theoretische Schriften von Martello und Algarotti. Die Studien zeigen, welch herausforderndes Potential das Musiktheater insbesondere fur die literaturwissenschaftliche Forschung bereithalt.

The road to rejection is paved with bad beginnings. Agents and editors agree: Improper story beginnings are the single biggest barrier to publication. Why? If a novel or short story has a bad beginning, then no one will keep reading. It's just that simple. In Hooked, author Les Edgerton draws on his experience as a successful fiction writer and teacher to help you overcome the weak openings that lead to instant rejection by showing you how to successfully use the ten core components inherent to any great beginning. You'll find: Detailed instruction on how to develop your inciting incident Keys for creating a cohesive story-worthy problem Tips on how to avoid common opening gaffes like overusing backstory A rundown on basics such as opening scene length and transitions A comprehensive analysis of more than twenty great opening lines from novels and short stories Plus, you'll discover exclusive insider advice from agents and acquiring editors on what they look for in a strong opening. With Hooked, you'll have all the information you need to craft a compelling beginning that lays the foundation for an irresistible story!