Die Untersuchung bietet die erste Bestandsaufnahme eines bemerkenswerten Phanomens des politischen Gegenwartstheaters: In den Spielzeiten 2012/13 bis 2017/18 wurden 25 Theatertexte uraufgefuhrt, die sich mit der Verbrechensserie der Terrorgruppe 'Nationalsozialistischer Untergrund' (NSU) befassen. Sie reagieren damit auf Leerstellen der politischen, gesellschaftlichen sowie juristischen Aufarbeitung des NSU. Die Studie untersucht ausgewahlte prototypische Theatertexte von Elfriede Jelinek bis Nuran David Calis und deren Inszenierungen. Der Fokus auf Zeugenschaft als Analyseperspektive verbindet Fragen der Darstellung, wie jene von Angehoerigen der Opfer oder von TaterInnenfiguren, mit Fragen der Rezeption von TheaterzuschauerInnen.

The New Writer's Guide to Producing Great Content Everyone has that fabled "book in them" but not everyone has the talent to write it. Right? Wrong. Great writing's not a talent. It's a craft. It can be taught and learnt, affording everyone the confidence to express themselves in words. Writing Well for Work & Pleasure teaches you how to start your writing project and how to keep going. It deconstructs the elements of writing - creating a step-by-step process for generating content that's ready for publication. With tips on style, eloquence and finding your voice, it also teaches you how to write for different audiences, including professionals, the public, students, customers and even your opponents. And it helps writers talk to editors, publishers and other industry insiders. This book is for professionals and academics wanting to write that book; ambitious executives needing to write a white paper to accelerate their careers; managers being asked to write articles for publication; artisans and hobbyists with skills to convey; idealists and polemicists wanting to inspire and agitate; and anyone wanting to write well in order to improve their communications skills. "If you follow Robert Kelsey's advice you will produce better prose, which will be both easier for readers to understand and more persuasive, whichever audience you are addressing. I strongly recommend it," Luke Johnson, columnist, author, serial entrepreneur and Chairman of Risk Capital Partners

Diese Studie wurde vom VDI mit dem Conrad-Matschoss-Preis 2021 ausgezeichnet. Zu Beginn der 1930er Jahre tauchten im bis dato expressionistisch gepragten deutschen Zukunftsfilm vermehrt Ingenieure auf, die als Helden technischer Grossprojekte einem vordergrundigen Fortschrittsoptimismus froenten. Dabei verwiesen diese Filmfiguren auf Ordnungsvorstellungen, die technokratische bis voelkische Loesungen der zeitgenoessisch virulenten Frage nach dem Konflikt von Kapital und Arbeit bemuhten. In einem technikhistorischen Zugriff auf cineastische vergangene Zukunfte sowie unter Anwendung des Konzepts der hegemonialen Mannlichkeit analysiert die Autorin die filmische Inszenierung von Ingenieuren und Technik. Sie zeigt auf, dass sich diese Filme als (Zerr-)Spiegel einer zentralen Konfliktlinie der industriellen Klassengesellschaft der Zwischenkriegszeit verstehen lassen.

Der Band enthalt Studien zum Musiktheater von der Fruhen Neuzeit bis ins spate 19. Jahrhundert. Im Mittelpunkt stehen Fragen der Poetik und AEsthetik sowie der spezifischen Bedeutungserzeugung im Musiktheater. Als Kombination sprachlicher, musikalischer und szenischer Komponenten erfordert das Musiktheater eigene Methoden der wissenschaftlichen Auseinandersetzung. Dies wird an konkreten Fallbeispielen (auch aus der historischen Operntheorie) gezeigt. Behandelt werden dabei u.a. Werke von Gluck, Mozart und Wagner, Libretti von Goethe und Hoffmann sowie theoretische Schriften von Martello und Algarotti. Die Studien zeigen, welch herausforderndes Potential das Musiktheater insbesondere fur die literaturwissenschaftliche Forschung bereithalt.

Writing to Awaken is an inspirational investigation of the self through expressive writing, guiding you along the path of awakening through radical truth-telling and self-inquiry. With targeted and revelatory questions, you'll be prompted to explore your own personal narrative-to write honestly about your deepest wounds, greatest challenges, hidden gifts, yearnings, and opportunities for growth-in order to discover a deeply authentic understanding of yourself and move toward a more liberated, truthful life. We each have our own story, a personal myth constructed from the content life presents us: we connect dots to shape the narrative, devise plotlines from circumstance, change characters, fashion conflicts, and adjust structure, settings, and themes as our lives unfold. But so often, over time, we come to believe that we are our story, identifying so strongly with the tales we've told ourselves and others that we cling to them for our very existence-even when they don't quite fit. The realization that there's a discrepancy between the narrative you've crafted and your authentic self can be disconcerting at first, but the exploration of that gap is a doorway to personal freedom, and this book will lead you through it. The writing exercises in this guide, one for nearly every week of the year, ask you to tell the whole truth about your experience. In doing so, you'll come to realize that once you engage in this radical truth-telling, expressing yourself with complete honesty, your story changes; and when your story changes, your life is transformed. Rather than sticking with your illusive and tricky "Story of Me," you'll be prompted to go even deeper, piercing your personal myth and illuminating aspects of psyche and spirit that give way to profound moments of understanding and personal healing. This is not a how-to book for writers; it's an invitation on a journey of self-discovery-a guide to facing yourself without flinching, accepting yourself as you are, surrendering to what is, and daring to question and transform what isn't true. With Writing to Awaken, you'll learn how to break free from the trance of mistaken identity and discover your essential, authentic self.

Listed in The Boston Globe's Best Poetry Books of 2014 Finalist for the Lambda Literary Award in Gay Poetry Winner of The Believer Poetry Award "The (Soma)tic Exercises are innovative and crucial to our art form...Conrad must be one of the most original practitioners of poetry forging new territory."--The Rumpus "There was a time some of us believed poetry and poets could save the world; CAConrad never stopped believing it."--The Huffington Post From "M.I.A. ESCALATOR": The ultrasound machine gives the parents the ability to talk to the unborn by their gender, taking the intersexed nine-month conversation away from the child. The opportunities limit us in our new world. Encourage parents to not know, encourage parents to allow anticipation on either end. Escalators are a nice ride, slowly rising and falling, writing while riding, notes for the poem, meeting new people at either end, "Excuse me, EXCUSE ME..." My escalator notes became a poem. CAConrad's ECODEVIANCE contains twenty-three new (Soma)tic writing exercises and their resulting poems, in which he pushes his political and ecological efforts even further. These exercises, unorthodox steps in the writing process, work to break the reader and writer out of the quotidian and into a more politically and physically aware present. In performing these rituals, CAConrad looks through a sharper lens and confirms the necessity of poetry and politics. CAConrad is the author of A Beautiful Marsupial Afternoon (Wave Books, 2012) and The Book of Frank (Wave Books, 2010/Chax Press, 2009), as well as several other books of poetry and essays. A 2014 Lannan Fellow, a 2013 MacDowell Fellow, and a 2011 Pew Fellow, he also conducts workshops on (Soma)tic poetry and Ecopoetics.

Don't wait for inspiration to strike! Whether you're an aspiring or published poet, this book will help you get in a frame of mind to make creative writing a consistent part of your life. With prompts from Robert Lee Brewer's popular blog, Poetic Asides on the Writer's Digest website, you'll find 125 ideas for writing poems along with the blank space you need to respond to the prompt. Perfectly sized to carry in a backpack or purse, you can jot down ideas for poems as you're waiting in line for a morning coffee or take it to the park for a breezy afternoon writing session.

This beautiful gift is for writers at any stage, whether you're just starting out or know exactly what you want to write. It's a full writing course, packed with information, support, advice, ideas and tools to help you focus your writing and share it with the world. It includes a 6-month subscription to Writing Magazine and a beautiful notebook in which to record your thoughts and ideas on the go, or as you listen to the accompanying MP3 CD. Full of inspiring, creativity-boosting suggestions, you'll not only learn how to write with confidence but also discover how the publishing industry works, who does what, and how decisions are made. Discover the tips, tricks and insider secrets that will help you fine-tune your creative writing - and launch your publishing career. Includes: * Chris Sykes' Complete Creative Writing Course - the 368pp book * Complete Creative Writing Course - the audio accompaniment to the Complete Creative Writing Course book. * The Insider's Guide to Publishing - full of tips and insights (Features the key content from Teach Yourself's Get Your Book Published and Get Started in Self-Publishing) * Deluxe notebook for when inspiration strikes * 6-month subscription to Writing Magazine ABOUT THE SERIES The Teach Yourself Creative Writing series helps aspiring authors tell their stories. Covering a range of genres from science fiction and romantic novels to illustrated children's books and comedy, this series is packed with advice, exercises, and tips for unlocking creativity and improving your writing. And because we know how daunting the blank page can be, we set up the Just Write online community, at tyjustwrite.com, for budding authors and successful writers to connect and share.

En la historia como en la actualidad latinoamericana las ninas y los ninos son expuestos a multiples formas de violencia, desde el microcosmos de la familia hasta el macrocosmos de la sociedad. En el siglo XX, la violencia no ha logrado alejarse de la vida de millones de ninos a lo largo y ancho de la region. Esto concierne tambien a los traumas ocasionados por las dictaduras y los conflictos armados. El cine latinoamericano expone como la violencia afecta a la infancia en todos los ambitos de la vida cotidiana y en la construccion de una memoria individual e historica. Desde una perspectiva interdisciplinaria y con un enfoque centrado en los procesos historicos del siglo XX en America Latina, este libro reune a un grupo de especialistas que analizan las relaciones entre la infancia y la violencia en el cine comercial, independiente y propagandistico.

IF YOU'RE TIRED OF REJECTION, THIS IS THE BOOK FOR YOU.

Whether you are a novice writer or a veteran who has already had your work published, rejection is often a frustrating reality. Literary agents and editors receive and reject hundreds of manuscripts each month. While it's the job of these publishing professionals to be discriminating, it's the job of the writer to produce a manuscript that immediately stands out among the vast competition. And those outstanding qualities, says New York literary agent Noah Lukeman, have to be apparent from the first five pages.

"The First Five Pages" reveals the necessary elements of good writing, whether it be fiction, nonfiction, journalism, or poetry, and points out errors to be avoided, such as

* A weak opening hook

* Overuse of adjectives and adverbs

* Flat or forced metaphors or similes

* Melodramatic, commonplace or confusing dialogue

* Undeveloped characterizations and lifeless settings

* Uneven pacing and lack of progression

With exercises at the end of each chapter, this invaluable reference will allow novelists, journalists, poets and screenwriters alike to improve their technique as they learn to eliminate even the most subtle mistakes that are cause for rejection. "The First Five Pages" will help writers at every stage take their art to a higher -- and more successful -- level.

This title peeks inside the writerly testing grounds of Sue Grafton, Kim Stafford, Maureen Stanton, and others. This collection of essays by well-established professional writers explores how their notebooks serve as their studios and workshops - places to collect, to play, and to make new discoveries with language, passions, and curiosities. For these diverse writers, the journal also serves as an ideal forum to develop their writing voice, whether crafting fiction, nonfiction, or poetry. Some entries include sample journal entries that have since developed into published pieces. Through their individual approaches to keeping a notebook, the contributors offer valuable advice, personal recollections, and a hardy endorsement of the value of using notebooks to document, develop, and nurture a writer's creative spark. Designed for writers of all genres and all levels of experience, ""Writers and Their Notebooks"" celebrates the notebook as a vital tool in a writer's personal and literary life.

Die literaturwissenschaftliche Studie widmet sich den Werken des oesterreichischen Schriftstellers Robert Musil (1880-1942) und des israelischen Filmemachers Amos Gitai (*1950). Die Analyse erbringt erstmalig den Nachweis, dass sich Gitai in seinen Filmen mit dem beruhmten Musilschen Moeglichkeitsdenken auseinandersetzt. Vor dem aktuellen Hintergrund des Israel-Palastina-Konfliktes wird der Moeglichkeitssinn dabei als innovatives und visionares Modell erkennbar, das sich sowohl in ethischer, in medienphilosophischer und letztlich auch in aktuell-politischer Hinsicht als Transmedium einer beweglichen kritischen Praxis auszeichnet.

A classic guide to dramatic writing now revised and expanded for a new generation of playwrights and screenwriters This practical guide provides the principles of dramatic writing. Playwrights and screenwriters will discover these essential principles and acquire the tools to put them to use. Sam Smiley incorporates extensive new material in Playwriting: The Structure of Action, a revised edition of the book that dramatists in theatre and film have relied on for more than twenty-five years. No writer, director, critic, or teacher concerned with dramatic writing should be without this intelligent and inspiring guide. Sam Smiley offers insights derived from a lifetime of writing, teaching, and consulting. While preserving the best of the earlier edition of the book, he offers new discussion on contemporary playwrights (Tony Kushner and Tom Stoppard), on copyright law, on new writing approaches, and on nontraditional dramatic forms. Reaching far beyond simplistic how-to instructions, the book focuses on identifying and explaining principles essential to creating dramas: plot, character, thought, diction, melody, and spectacle. Smiley explains these classic topics and provides the modern keys for realizing each element in effective dramatic scripts.

"Travesties" was born out of Stoppard's noting that in 1917 three of the twentieth century's most crucial revolutionaries -- James Joyce, the Dadaist founder Tristan Tzara, and Lenin -- were all living in Zurich. Also living in Zurich at this time was a British consula official called Henry Carr, a man acquainted with Joyce through the theater and later through a lawsuit concerning a pair of trousers. Taking Carr as his core, Stoppard spins this historical coincidence into a masterful and riotously funny play, a speculative portrait of what could have been the meeting of these profoundly influential men in a germinal Europe as seen through the lucid, lurid, faulty, and wholy riveting memory of an aging Henry Carr.

AEsthetische Ausdrucksformen wie Literatur, Theater, Film aber auch vermehrt digitale Medien wenden sich dem Thema der Gewalt in all ihren ausdifferenzierten Wahrnehmungsformen zu. Dabei heben sie oftmals gewaltsam unterdruckte oder ausgegrenzte Diskurse hervor und fungieren gleichzeitig als Gewaltreflexion und Gewaltkritik. Gewalt setzt dabei eine Adressierung voraus und zielt auf den Zuschauer, der sich in diesem Gewaltgefuge verorten muss. Die einzelnen Beitrage des Bandes entschlusseln die komplexen Konstellationen der unterschiedlichen Visualisierungen von Gewalt in filmischen und literarischen Narrationen und machen diese sichtbar.

Jeffrey Hatcher knows the nuts and bolts of writing for the theater. Here, he shares his views on it all--from building tension and plotting a scene, right down to moving a character from one side of the stage to the other. From crafting an intriguing beginning to delivering a satisfying ending.

In Hatcher's one-on-one discussions with acclaimed American playwrights Lee Blessing, Marsha Norman and Jose Rivera, you'll find a wealth of practical advice, tricks of the trade and insight that will help you in your own creative efforts.

Der Band erfasst die Simultanitat von religioesen und sakularen Diskursen im Werk von Pier Paolo Pasolini. Ausgehend von Pasolinis theoretischen und gesellschaftspolitischen Schriften analysiert die Autorin die spezifische AEsthetik des Werkes, die sich uber einen weitreichenden Mediendialog entfaltet und die Heiligung des Profanen wie die Profanation des Heiligen verhandelt. Die Basis des Buchs bildet die systematische Untersuchung der unterschiedlichen Referenzsysteme. Der Band beschreibt die musikalischen, pikturalen und literarischen Referenzen in Romanen und Filmen nicht als isolierte Phanomene, sondern als Bestandteil eines umfassenden und kontinuierlichen Verfahrens und verortet dieses im Kontext der Romania.

This important book defines what investigative reporting is and what qualities it requires. Drawing on the experience of many well-known journalists in the field, the author identifies the skills, common factors and special circumstances involved in a wide variety of investigations. It examines how opportunities for investigations can be found and pursued, how informants can be persuaded to yield needed information and how and where this information can be checked. It also stresses the dangers and legal constraints that have to be contended with and shows real life examples such as the Cook Report formula, the Jonathan Aitken investigation and the Birmingham Six story.
David Spark, himself a freelance writer of wide experience, examines how opportunities for investigations can be found and pursued, how informants can be persuaded to yield needed information and how and where this information can be checked. He also stresses the dangers and legal constraints that have to be contended with and shows investigators at work in two classic inquiries:
- The mysterious weekend spent in Paris by Jonathan Aitken, then Minister of Defence Procurement
- The career of masterspy Kim Philby
Investigative Reporting looks at such fields for inquiry as company frauds (including those of Robert Maxwell), consumer complaints, crime, police malpractice, the intelligence services, local government and corruption in Parliament and in overseas and international bodies.
The author believes that the conclusions that emerge from this far-reaching survey are of value not only in investigative journalism, but to practitioners in all branches of reporting.
The most comprehensive book oninvestigative journalism
Learn first hand from real-life examples
Get tips on writing style and where to find ideas

Three-time Emmy Award-winner Gene Perret's "Comedy Writing Step by Step" has been the manual for humor writers for 25 years. In this new book, his first update, Perret offers readers a treasure trove of guidelines and suggestions covering a broad range of comedy writing situations, along with many all-important insights into the selling of one's work. Perret covers all aspects of comedy writing in his uniquely knowledgeable and anecdotal fashion.

NOVELISTA is a friendly, straight-talking writing guide for people who want to write a novel but don't know how to begin. It asks all the important questions and gives a host of reassuring answers that demonstrate that anyone can write a novel - even you! To begin with, what the hell is a novel? It's basically a tiny world, where characters are born, live, and (sometimes) die. To write one all you need is a notebook and a pen - but along the way you'll want to learn about good writing habits, planning, mastering descriptions and dialogue and how to pull it all together. This book will guide you through the process and orient you towards the goal of publication. From absolute beginner to novelista, this book will change the way you write and think about writing.

This book examines the institutional history and disciplinary future of creative writing in the contemporary academy, looking well beyond the perennial questions 'can writing be taught?' and 'should writing be taught?'.
Paul Dawson traces the emergence of creative writing alongside the new criticism in American universities; examines the writing workshop in relation to theories of creativity and literary criticism; and analyzes the evolution of creative writing pedagogy alongside and in response to the rise of 'theory' in America, England and Australia.
Dawson argues that the discipline of creative writing developed as a series of pedagogic responses to the long-standing 'crisis' in literary studies. His polemical account provides a fresh perspective on the importance of creative writing to the emergence of the 'new humanities' and makes a major contribution to current debates about the role of the writer as public intellectual.