Fun and innovative exercises and prompts for creative writing students. Once Upon a Time in the Twenty-First Century: Unexpected Exercises in Creative Writing is a unique creative writing text that will appeal to a wide range of readers and writers-from grade nine through college and beyond. Successful creative writers from numerous genres constructed these exercises, including poetry, fiction, and creative nonfiction to one-act plays, song lyrics, genre fiction, travel guides, comics and beyond. The exercises use a broad range of creative approaches, aesthetics, and voices, all with an emphasis on demystifying the writing process and having fun. Editor Robin Behn has divided the book into three writing sections: Genres and Forms, Sources and Methods, and Style and Subject. In each section, Behn offers a brief introduction which explains how to get started and specific ways to develop one's writing. Each introduction is followed by extensive exercises that draw on literature from classic to contemporary, as well as other art forms and popular culture. Examples range from Flannery O'Connor and Langston Hughes to Allen Ginsberg and Gertrude Stein, from Jamaica Kincaid and James Joyce to Arlo Guthrie and Harryette Mullen. Integrated within the exercises are apt examples of student writings that have emerged from actual use of the exercises in both the classroom and in writing groups. The book concludes with general advice and direction on how to get published. Based on years of hands-on experiences in the teaching of creative writing in high schools, colleges, and after-school writing clubs, this volume of exercises offers inestimable value to students and teachers in the traditional classroom, as well as a growing number of homeschoolers, those who are part of a writing club or group, and independent writers and learners of all ages.

Writing About Screen Media presents strategies for writing about a broad range of media objects - including film, television, social media, advertising, video games, mobile media, music videos, and digital media - in an equally broad range of formats. The book's case studies showcase media studies' geographical and industrial breadth, with essays covering topics as varied as: Brazilian telenovelas, K-pop music videos, Bombay cinema credit sequences, global streaming services, film festivals, archives, and more. With the expertise of over forty esteemed media scholars, the collection combines personal reflections about writing with practical advice. Writing About Screen Media reflects the diversity of screen media criticism and encourages both beginning and established writers to experiment with content and form. Through its unprecedented scope, this volume will engage not only those who may be writing about film and other screen media for the first time but also accomplished writers who are interested in exploring new screen media objects, new approaches to writing about media, and new formats for critical expression.

Regardless of what genre they've chosen, suspense remains one of the writer's most powerful tools for making readers sweat and keeping them on the edges of their seats. Suspense, Structure, and Plot features thirteen practical, targeted techniques for building suspense in every story. Readers will be able to quicken their story's pace, tighten its structure, add complexity to the plot, enhance character motivation, choose words for sensual specificity, balance narrative with action and dialogue, and improve both their productivity and their professionalism. In short, they'll learn how to craft captivating, complex stories that sell. Complete with examples, case studies, checklists, exercises, and FAQs to help writers make the tools and techniques their own, Suspense, Structure, and Plot provides everything needed to craft a make-'em-sweat page-turner.

William Faulkner at Twentieth Century-Fox: The Annotated Screenplays presents for the first time and in one volume the five screenplays Faulkner wrote while under contract to Twentieth Century-Fox in the mid 1930s and a sixth he wrote in 1952. An informative introduction describes Faulkners screenwriting practices, such as adaptation and collaboration, and contextualizes these within a broader genealogy of Hollywood screenwriting and within one of the most important moments in the history of American cinema. Each of the six screenplays appears in full with scholarly annotations, and brief prefatory essays elucidate their evolution over various drafts and with various co-writers.

At the renowned, international literary conference hosted by Villa Gillet and "Le Monde," organizers asked more than seventy prominent authors to choose a word that opens a door to their work. Their musings, collected here for the first time, offer an extraordinary portrait of writing and reading from the novelist's perspective. Organized alphabetically by keyword, the anthology is filled with intriguing, amusing, and often surprising insight, essential to an intimate understanding of literature.

Through these personal "passwords," authors articulate the function of language, character, plot, and structure. Throughout the process, they reveal their relationship to the elements of story. Jonathan Lethem discusses the necessity of "furniture" in the novel. A. S. Byatt describes the power of the narrative web. Colum McCann details the benefits of anonymity. Daniel Mendelsohn expounds on the unknowable, or what the author should or should not impart to the reader. Etgar Keret explains the importance of "balagan," a Hebrew word meaning "total chaos," and Annie Proulx clarifies "terroir," which embodies the complexities of time, place, geography, weather, and climate. Other participants include Rick Moody on adumbrated, Upamanyu Chatterjee on the bildungsroman, Enrique Vila-Matas on discipline, Adam Thirwell on hedonism, Nuruddin Farah on identities, Andre Brink on the heretic, and P?ter Esterhazy on the power and potential of words, words, words.

Este libro recoge una serie de entrevistas y encuentros con mujeres cineastas del siglo XXI cuyas voces estan redibujando la cinematografia nacional, a menudo, desde los margenes de la industria. La introduccion perfila el contexto de esta emergencia y las principales lineas discursivas, subrayando el surgimiento de redes mas o menos formales que permiten pensarse de manera colectiva. Las entrevistas, realizadas por especialistas en cine espanol y acompanadas de retratos ex profeso, exploran sus trayectorias laborales y vitales, sus aportaciones artisticas y las particularidades del quehacer filmico en clave de genero. Las experiencias de creadoras diversas --cuya obra se adscribe a la ficcion, el documental y la animacion-- ofrecen una mirada poliedrica y descentrada al cine contemporaneo.

New Playwriting Strategies has become a canonical text in the study and teaching of playwriting, offering a fresh and dynamic insight into the subject. This thoroughly revised and expanded second edition explores and highlights the wide spread of new techniques that form contemporary theatre writing, as well as their influence on other dramatic forms.

Paul Castagno builds on the innovative plays of Len Jenkin, Mac Wellman, and the theories of Mikhail Bakhtin to investigate groundbreaking new techniques from a broad range of contemporary dramatists, including Sarah Ruhl, Suzan Lori-Parks and Young Jean Lee. New features in this edition include an in-depth study of the adaptation of classical texts in contemporary playwright and the utilizing new technologies, such as YouTube, Wikipedia and blogs to create alternative dramatic forms.

The author s step-by-step approach offers the reader new models for:

• narrative
• dialogue
• character
• monologue
• hybrid plays

This is a working text for playwrights, presenting a range of illuminating new exercises suitable for everyone from the workshop student to the established writer. New Playwriting Strategies is an essential resource for anyone studying and writing drama today.

Writing to Awaken is an inspirational investigation of the self through expressive writing, guiding you along the path of awakening through radical truth-telling and self-inquiry. With targeted and revelatory questions, you'll be prompted to explore your own personal narrative-to write honestly about your deepest wounds, greatest challenges, hidden gifts, yearnings, and opportunities for growth-in order to discover a deeply authentic understanding of yourself and move toward a more liberated, truthful life. We each have our own story, a personal myth constructed from the content life presents us: we connect dots to shape the narrative, devise plotlines from circumstance, change characters, fashion conflicts, and adjust structure, settings, and themes as our lives unfold. But so often, over time, we come to believe that we are our story, identifying so strongly with the tales we've told ourselves and others that we cling to them for our very existence-even when they don't quite fit. The realization that there's a discrepancy between the narrative you've crafted and your authentic self can be disconcerting at first, but the exploration of that gap is a doorway to personal freedom, and this book will lead you through it. The writing exercises in this guide, one for nearly every week of the year, ask you to tell the whole truth about your experience. In doing so, you'll come to realize that once you engage in this radical truth-telling, expressing yourself with complete honesty, your story changes; and when your story changes, your life is transformed. Rather than sticking with your illusive and tricky "Story of Me," you'll be prompted to go even deeper, piercing your personal myth and illuminating aspects of psyche and spirit that give way to profound moments of understanding and personal healing. This is not a how-to book for writers; it's an invitation on a journey of self-discovery-a guide to facing yourself without flinching, accepting yourself as you are, surrendering to what is, and daring to question and transform what isn't true. With Writing to Awaken, you'll learn how to break free from the trance of mistaken identity and discover your essential, authentic self.

The Technique of the Mystery Story (1914) is a book by Carolyn Wells. Before she began writing her Detective Fleming Stone series of mystery novels, Carolyn Wells was a published poet, accomplished children's author, and professional jingle writer. In the middle of her career, she heard a mystery story by Anna Katharine Green and was instantly hooked. Through years of practice and attention to the craft, she earned a reputation as a leading fiction writer of her generation, an adept craftswoman whose stories appeared in some of the leading newspapers and magazines of the day. "Why is the detective story? To entertain, to interest, to amuse. It has no deeper intent, no more subtle raison d'etre than to give pleasure to its readers." Writing is a simple act, requiring only the mind, a pen, and a piece of paper. But how does one write well, grabbing the reader's attention and ensuring their time will be rewarded by the end of the story? In The Technique of the Mystery Story, Carolyn Wells cuts to the core of a craft she defined despite coming to it late in her career. Exploring the history of the genre, defining its many different forms, and illuminating the stylistic choices that keep a mystery tale running smoothly, Wells provides an invaluable template for writers looking to follow in her footsteps or for readers looking for access to the mind and process of a woman revered in her field. With a beautifully designed cover and professionally typeset manuscript, this edition of Carolyn Wells' The Technique of the Mystery Story is a classic work of American detective fiction reimagined for modern readers.

If a story is going to fail, it will do so first at the premise level. Anatomy of a Premise Line: How to Master Premise and Story Development for Writing Success is the only book of its kind to identify a seven-step development process that can be repeated and applied to any story idea. This process will save you time, money, and potentially months of wasted writing. So whether you are trying to write a feature screenplay, develop a television pilot, or just trying to figure out your next story move as a writer, this book gives you the tools you need to know which ideas are worth pursuing. In addition to the 7-step premise development tool, Anatomy of a Premise Line also presents a premise and idea testing methodology that can be used to test any developed premise line. Customized exercises and worksheets are included to facilitate knowledge transfer, so that by the end of the book, you will have a fully developed premise line, log line, tagline, and a completed premise-testing checklist. Here is some of what you will learn inside: Ways to determine whether or not your story is a good fit for print or screen Case studies and hands-on worksheets to help you learn by participating in the process Tips on how to effectively work through writer's block A companion website (www.routledge.com/cw/lyons) with additional worksheets, videos, and interactive tools to help you learn the basics of perfecting a killer premise line

Dialogue is often overlooked as a necessary and potent instrument in the novelist's repertoire. A novel can rise or fall on the strength of its dialogue. Superb dialogue can make a superb novel. F. Scott Fitzgerald wrote, "Action is character." George V. Higgins said, "Dialogue is character." They were both right, because dialogue is action. It comprises much, if not all, of the clarifying drama of any novel. How much physical action can there be in 300 pages, even in a crime novel or a thriller? And all conflict, even physical, begins as dialogue. Hough explains how dialogue can reveal a character's nature as well as his or her defining impulses and emotions. He says there must be tension in every colloquy in fiction, and shows the reader ways to achieve it. Hough illustrates his precepts with examples from his own work and from that of the best modern writers of dialogue, including Cormac McCarthy, Kent Haruf, Joan Didion, Annie Proulx, Lee Smith, Elmore Leonard, George V. Higgins, William Kennedy and Howard Frank Mosher. He cites early 20th century writers who refined and advanced dialogue as an art form: Ernest Hemingway, Ring Lardner, Dorothy Parker, and William Saroyan. Hough's novel Seen the Glory: A Novel of the Battle of Gettysburg was praised by Lee Smith as containing "the best dialogue of the period I have ever read." Hough on Dialogue will give writers and aspiring writers a fresh look at one of the essential ingredients of their craft. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Filled with practical advice from an award-winning playwright, with a range of resources to guide you in the craft and business of theatre writing, The Art of Writing for the Theatre provides everything you need to write like a seasoned theatre professional, including: * how to analyze and break down a script * how to write a wide range of plays * how to critique a theatre production * how to construct and craft critical essays, cover letters, and theatrical resumes This thorough introduction is supplemented with exercises and new interviews with a host of internationally acclaimed playwrights, lyricists, and critics, including Marsha Norman, Beth Henley, Lyn Gardner, Octavio Solis, Ismail Khalidi, and David Zippel, among many others. Accompanying online resources include playwriting and script analysis worksheets and exercises, an example of a playwriting resume, and critical points to consider on playwriting, design, acting, directing and choreography.

Tailor your screenplay to sell. Find out what Hollywood script readers, producers, and studio executives want in a screenplay (and why) from someone who's been there. Discover what it takes to begin a lasting career as a screenwriter. Peppered with interviews from established professionals, Writing for the Green Light: How to Make Your Script the One Hollywood Notices gives you a sharp competitive edge by showcasing dozens of everyday events that go on at the studios but are rarely if ever discussed in most screenwriting books. With his behind-the-scenes perspective, Scott Kirkpatrick shows you why the system works the way it does and how you can use its unwritten rules to your advantage. He answers such questions as: Who actually reads your script? How do you pique the interest of studios and decision makers? What do agents, producers, and production companies need in a script? How much is a script worth? What are the best genres for new writers and why? What are real steps you can take to 'break in' to television writing? How do you best present or pitch a project without looking desparate? How do you negotiate a contract without an agent? How do you exude confidence and seal your first deal? These and other insights are sure to give you and your screenplay a leg-up for success in this competitive landscape!

Designed with the busy college student in mind, SPEAK provides students with the essentials to deliver a successful oral presentation. It contains easy-to-read brief lessons that highlight key points and principles, eye-catching visuals, quips, and quotes drawn from a variety of sources. This compact resource's intuitive organization and page layout allow students to absorb each skill quickly, logically, and memorably.

When her questions remained unanswered by multiple how-to guides, despite how her writing career was now thriving, Linda decided to go straight to the source: her favourite storytellers across numerous genres. So, Linda co-created the Beautiful Writers Podcast, where she began interviewing authors for the secrets behind their careers - and, without realising it, began building a platform of eager listeners who wanted to learn from their shared idols. With more than two million downloads, Linda's podcast has since become a bright beacon of inspiration for writers at all stages of their journeys. Now, in Beautiful Writers: A Journey of Big Dreams and Messy Manuscripts - with Tricks of the Trade from Bestselling Authors, Linda shares - and expands on - the best of advice and storytelling from the podcast and follow-up interviews with literary greats, including: Terry McMillan Cheryl Strayed Tom Hanks Van Jones Jenny Lawson Steven Pressfield Elizabeth Gilbert Anne Lamott Mary Karr Seth Godin Abby Wambach Martha Beck Marie Forleo Lee Child Patricia Cornwell Dean Koontz Maria Shriver Dr. Jane Goodall Sabaa Tahir Tomi Adeyemi Ann Patchett Dani Shapiro Danielle LaPorte Tosca Lee Joy Harjo Deepak Chopra Wrapped around the page-turning, magical, and wonderfully relatable account of the highs and lows of her own career writing bestselling, award-winning books for herself and others, these stories from the trenches are packed with suspense, laugh-out-loud humor, and raw honesty. Their passion and wisdom will help aspiring writers avoid common pitfalls and energize career authors with a treasure trove of writing insights from their peers. Beautiful Writers is a love letter to reading, writing, and to everyone who reads and writes. It's the book Linda wished she had when she was starting out. Beautiful Writers will become the evergreen companion for creatives everywhere. Write on!

So you've just finished writing something? Congratulations! Now revise it. Because revision is about getting from good to better, and it's only finished when you decide to stop. But where to begin? In On Revision, William Germano shows authors how to take on the most critical stage of writing anything: rewriting it. For more than twenty years, thousands of writers have turned to Germano for his insider's take on navigating the world of publishing. A professor, author, and veteran of the book industry, Germano knows what editors want and what writers need to know: Revising is not just correcting typos. Revising is about listening and seeing again. Revising is a rethinking of the principles from the ground up to understand why the writer is doing something, why they're going somewhere, and why they're taking the reader along with them. On Revision steps back to take in the big picture, showing authors how to hear their own writing voice and how to reread their work as if they didn't write it. On Revision will show you how to know when your writing is actually done-and, until it is, what you need to do to get it there.

For more than twenty years, "Writing Screenplays That Sell" has been hailed as the most complete guide available on the art, craft, and business of writing for movies and television. Now fully revised and updated to reflect the latest trends and scripts, Hollywood story expert and script consultant Michael Hauge walks readers through every step of writing and selling successful screenplays. If you read only one book on the screenwriter's craft, this must be the one.

A perfect alternative to massive fiction anthologies, this brief, affordable collection of 44 short stories from the past three centuries provides a concise yet comprehensive introduction to the study of fiction. Chronologically organized, the anthology includes classic tales from 19th century authors like Hawthorne, Poe, Jewett, and de Maupassant; 20th century gems by Hawthorne, Irving, Poe, Cather, Hurston, Faulkner, O'Connor, and Richard Wright, among others; and admired stories from contemporary authors like Alice Walker, Jamaica Kincaid, Sherman Alexie, and Jhumpa Lahiri-reflecting a diverse range of writers and styles.

ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products. Packages Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase. Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code. Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase. -- A perfect alternative to massive poetry anthologies, this brief, affordable collection of over 250 poems provides a concise yet comprehensive introduction to the study of poetry. Authors new to this collection, including Amy Gerstler (named by the Los Angeles Times as "one of the best poets in the nation"), and award winners Rebecca Foust and Craig Arnold, provide ample evidence that poetry continues to flourish in today's world. Young writers Ernest Hilbert and Erica Dawson bring poetry into the 21 st century and provide inspiration for aspiring young poets.

This book seeks to reshape the way that writers think about constructing their story, looking at the subject from the inside out. Often practitioners and theorists examine work through the separate lenses of character and/or structure and then bring them together. Within this book, authors Hughes and Wilkes argue that character is structure and one without the other makes for a dissatisfying narrative. Through detailed case studies on films that span all genres, from mainstream franchises like The Hunger Games (2012-2015) and Shrek (2001-2010) to art house films such as Toto Le Heros (1991) and Eraserhead (1977), the authors reveal the dramatic imperative behind the central choices or dilemmas faced by every protagonist in every classic feature length narrative. They argue there is only one of five choices that any writer must make in inventing that key transition from the protagonist's ordinary world into the adventure that will form the heart of their story. Using the universal language of folk and fairy stories, this book gives writers and students a clear framework through which they can reference and improve their own storytelling. In doing so, it enables both the novice and experienced screenwriter to tell their story in the most authentic and impactful way, while keeping their protagonist at the heart of the narrative.

In this revised and updated edition of the StoryCenter's popular guide to digital storytelling, StoryCenter founder Joe Lambert offers budding storytellers the skills and tools they need to craft compelling digital stories. Using a "Seven Steps" approach, Lambert helps storytellers identify the fundamentals of dynamic digital storytelling - from conceiving a story, to seeing, assembling, and sharing it. Readers will also find new explorations of the global applications of digital storytelling in education and other fields, as well as additional information about copyright, ethics, and distribution. The book is filled with resources about past and present projects on the grassroots and institutional level, including new chapters specifically for students and a discussion of the latest tools and projects in mobile device-based media. This accessible guide's meaningful examples and inviting tone makes this an essential for any student learning the steps toward digital storytelling.