The Most Comprehensive writing resource a teacher can own! 300 "Quickwrites"; a calendar of 25 topics each month for short, daily practice; 209 story starters and titles for longer, more formal writings; 151 reproducible writing forms. 12 monthly sections.

Undoing the Silence offers guidance to help both citizens and professionals influence democratic process through letters, articles, reports and public testimony. Louise Dunlap, PhD, began her career as an activist writing instructor during the Free Speech Movement of the 1960s. She learned that listening and gaining a feel for audience are just as important to social transformation as the outspoken words of student leaders atop police cars. "Free speech is a first step, but real communication matches speech with listening and understanding. That is when thinking shifts and change happens." Dunlap felt compelled to go where the silences were deepest because her work aimed not just at teaching but also at healing both individual voices and an ailing collective voice. Her tales of those adventures and what she knows about the culture of silence -- how gender, race, education, class, and family work to quiet dissent -- are interwoven with practical methods for people to put their most challenging ideas into words. Louise Dunlap gives writing workshops around the country for universities and social justice, environmental, and peace organizations that help reluctant writers get past their internal censors to find their powerful voice. Her insight strengthens strategic thinking and her "You can do it!" approach makes social-action writing achievable for everyone.

"It's not about whether or not the stories are being told, because they are. Every day, all around you, stories are told. It's not about that. It's about whether or not you choose to listen." Investigating a dusty museum after dark, the discovery of a shining sword thrust into an ancient stone resurrects a figure from Arthurian legend - Merlin! As the wizard weaves his words and magic, a group of friends are transported on an incredible journey - into the past and the future - to shadowy caves in dark forests and rocketing beyond the stars. The Tales of Merlin proves that the world is made up of stories and we all have a part to play in telling them ...

What choices must a biographer make when stitching the pieces of a life into one coherent whole? How do we best create an accurate likeness of a private life from the few articles that linger after death? How do we choose what gets left out? This intriguing and witty collection of essays by an internationally acclaimed biographer looks at how biography deals with myths and legends, what goes missing and what can't be proved in the story of a life. "Virginia Woolf's Nose" presents a variety of case-studies, in which literary biographers are faced with gaps and absences, unprovable stories and ambiguities surrounding their subjects. By looking at stories about Percy Bysshe Shelley's shriveled, burnt heart found pressed between the pages of a book, Jane Austen's fainting spell, Samuel Pepys's lobsters, and the varied versions of Virginia Woolf's life and death, preeminent biographer Hermione Lee considers how biographers deal with and often utilize these missing body parts, myths, and contested data to "fill in the gaps" of a life story.

In "Shelley's Heart and Pepys's Lobsters," an essay dealing with missing parts and biographical legends, Hermione Lee discusses one of the most complicated and emotionally charged examples of the contested use of biographical sources. "Jane Austen Faints" takes five competing versions of the same dramatic moment in the writer's life to ask how biography deals with the private lives of famous women. "Virginia Woolf's Nose" looks at the way this legendary author's life has been translated through successive transformations, from biography to fiction to film, and suggests there can be no such thing as a definitive version of a life. Finally, "How to End It All" analyzes the changing treatment of deathbed scenes in biography to show how biographical conventions have shifted, and asks why the narrators and readers of life-stories feel the need to give special meaning and emphasis to endings.

Virginia Woolf's Nose sheds new light on the way biographers bring their subjects to life as physical beings, and offers captivating new insights into the drama of "life-writing."

"Virginia Woolf's Nose" is a witty, eloquent, and funny text by a renowned biographer whose sensitivity to the art of telling a story about a human life is unparalleled--and in creating it, Lee articulates and redefines the parameters of her craft.

Adaptation was central to Andre Bazin's lifelong query: What is cinema? Placing films alongside literature allowed him to identify the aesthetic and sociological distinctiveness of each medium. More importantly, it helped him wage his campaign for a modern conception of cinema, one that owed a great deal to developments in the novel. The critical genius of one of the greatest film and cultural critics of the twentieth century is on full display in this collection, in which readers are introduced to Bazin's foundational concepts of the relationship between film and literary adaptation. Expertly curated and with an introduction by celebrated film scholar Dudley Andrew, the book begins with a selection of essays that show Bazin's film theory in action, followed by reviews of films adapted from renowned novels of the day (Conrad, Hemingway, Steinbeck, Colette, Sagan, Duras, and others) as well as classic novels of the nineteenth century (Bronte, Melville, Tolstoy, Balzac, Hugo, Zola, Stendhal, and more). As a bonus, two hundred and fifty years of French fiction are put into play as Bazin assesses adaptation after adaptation to determine what is at stake for culture, for literature, and especially for cinema. This volume will be an indispensable resource for anyone interested in literary adaptation, authorship, classical film theory, French film history, and Andre Bazin's criticism.

Sooner or later, most of us get stuck. Feel stuck. Our creativity in crisis... lost, blocked, overwhelmed by work, family, illness. How to find or recover that creative edge? How to get unstuck? For the authors, it began with cancer and stretched into the pandemic. One primarily a writer and the other a painter, they decide to walk together, to talk, write, feed back, reflect and repeat, again and again. They explore trust, openness, motherhood, their willingness to take risks and be exposed, and the particular insights they bring as women. Along the way, they walk and map their way back to creative life. This is their story, but more than that - it's a map for anyone who is feeling stuck. Whether or not you have had a creative practice before (writing/painting/making/crafting), this book will help you find your way into creative expression. The authors offer creative tasks and suggestions in each chapter, and ideas and structures to get you going. But most important, they offer warmth, friendship and inspiration from their own shared vulnerability, struggle, setbacks and muddy walking.

Power and Identity In the Creative Writing Classroom remaps theories and practices for teaching creative writing at university and college level. This collection critiques well-established approaches for teaching creative writing in all genres and builds a comprehensive and adaptable pedagogy based on issues of authority, power, and identity. A long-needed reflection, this book shapes creative writing pedagogy for the 21st century.

Ian McEwan, Margaret Drabble, Martin Amis, Rita Dove, Andrew Motion and Anthony Thwaite are among the twenty-two distinguished contributors of original essays to this landmark volume on the profound and frequently perplexing bond between writer and mother. In compelling detail they bring to life the thoughts, work, loves, friendships, passions and, above all, the influence of mothers upon their literary offspring from Shakespeare to the present. Many of the contributors evoke the ideal with fond and loving memories: understanding, selfless, spiritual, tender, protective, reassuring and self-assured mothers who created environments favorable to the development of their children's gifts. At the opposite end of the parenting spectrum, however, we also see tortured mothers who ignored, interfered with, smothered or abandoned their children. Their early years were times of traumatic loss, unhappily dominated by death and human frailty. Elegantly assembled and presented, Writers and Their Mothers will appeal to everyone interested in biography, literature, and creativity in general.

Based on the author's teaching methods and experience, the book presents an examination and analysis of the creative process of playwriting through the insight of the very foundations of drama and theatre-the ritual process. Using the playwright as a ritual quester, it attempts to concretize the playwright's creative experience from the gestation of a dramatic idea, through the development of that idea, to its expression as a scripted and theatrical expression. To give the concept a wider scope, parallels and/or contrasts are often made with similar creative experiences, especially performative. The first part of the book visually crystallizes the ritual-creative concept in the psychical emanations of the questing playwright; the second part locates the concept in the dramatic structure, a result of the physical engagement, struggle and expression of the playwright. Various established dramatic works, classical and contemporary, are used to illustrate this creative concept.

Discover five imaginary islands that lie waiting for you in the sea of creativity, each with an itinerary specially devised to lead you on writing adventures. Sail to the Island of Wu-Wei, where writing is effortless. Follow your creative intuition around the the Island of Wuzhi and write spontaneously on the Isand of Ziran. Visit the Island of Xin to write from the body and explore creative tension on the Island of Yin-Yang. Using poetry and prose, the 25 excursions in this workbook will encourage you to experiment and cultivate a writing habit, even if you only have half an hour a day to spare. There are many approaches to 'learning' creative writing. The approach that underpins this workbook is inspired by practice. It is founded on the idea that what writers need most is to write. Writers find their feet by writing. They tune their voices by writing. To write frequently and with abandon allows you to explore the palettes and scenery of your creative universe. It is through writing that you discover your own islands. Based on a course designed by acclaimed writing facilitator Anne Schuster, To the Islands is a practical and invaluable sourcebook for individuals, for writing groups and for facilitators of creative learning processes.

The buzz word in publishing houses and at writer's conferences these days is platform. As in, What is the author' s platform?
With more than 175,000 new titles published each year, publishers want to sign authors who are capable of helping to sell their book. The platform may be that the author is a widely syndicated columnist, is the internationally acclaimed expert in his field, or is a highly sought-after motivational speaker. Or perhaps the author is a New York City television news anchor. These types of platforms make a publisher's mouth water. But what about authors who aren t widely known or acclaimed? How does the ordinary guy build a credible platform? The answer: the Internet. Today you can build an international platform right from your kitchen table even if your kitchen table is in Manhattan . . . Kansas.

FOREWORD BY FRASER HESTON In celebration of the fiftieth anniversary of Planet of the Apes, the classic science-fiction film from 1968, The Making of Planet of the Apes tells the film and offers exclusive, never-before-seen photographs and concept art. Based on Pierre Boulle's novel La Planete de singes, the original Planet of the Apes was one of the most celebrated films of the 1960s and beyond. Starring Hollywood icons Charlton Heston and Roddy McDowall, the movie struck a chord with the world and sparked a franchise that included eight sequels, two television series, and a long-running comic book. Now, five decades after its theatrical release, New York Times bestselling author J. W. Rinzler tells the thrilling story of this legendary Hollywood production-a film even Boulle thought would be impossible to make. With a foreword by Fraser Heston, Charlton Heston's son, The Making of Planet of the Apes is an entertaining, informative experience that will transport readers back to the strange alternate Earth ruled by apes, and bring to life memorable characters such as Cornelius, Dr. Zira, Dr. Zaius, and Taylor, the human astronaut whose time-traveling sparks an incredible adventure. Meticulously researched and designed to capture the look and atmosphere of the film, The Making of Planet of the Apes is also packed with a wealth of concept paintings, storyboards, and never-before-seen imagery-including rare journal pages and sketches from Charlton Heston's private collection-as well as color and black-and-white unit photography, posters, and more unique ephemera. Comprehensive in scope, The Making of Planet of the Apes is the definitive look at the original blockbuster film, a must-have for fans, film buffs, and collectors alike.

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More than 45 agent, editor, and author-written chapters--called workshops in the book--provide instruction on the writing craft and the business of getting published.

To write a million dollar screenplay you need determination, talent, and an insider's knowledge about what Hollywood wants. With in-depth interviews and revealing insights, this look behind the scenes is comprehensive, inspiring readers with advice, secrets, and stories from screenwriters like: Akiva Goldsman - "A Beautiful Mind"; David Hayter - "X-Men," and Ed Solomon - "Men in Black."

A play by William Shakespeare in 16 point type.